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Zelimir Zilnik

Author : What, How & For Whom/WHW
Publisher : National Geographic Books
Page : 0 pages
File Size : 24,59 MB
Release : 2021-02-02
Category : Art
ISBN : 3956795202

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Explorations of the radical film praxis and extensive oeuvre of filmmaker Želimir Žilnik. Shadow Citizens offers insights into the radical film praxis and extensive oeuvre of filmmaker Želimir Žilnik (b. 1942). Since his beginnings in the lively amateur film scene of Yugoslavia in the 1960s, Žilnik has made more than fifty films, often in the genre of docudrama. Many of Žilnik's films have anticipated real-world events--the dissolution of Yugoslavia, the economic transition from socialism to a neoliberal order, the annihilation of workers' rights, and wider social erosion related to labor and migration. The title, Shadow Citizens, reflects Žilnik's lifelong focus on invisible, suppressed, and under- and misrepresented members of society. As a concept, "shadow citizens" is related to "amateur politics" as a form of political engagement--the imaginative and subversive non-normative knowledge and alternative sensibilities that lie dormant but occasionally push back against politics as usual. Courageous amateurism is prominent in Žilnik's films, both as a concept and as a method, and the texts in this book elaborate on the potential of shadow citizens and the pressures of the amateur undercurrent in emancipatory politics and artistic production. The notion of shadow citizens, conceived as different minorities that are increasingly becoming majorities everywhere, runs through Žilnik's oeuvre, where it is used to imagine a new concept of citizenship that pushes current limits and borders. Contributors Boris Buden, Greg de Cuir Jr, Ana Janevski, Dijana Jelača, Edit Molnár, Bert Rebhandl, Marcel Schwierin, WHW, Želimir Žilnik

Želimir Žilnik

Author : Miroljub Stojanović
Publisher :
Page : 172 pages
File Size : 47,34 MB
Release : 2003
Category : Motion picture producers and directors
ISBN :

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Feminist Takes

Author : Antonia Majaca
Publisher :
Page : pages
File Size : 12,3 MB
Release : 2021
Category :
ISBN : 9788090638129

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"Canonical within the Yugoslav New Film of the late 1960s and the 1970s, Želimir Žilnik's Early Works (1968) follows the female revolutionary Jugoslava as she leaves her lumpenproletariat family to spread the teachings of young Marx and Engels among the peasants and factory workers. The violent responses to this proselytizing mission, which include the rape of Jugoslava and the beating of her three male comrades, invoke the repression of the 1968 student movement in socialist Yugoslavia. The film's allegorical examination of the contradictions of Yugoslav state socialism culminates when Jugoslava becomes the object of her comrades' violence, who shoot her and set her body on fire. This edited volume, a part of Antonia Majaca's ongoing collaborative investigation Feminist Takes, initiates a discussion of the filmic--and historical--fate of Jugoslava and the prospects of revolutionary feminism." (Homepage SternbergPress 26.01.22)

Želimir Žilnik

Author : Milica Vlajković
Publisher :
Page : 102 pages
File Size : 33,39 MB
Release : 2020
Category :
ISBN :

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Disintegration in Frames

Author : Pavle Levi
Publisher : Stanford University Press
Page : 228 pages
File Size : 14,9 MB
Release : 2007
Category : Literary Criticism
ISBN : 9780804753685

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Disintegration in Frames explores the relationship between aesthetics and ideology in the Yugoslav and post-Yugoslav cinema, with emphasis on issues of nationalism, internationalism, and interethnic relations.

Configurations of Migration

Author : Jennifer Leetsch
Publisher : Walter de Gruyter GmbH & Co KG
Page : 240 pages
File Size : 32,30 MB
Release : 2023-10-23
Category : Art
ISBN : 3110783819

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In a global context in which phenomena of migration play an ever more important role, the ways individual and collective experiences of migration are covered in the media, represented in culture, and interpreted are coming under increasing scrutiny. This book explores the complex relationship between creative engagements with migration on the one hand, and forms of knowledge about migration on the other, inquiring into the ways aesthetic practices are intertwined with knowledge structures. The book responds to three pressing research questions. First, it analyses how fictional texts, plays, images, films, and autobiographical accounts mediate forms of knowledge about migration. Second, it identifies the ways in which specific media approaches and aesthetic practices influence people's ideas about and awareness of migratory experiences in a globalized world. Finally, it delineates how historical perspectives help us compare epistemological approaches to migration in the nineteenth, twentieth, and early twenty-first centuries, and how these approaches affect the way critics and the public responded to and thought about different forms of (forced) migration. Bringing together renowned scholars working across disciplines, it investigates the possibilities and limitations that different media present when it comes to reflecting on, communicating, and imagining experiences of migration, and how these representations in turn create ways of knowing and understanding migration.

