Author : Gioseffo Zarlino
Publisher :
Page : 944 pages
File Size : 47,53 MB
Release : 1977
Category : Music
ISBN :
Zarlino on Modes
Gioseffo Zarlino
[PDF] Zarlino On Modes eBook
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The Language of the Modes
Frans Wiering
Author : Frans Wiering
Publisher : Routledge
Page : 335 pages
File Size : 21,36 MB
Release : 2013-10-11
Category : Music
ISBN : 1135683344
The Language of the Modes provides a study of modes in early music through eight essays, each dealing with a different aspects of modality. The volume codifies all known theoretical references to mode, all modally ordered musical sources, and all modally cyclic compositions. For many music students and listeners, the "language of the modes" is a deep mystery, accustomed as we are to centuries of modern harmony. Wiering demystifies the modal world, showing how composers and performers were able to use this structure to create compelling and beautiful works. This book will be an invaluable source to scholars of early music and music theory. in early music through eight essays, each dealing with a different aspects of modality. It codifies all known theoretical references to mode, all modally ordered musical sources, and all modally cyclic compositions. This book will be an invaluable source to scholars of early music.
Istitutioni harmoniche
Gioseffo Zarlino
Author : Gioseffo Zarlino
Publisher :
Page : 294 pages
File Size : 44,75 MB
Release : 1976
Category :
ISBN :
Zarlino on Modes
V. Cohen
Author : V. Cohen
Publisher :
Page : pages
File Size : 22,54 MB
Release : 1981
Category :
ISBN :
Institutioni Harmoniche
Gioseffo Zarlino
Author : Gioseffo Zarlino
Publisher : W. W. Norton
Page : 294 pages
File Size : 27,66 MB
Release : 1976
Category : Music
ISBN : 9780393008333
Zarlino's Le Istitutioni harmoniche, published in 1558, is one of the most influential music treatises of all time. To his contemporaries it revealed the secrets of composition he had learned from Adrian Willaert, who brought to Italy the polyphonic art of the Netherlands. To the modern scholar Zarlino's treatise illumines the compositional technique of the golden age of vocal polyphony. The essence of this art is contained in Part III, "The Art of Counterpoint," which is here translated into English for the first time.
Between Modes and Keys
Joel Lester
Author : Joel Lester
Publisher : Pendragon Press
Page : 274 pages
File Size : 13,83 MB
Release : 1989
Category : Juvenile Nonfiction
ISBN : 9780918728777
This study of music theory examines in detail the persistence of modal thinking in German-speaking areas, which coexisted with major-minor principles, and its impact on German music from the Baroque through the High Classical period.
The Language of the Modes
Frans Wiering
Author : Frans Wiering
Publisher : Psychology Press
Page : 338 pages
File Size : 21,47 MB
Release : 2001
Category : Music
ISBN : 9780815333425
The Language of the Modes provides a study of modes in early music through eight essays, each dealing with a different aspects of modality. The volume codifies all known theoretical references to mode, all modally ordered musical sources, and all modally cyclic compositions. For many music students and listeners, the "language of the modes" is a deep mystery, accustomed as we are to centuries of modern harmony. Wiering demystifies the modal world, showing how composers and performers were able to use this structure to create compelling and beautiful works. This book will be an invaluable source to scholars of early music and music theory. in early music through eight essays, each dealing with a different aspects of modality. It codifies all known theoretical references to mode, all modally ordered musical sources, and all modally cyclic compositions. This book will be an invaluable source to scholars of early music.
Musical Theory in the Renaissance
CristleCollins Judd
Author : CristleCollins Judd
Publisher : Routledge
Page : 635 pages
File Size : 39,28 MB
Release : 2017-07-05
Category : History
ISBN : 1351556843
This volume of essays draws together recent work on historical music theory of the Renaissance. The collection spans the major themes addressed by Renaissance writers on music and highlights the differing approaches to this body of work by modern scholars, including: historical and theoretical perspectives; consideration of the broader cultural context for writing about music in the Renaissance; and the dissemination of such work. Selected from a variety of sources ranging from journals, monographs and specialist edited volumes, to critical editions, translations and facsimiles, these previously published articles reflect a broad chronological and geographical span, and consider Renaissance sources that range from the overtly pedagogical to the highly speculative. Taken together, this collection enables consideration of key essays side by side aided by the editor‘s introductory essay which highlights ongoing debates and offers a general framework for interpreting past and future directions in the study of historical music theory from the Renaissance.
From Modes to Keys in Early Modern Music Theory
Michael R. Dodds
Author : Michael R. Dodds
Publisher : Oxford University Press
Page : 513 pages
File Size : 44,48 MB
Release : 2023-12-05
Category : Music
ISBN : 0199338159
From Modes to Keys in Early Modern Music Theory addresses one of the broadest and most elusive open topics in music history: the transition from the Renaissance modes to the major and minor keys of the high Baroque. Through deep engagement with the corpus of Western music theory, author Michael R. Dodds presents a model to clarify the factors of this complex shift.
The Cambridge History of Western Music Theory
Thomas Christensen
Author : Thomas Christensen
Publisher : Cambridge University Press
Page : 1033 pages
File Size : 19,93 MB
Release : 2006-04-20
Category : Music
ISBN : 1316025489
The Cambridge History of Western Music Theory is the first comprehensive history of Western music theory to be published in the English language. A collaborative project by leading music theorists and historians, the volume traces the rich panorama of music-theoretical thought from the Ancient Greeks to the present day. Recognizing the variety and complexity of music theory as an historical subject, the volume has been organized within a flexible framework. Some chapters are defined chronologically within a restricted historical domain, whilst others are defined conceptually and span longer historical periods. Together the thirty-one chapters present a synthetic overview of the fascinating and complex subject that is historical music theory. Richly enhanced with illustrations, graphics, examples and cross-citations as well as being thoroughly indexed and supplemented by comprehensive bibliographies of the most important primary and secondary literature, this book will be an invaluable resource for students and scholars alike.