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The Guide, a detailed one-volume reference work with alphabetically ordered entries, is a bio-bibliography of Yiddish culture in Britain, emphasising Jewish life lived-in-Yiddish and based largely on Yiddish sources. It views Yiddish culture in Britain as a small but vital segment of Ashkenazic life showing its lifelines from the Continent and to the New World. It documents the multiple relations which this culture has had with its surroundings, Jewish and non-Jewish. Wholly in English, it includes biographical, bibliographical, historical, linguistic, theatrical and other kinds of information, much of it unavailable elsewhere.
This book tells the epic thousand-year story of Britain's Jewish community, the country's oldest minority group, replete with the dark episodes of persecution and expulsion, but also with positive periods of acceptance and toleration. Some Jews came as wealthy traders, others as desperate refugees; some had to lead secret lives, and others in different times stood shoulder to shoulder with the rest of the nation against threats to the British way of life, which included the Nazis. The impact of Jewish culture on daily life – on language, on food, on religion, art and business – has been inestimable, and this book is a fully illustrated introduction and fitting tribute.
Language Politics and Language Survival: Yiddish among the haredim in post-war Britain outlines the history and development of the Yiddish language as it is used among Ultra-Orthodox Jews in contemporary Britain. The language policies of these communities are analysed and placed within the greater socio-historical and religious context of rabbinic justifications for the use of Jewish languages, and of Yiddish in particular. Reasons for the general abandonment of Yiddish outside of the haredi world are also summarized and placed in juxtaposition with the Yiddish language of loyalty of the haredim. Yiddish language and corpus planning in haredi schools is analysed using communal documents and newspaper articles, educational assessments of Jewish schools compiled by Her Majesty's Inspectors, a number of interviews with communal educators, tape recordings of lessons given in Yiddish, and observations made during my own visits to haredi educational institutions. A significant part of this book is dedicated to the analysis of the Yiddish language itself as it is currently used in Britain. The analysis of spoken Yiddish is based on recordings of speech patterns collected in the course of field work in haredi schools in London and Manchester and focuses primarily on dialectal usage based on religious sect and the geographic region within Britain. A brief sociological analysis of haredi literature in Yiddish is provided in order to demonstrate the ideological function of Yiddish language texts in contemporary Britain, and in the haredi world in general. The primary materials used for this are texts produced by, and published within, the haredi communities of Britain.
Seminar paper from the year 2006 in the subject Didactics for the subject English - Pedagogy, Literature Studies, grade: sehr gut, University of Freiburg, language: English, abstract: Origins: Yiddish is the historic language of Asheknazic (Central and East European) Jews, and is the third principal literary language in Jewish history, after classical Hebrew and (Jewish) Aramaic. The language is characterized by a synthesis of Germanic (the major component, derived from medieval German city dialects, themselves recombined) with Hebrew and Aramaic. Scholars tend to locate the origins of Yiddish in the Rhineland, where a handwritten prayer book from 1272 was found in the city of Worms containing the earliest known written Yiddish sentence. 2 Yiddish has a particular tradition: it took root and flowered in the ghettos (from Venetian gheto, a foundry on a small island where in XVI Jews were confined3), starting in walled juderías in Spain in the thirteenth century (according to the Lateran Councils of 1179 and 1215 it was forbidden to Jews to live close to Christians and in 1555 Paul IV ordered segregated quarters for Jews in the Papal States).
North American Edition of the UK Bestseller How identity politics failed one particular identity. ‘a must read and if you think YOU don’t need to read it, that’s just the clue to know you do.’ SARAH SILVERMAN ‘This is a brave and necessary book.’ JONATHAN SAFRAN FOER ‘a masterpiece.’ STEPHEN FRY
This authoritative and comprehensive guide to key people and events in Anglo-Jewish history stretches from Cromwell's re-admittance of the Jews in 1656 to the present day and contains nearly 3000 entries, the vast majority of which are not featured in any other sources.