A Companion to Contemporary Documentary Film

Author : Alexandra Juhasz
Publisher : John Wiley & Sons
Page : 696 pages
File Size : 42,39 MB
Release : 2020-06-03
Category : Performing Arts
ISBN : 1119685664

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A Companion to Contemporary Documentary Film presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. Presents a comprehensive collection of essays relating to all aspects of contemporary documentary films Includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field Explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film – the planet, migration, work, sex, virus, religion, war, torture, and surveillance Considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media

Cinema by Other Means

Author : Pavle Levi
Publisher : OUP USA
Page : 237 pages
File Size : 38,98 MB
Release : 2012-04-10
Category : Performing Arts
ISBN : 019984142X

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This title recounts the history of para-cinema - the long tradition within the avant garde of adapting the tools, technologies, and techniques of conventionalfilm-making. Levi's study considers works by filmmakers, artists, and theorists from France, Italy, the Soviet Union, Germany, Hungary, and Yugoslavia.

The Sacrificed Body

Author : Tatjana Aleksic
Publisher : University of Pittsburgh Press
Page : 282 pages
File Size : 28,87 MB
Release : 2013-10-28
Category : Literary Criticism
ISBN : 0822979136

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Living in one of the world's most volatile regions, the people of the Balkans have witnessed unrelenting political, economic, and social upheaval. In response, many have looked to building communities, both psychologically and materially, as a means of survival in the wake of crumbling governments and states. The foundational structures of these communities often center on the concept of individual sacrifice for the good of the whole. Many communities, however, are hijacked by restrictive ideologies, turning them into a model of intolerance and exclusion. In The Sacrificed Body, Tatjana Aleksic examines the widespread use of the sacrificial metaphor in cultural texts and its importance to sustaining communal ideologies in the Balkan region. Aleksic further relates the theme to the sanctioning of ethnic cleansing, rape, and murder in the name of homogeneity and collective identity. Aleksic begins her study with the theme of the immurement of a live female body in the foundation of an important architectural structure, a trope she finds in texts from all over the Balkans. The male builders performing the sacrificial act have been called by a higher power who will ensure the durability of the structure and hence the patriarchal community as a whole. In numerous examples ranging from literature to film and performance art, Aleksic views the theme of sacrifice and its relation to exclusion based on gender, race, class, sexuality, religion, or politics for the sake of community building. According to Aleksic, the sacrifice narrative becomes most prevalent during times of crisis brought on by wars, weak governments, foreign threats, or even globalizing tendencies. Because crisis justifies the very existence of restrictive communities, communalist ideology thrives on its perpetuation. They exist in a symbiotic relationship. Aleksic also acknowledges the emancipatory potential of a genuine community, after it has shaken off its ideological character. Aleksic employs cultural theory, sociological analysis, and human rights studies to expose a historical narrative that is predominant regionally, if not globally. As she determines, in an era of both Western and non-Western neoliberalism, elitist hegemony will continue to both threaten and bolster communities along with their segregationist tactics.

On the Wings of Hypothesis

Author : Annette Michelson
Publisher : MIT Press
Page : 257 pages
File Size : 28,26 MB
Release : 2020-10-13
Category : Art
ISBN : 0262044498

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Annette Michelson's erudite and incisive readings of the revolutionary films of Sergei Eisenstein and Dziga Vertov, collected for the first time. This posthumous volume gathers Annette Michelson's erudite and incisive readings of the revolutionary films of Sergei Eisenstein and Dziga Vertov, giving readers the opportunity to track her sustained investigations into their work. Michelson introduced American audiences to Soviet cinema in the early 1970s, extending the interpretive paradigm she had used for American filmmakers of the mid-twentieth century—in which she emphasized phenomenological readings of their work—to films and writings by Eisenstein and Vertov. Over four decades, Michelson returned again and again to what she calls, following Eisenstein, “intellectual cinema”—the deliberate attempt to create philosophically informed analogues for consciousness. The volume includes Michelson's major essays on Eisenstein's unrealized attempts to make movies of both Marx's Capital and Joyce's Ulysses, as well as her authoritative discussion of Vertov's 1929 masterpiece The Man with a Movie Camera. Together, the texts demonstrate Michelson's pervasive influence as a writer and thinker, and her role in the establishment of cinema studies as an academic field. This collection makes these canonical texts available for a new generation of film scholars.