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Zombie Zoology an Unnatural History: Severed Press has assembled a truly original anthology of never before published stories of living dead beasts. Inside you will find tales of prehistoric creatures rising from the Bog, a survivalist taking on a troop of rotting baboons, a NASA experiment going Ape, A hunter going a Moose too far and many more undead creatures from Hell. The crawling, buzzing, flying abominations of mother nature have risen and they are hungry.
Take a walk on the weird side! Astronaut fish swimming in zero gravity? Fluffy little birds hungry for brains? Transformer butterflies morphing in midair? It's either a bad trip or one crazy safari. Becky Crew takes you on the latter by mixing serious scientific facts with lighthearted anthropomorphic stories. Each animal profile starts with a short, humorous day-in-the-life-of bit that leads into the real science of these really strange creatures. Becky keeps things fresh by mixing in her wit with the interesting facts. From naked mole rat reproduction to the Wolverine-style defenses of Cameroon's hairy frogs, Zombie Birds, Astronaut Fish, and Other Weird Animals packs enough information for one heck of a nature walk.
The conventional history of animals could be more accurately described as the history of human ideas about animals. Only in the last few decades have scholars from a wide variety of disciplines attempted to document the lives of historical animals in ways that recognize their agency as sentient beings with complex intelligence. This collection advances the field further, inviting us to examine our recorded history through an animal-centric lens to discover how animals have altered the course of our collective past. The seventeen scholars gathered here present case studies from the Pacific Ocean, Africa, Europe, and the Americas, involving species ranging from gorillas and horses to salamanders and orcas. Together they seek out new methodologies, questions, and stories that challenge accepted historical assumptions and structures. Drawing upon environmental, social, and political history, the contributors employ research from such wide-ranging fields as philosophy and veterinary medicine, embracing a radical interdisciplinarity that is crucial to understanding our nonhuman past. Grounded in the knowledge that there has never been a purely human time in world history, this collection asks and answers an incredibly urgent question for historians and others interested in the nonhuman past: in an age of mass extinctions, mass animal captivity, and climate change, when we know much of what animals have done in the past, which of our activities will we want to change in the future?
Hoopla, by the co-author of 2009's bestselling Yarn Bombing: The Art of Crochet and Knit Graffiti, showcases those who take the craft of embroidery where it's never gone before, in an astonishing, full-color display of embroidered art. Hoopla rebels against the quaint and familiar embroidery motifs of flowers and swashes, and focuses instead on innovative stitch artists who specialize in unusual, guerrilla-style patterns such as a mythical jackalope and needlepoint nipple doilies; it demonstrates that modern embroidery artists are as sharp as the needles with which they work. Hoopla includes twenty-eight innovative embroidery patterns and profiles of contemporary embroidery artists, including Jenny Hart, author of Sublime Stitching; Rosa Martyn of the UK-based Craftivism Collective; Ray Materson, an ex-con who learned to stitch in prison; Sherry Lynn Wood of the Tattooed Baby Doll Project, which collaborated with female tattoo artists across the United States; Penny Nickels and Johnny Murder, the self-proclaimed Bonnie and Clyde of embroidery; and Alexandra Walters, a military wife who replicates military portraits and weapons in her stitching. Full-color throughout and bursting with history, technique, and sass, Hoopla will teach readers how to stitch a ransom note pillow, mean and dainty knuckle-tattoo church gloves; and create their own innovative embroidery projects. If you like anarchistic DIY craft and the idea of deviating from the rules, Hoopla will inspire you to wield a needle with flair! With a foreword by Betsy Greer.
Jurassic Park meets The Sixth Extinction in Rise of the Necrofauna, a provocative look at de-extinction from acclaimed documentarist and science writer Britt Wray. A New Yorker “The Books We Loved in 2017” Selection A Science News Favorite Book of 2017 A Sunday Times "Must Read" What happens when you try to recreate a woolly mammoth—fascinating science, or conservation catastrophe? In Rise of the Necrofauna, Wray takes us deep into the minds and labs of some of the world's most progressive thinkers to find out. She introduces us to renowned futurists like Stewart Brand and scientists like George Church, who are harnessing the powers of CRISPR gene editing in the hopes of "reviving" extinct passenger pigeons, woolly mammoths, and heath hens. She speaks with Nikita Zimov, who together with his eclectic father Sergey, is creating Siberia's Pleistocene Park—a daring attempt to rebuild the mammoth's ancient ecosystem in order to save earth from climate disaster. Through interviews with these and other thought leaders, Wray reveals the many incredible opportunities for research and conservation made possible by this emerging new field. But we also hear from more cautionary voices, like those of researcher and award-winning author Beth Shapiro (How to Clone a Woolly Mammoth) and environmental philosopher Thomas van Dooren. Writing with passion and perspective, Wray delves into the larger questions that come with this incredible new science, reminding us that de-extinction could bring just as many dangers as it does possibilities. What happens, for example, when we bring an "unextinct" creature back into the wild? How can we care for these strange animals and ensure their comfort and safety—not to mention our own? And what does de-extinction mean for those species that are currently endangered? Is it really ethical to bring back an extinct passenger pigeon, for example, when countless other birds today will face the same fate? By unpacking the many biological, technological, ethical, environmental, and legal questions raised by this fascinating new field, Wray offers a captivating look at the best and worst of resurrection science. A captivating whirlwind tour through the birth and early life of the scientific idea known as “de-extinction.”—Beth Shapiro, author of How to Clone a Mammoth: The Science of De-Extinction Published in Partnership with the David Suzuki Institute.
Author : Rebecca Crew Publisher : University of New South Wales Press Page : 0 pages File Size : 15,4 MB Release : 2012 Category : Animals ISBN : 9781742233215
Did you know that the peacock mantis shrimp has the most powerful punch on Earth? That vampire spiders are attracted to your smelly socks? That the lesser water boatman is the loudest animal in the world and its instrument is its own penis? Or that concave-eared frogs have a secret language that only males can hear? From the mother-eating black-lace weaver spiders to Texas horned lizards that can shoot jets of poisonous blood from their eyes, this book from fearless science blogger Becky Crew will introduce you to a menagerie of the worlds weirdest animals.
A parasite’s main goal is to survive—whether or not their host does. The hairworm is a prime example of this, forcing its grasshopper host to leap to its death so the hairworm can swim away happily. Including an introduction to parasite-host relationships, the main content in this volume will fascinate readers and supports the science curriculum. Detailed fact boxes and colorful photographs add even more fun, gross, and terrifying information about the zombie grasshopper and its terrible traveling companion, the hairworm.
Depictions of the zombie apocalypse continue to reshape our concept of the walking dead (and of ourselves). The undead mirror cultural fears--governmental control, lawlessness, even interpersonal relationships--exposing our weaknesses and demanding a response (or safeguard), even as we imagine ever more horrifying versions of post-apocalyptic life. This critical study traces a shift in narrative focus in portrayals of the zombie apocalypse, as the living move from surviving hypothetical destruction toward reintegration and learning to live with the undead.