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This delightfully illustrated ABC book for grown-ups offers a fresh and irreverent take on Shakespeare’s most memorable characters. The plays of William Shakespeare contain some of the most renowned characters and stories in all of literature. The perfect gift for any fan of The Bard, Y is for Yorick takes playful jabs at the unforgettable plots and people we all know and love. From Ariel (of The Tempest) to Elizabeth (of Richard III), each entry combines amusing illustrations with tongue-in-cheek captions about each character.
"Funny and scary…an utterly believable critique of society. A+"—THE WASHINGTON POST"The best graphic novel I've ever read."—STEPHEN KING"This year's best movie is a comic book."—ALL THINGS CONSIDERED, NATIONAL PUBLIC RADIO"A seriously funny, nuanced fable...Grade A."—ENTERTAINMENT WEEKLY Y: THE LAST MAN, winner of three Eisner Awards and one of the most critically acclaimed, best-selling comic books series of the last decade, is that rare example of a page-turner that is at once humorous, socially relevant and endlessly surprising. Written by Brian K. Vaughan (Lost, PRIDE OF BAGHDAD, EX MACHINA) and with art by Pia Guerra, this is the saga of Yorick Brown—the only human survivor of a planet-wide plague that instantly kills every mammal possessing a Y chromosome. Accompanied by a mysterious government agent, a brilliant young geneticist and his pet monkey, Ampersand, Yorick travels the world in search of his lost love and the answer to why he's the last man on earth. Collecting issues #1-5.
The continuation of Brian K. Vaughan and artist Pia GuerraÕs acclaimed VERTIGO series Y: THE LAST MAN brings to vivid life the age-old speculation: What would really happen to the last man on Earth? In 2002, the world changes forever. Every man, every boy, every mammal with a Y chromosome everywhere on Earth suddenly collapses and dies. With the loss of nearly half the planetÕs population, the gears of society grind to a halt, and a world of women are left to pick up the pieces and try to keep civilization from collapsing entirely. The Ògendercide,Ó however, is not absolutely complete. For some unknown reason, one young man named Yorick Brown and his pet male monkey, Ampersand, are spared. Overnight, this anonymous twenty-something becomes the most important person on the planetÑthe key, it is hoped, to unlocking the secret of the mysterious sex-specific plague. For Yorick himself, the most important person on the planet has been agonizingly out of reach. But now, after three long years and 10,000 arduous miles, the last man is closing in on the truth about his lost fianceÑand the shocking facts behind his own survival. Collects Y: THE LAST MAN #37-48
Peter Caws provides a fresh and often iconoclastic treatment of some of the most vexing problems in the philosophy of science: explanation, induction, causality, evolution, discovery, artificial intelligence, and the social implications of technological rationality. Caws's work has been shaped equally by the insights of Continental philosophy and a concern with scientific practice. In these twenty-eight essays spanning more than a quarter of a century, he ranges from discussions of the work of French philosopher Gaston Bachelard, to relations between science and surrealism, to the concept of intentionality, to the limits of quantitative description. A lively mix of history, theory, speculation, and analysis, Yorick's World presents a vision of science that includes human history and social life. It will interest professional philosophers and scientists, and at the same time its directness will make it readily accessible to nontechnical readers.
A history of machine translation (MT) from the point of view of a major writer and innovator in the field is the subject of this book. It details the deep differences between rival groups on how best to do MT, and presents a global perspective covering historical and contemporary systems in Europe, the US and Japan. The author considers MT as a fundamental part of Artificial Intelligence and the ultimate test-bed for all computational linguistics.
Brian K. Vaughn's classic 60-issue post-apocalyptic series is now available in this new omnibus. WINNER OF THREE EISNER AWARDS. A WORLD WITHOUT MEN... In 2002, the world changes forever. Every man, every boy, every mammal with a Y chromosome everywhere on Earth suddenly collapses and dies. With the loss of nearly half the planet's population, the gears of society grind to a halt, and a world of women are left to pick up the pieces and try to keep civilization from collapsing entirely. The "gendercide," however, is not absolutely complete. For some unknown reason, one young man named Yorick Brown and his pet male monkey, Ampersand, are spared. Overnight, this anonymous twentysomething becomes the most important person on the planet--the key, it is hoped, to unlocking the secret of the mysterious sex-specific plague. For Yorick himself, the most important person on the planet is 10,000 miles away--and he will stop at nothing to find her. In setting off across the post-male landscape, however, man and monkey are about to learn just how valuable they are--both as a prize and as a target. Collected for the first time in a single, comprehensive omnibus, writer Brian K. Vaughan and artist Pia Guerra's Eisner Award-winning Vertigo series Y: The Last Man brings to vivid life the age-old speculation: What would really happen to the last man on Earth? Collects Y: The Last Man #1-60 and a sketchbook featuring behind-the-scenes art by Pia Guerra.
Inspired by true events, a graphic novel examines life on the streets of war-torn Iraq, raising questions about the meaning of liberation through the experiences of four lions who escaped from the Baghdad Zoo during a raid.
Destruction, Ethics, and Intergalactic Love: Exploring Y: The Last Man and Saga offers a creative and accessible exploration of the two comic book series, examining themes like nonviolence; issues of gender and war; heroes and moral failures; forgiveness and seeking justice; and the importance of diversity and religious pluralism. Through close interdisciplinary reading and personal narratives, the author delves into the complex worlds of Y and Saga in search of an ethics, meaning, and a path resonant with real-world struggles. Reading these works side by side, the analysis draws parallels and seeks common themes around the four central ideas of seeking and making meaning in a meaningless world; love and parenting through oppression and grief; peacefulness when surrounded by violence; and the perils and hopes of diversity and communion. This timely and thoughtful study will resonate with scholars and students of comic studies, media and cultural studies, philosophy, theology, literature, psychology, and popular culture studies.