This book investigates a Jewish orientation to film culture in interwar Britain. It explores how pleasure, politics and communal solidarity intermingled in the cinemas of Jewish neighbourhoods, and how film was seen as a vessel through which Jewish communal concerns might be carried to a wider public. Addressing an array of related topics, this volume examines the lived expressive cultures of cinemas in Jewish areas and the ethnically specific films consumed within these sites; the reception of film stars as representations of a Jewish social body; and how an antisemitic canard that understood the cinema as a Jewish monopoly complicated its use as a base for anti-fascist activity. In shedding light on an unexplored aspect of British film reception and exhibition, Toffell provides a unique insight into the making of the modern city by migrant communities. The title will be of use to anyone interested in Britain’s interwar leisure landscape, the Jewish presence in modernity, and a cinema studies sensitised to the everyday experience of audiences.
New perspectives on Anglo-Jewish history via the poetry and song of Yiddish-speaking immigrants in London from 1884 to 1914. Archive material from the London Yiddish press, songbooks, and satirical writing offers a window into an untold cultural life of the Yiddish East End. Whitechapel Noise: Jewish Immigrant Life in Yiddish Song and Verse, London 1884–1914 by Vivi Lachs positions London’s Yiddish popular culture in historical perspective within Anglo-Jewish history, English socialist aesthetics, and music-hall culture, and shows its relationship to the transnational Yiddish-speaking world. Layers of cultural references in the Yiddish texts are closely analyzed and quoted to draw out the complex yet intimate histories they contain, offering new perspectives on Anglo-Jewish historiography in three main areas: politics, sex, and religion. The acculturation of Jewish immigrants to English life is an important part of the development of their social culture, as well as to the history of London. In part one of the book, Lachs presents an overview of daily immigrant life in London, its relationship to the Anglo-Jewish establishment, and the development of a popular Yiddish theatre and press, establishing a context from which these popular texts came. The author then analyzes the poems and songs, revealing the hidden social histories of the people writing and performing them. For example, how Morris Winchevsky’s London poetry shows various attempts to engage the Jewish immigrant worker in specific London activism and political debate. Lachs explores how themes of marriage, relationships, and sexual exploitation appear regularly in music-hall songs, alluding to the changing nature of sexual roles in the immigrant London community influenced by the cultural mores of their new location. On the theme of religion, Lachs examines how ideas from Jewish texts and practice were used and manipulated by the socialist poets to advance ideas about class, equality, and revolution; and satirical writings offer glimpses into how the practice of religion and growing secularization was changing immigrants’ daily lives in the encounter with modernity. The detailed and nuanced analysis found in Whitechapel Noiseoffers a new reading of Anglo-Jewish, London, and immigrant history. It is a must-read for Jewish and Anglo-Jewish historians and those interested in Yiddish, London, and migration studies.
'...detailed and fair.' The Spectator 'An exhaustive, impressive achievement.' The Tablet As a minority, Jews in Britain are confident, their institutions competent and mature. And yet within Jewish life in Britain there is a pervading sense of anxiety. Jews in Britain have risen to the top of nearly every profession, they run major companies, sit at the top tables in politics, make their voices heard in the media, are prominent in science and the arts. Of course there is serious poverty and gross disadvantage, just as there is in any community. But on any objective measure, British Jews have done well. Particularly when we consider where they came from, the impoverished, often oppressed lives that many Jews lived in Eastern Europe and the Ottoman Empire less than 200 years ago. Jews have lived in Britain longer than any other minority. They've been here so long, and are so ingrained into the national fabric, that they are often not considered to be a minority at all. Until a periodic outburst of antisemitism or a flare up in the Middle East, or both, turns the spotlight on them once again. British Jews have another distinction too. They have lived safely and securely, continuously, in Britain longer than any other modern Jewish community has lived anywhere else in the world. They have organised themselves in a way that serves as a model both to more recent immigrant communities in Britain and to Jewish communities elsewhere. Being British, they wear their distinctions lightly, they don't trumpet their achievements, in fact they rarely make a noise at all. But they give back quietly: established Jewish organisations help more recently arrived minorities to create their own structures, charities draw on the Jewish experience of dislocation and persecution to help oppressed people in the developing world, philanthropists support causes far beyond the boundaries of their own communities. Britain's Jews is a challenging look at Jewish life in the UK today. Based on conversations with Jews from all walks of life, it depicts, in ways that are at times disturbing, at other times inspiring, what it is like to be Jewish in 21st century Britain. And why Jewish life is still a subject of fascination.