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Uses the Palestinian exilic displacements as a tool and compass to find intersecting points of reference with the Caribbean, Indian, African, Chinese, and Pakistani dispersions, Writing Displacement studies the metamorphosis of the politics of home and identity amongst different migrant nationals from the end of WWII into the new millennium.
Displacement, Memory, and Travel in Contemporary Migrant Writing examines contemporary cultural representations of transforming identities in the era of increasing global mobility. It pays particular attention to the ways in which cultural encounters are experienced affectively and discursively in migrant literature. Divided into three parts that deal with refugee writing and displacement, migration and memory, and new European identities, the volume develops current methodologies and shows how postcolonial studies can be applied to the study of cultural encounters. Writers studied include Simão Kikamba, Ishmael Beah, Madhur Jaffrey, Diana Abu-Jaber, Abdulrazak Gurnah, Caryl Phillips, Jamal Mahjoub, and Monica Ali, and several refugee writers.
This book presents diverse, composite, non-exclusive and non-hierarchical perspectives on displacement of people as represented in literature. It examines the experiences of migration as a result of wars, natural disasters, religious strife, loss of livelihoods and shifts in local and global economies and the vulnerabilities they expose. Bringing together scholarly insights into literature about displacement and migration from Africa, Europe, Asia, and the Middle East, the book interrogates the development frames of Western modernity and situates displacement within the discourse of disenfranchisement of citizens by nation-states. It explores the experiences, memories and expressions of displacement in literature and how literary works critique ethical and moral responsibilities of states and communities that often do not account for the loss which displacement causes to the health, education, career, or relationships of displaced people. The volume will be of great interest to scholars and researchers of literature, philosophy, migration and diaspora studies, development studies, African studies and Asian studies.
The book examines prominent literary works from the past two decades by Russian women writers dealing with the Soviet past. It explores works such as Daniel Stein, Interpreter by Ludmilla Ulitskaya, The Time of Women by Elena Chizhova, Secondhand Time: The Last of the Soviets by Svetlana Alexievich, and In Memory of Memory by Maria Stepanova, and uncovers connecting thematic structures and features. Focusing on the concepts of displacement and postmemory, the book shows how these works have given voice to those on the margins of society and of ‘great history’ whose resistance was often silent. In doing so, these women writers portray the everyday experiences and trauma of displaced women and girls during the second half of the twentieth century. This study offers new insights into the importance of these women writers’ work in creating and preserving cultural memory in post-Soviet Russia.
A teenager is pulled back in time to witness her grandmother's experiences in World War II-era Japanese internment camps in Displacement, a historical graphic novel from Kiku Hughes. Kiku is on vacation in San Francisco when suddenly she finds herself displaced to the 1940s Japanese-American internment camp that her late grandmother, Ernestina, was forcibly relocated to during World War II. These displacements keep occurring until Kiku finds herself "stuck" back in time. Living alongside her young grandmother and other Japanese-American citizens in internment camps, Kiku gets the education she never received in history class. She witnesses the lives of Japanese-Americans who were denied their civil liberties and suffered greatly, but managed to cultivate community and commit acts of resistance in order to survive. Kiku Hughes weaves a riveting, bittersweet tale that highlights the intergenerational impact and power of memory.
Exile and displacement are central topics in classical literature. Previous research has been mostly biographical and has focused on the three most prominent exiles: Cicero, Ovid, and Seneca. By shifting focus to a discourse of exile and displacement in early Greek poetry, Greek historiography, Cynicism, consolatory literature, Latin epic, Greek literature of the empire, and Medieval Latin literature, the present volume questions the notion of a distinct, psychologically conditioned ‘genre’ or ‘mode’ of exile literature. It shows how ancient and medieval authors perceive and present their exile according to pre-existent literary paradigms, style themselves or others as ‘typical’ exiles, and employ ‘exile’ as a powerful trope to express estrangement, elicit readerly sympathy, and question political power structures.
Global trends suggest that the number of people involuntarily displaced will increase exponentially in the coming decades. The authors argue that when the agency, time-tested adaptations, innovative capacities, dignity, and human rights of displaced people are respected as full participants in the rebuilding of their communities, livelihoods and standards of living, resettlement outcomes are more positive. The goal of resettlement must be the sustainable social, economic and human development of affected communities, requiring a praxis of ethical commitment to effective, actionable recommendations based on empirical observation. The authors draw on case examples from Asia, Africa and the Americas. This book will be of interest to resettlement specialists, planners, administrators, nongovernmental and civil society organizations, and scholars and students of anthropology, sociology, development studies, and social policy.
Writing "Out of all the Camps": J. M. Coetzee's Narratives of Displacement is an interdisciplinary examination--combining ethical, postcolonial, performance, gender-based, and environmental theory--of the ways that 2003 Nobel Prize-winning South African novelist J. M. Coetzee, primarily through his voicing of a female subject position and his presentation of a voiceless subjectivity, the animal, displaces both the narrative and authorial voice in his works of fiction. Coetzee's work remains outside of conventional notions of genre by virtue of the free indirect discourse that characterizes many of his third-person narrated texts that feature male protagonists (Life & Times of Michael K, The Master of Petersburg, and Disgrace), various and differing first-person narrative accounts of the same story (Dusklands, In the Heart of the Country), the use of female narrators and female narrative personas (Age of Iron, The Lives of Animals), and unlocatable, ahistorical contexts (Waiting for the Barbarians). The work has broad academic appeal in the established fields of not only literary studies--postcolonial, contemporary, postmodern and environmental--but also in the realm of performance and gender studies. Because of its broad and interdisciplinary range, this text bridges a conspicuous gap in studies on Coetzee.
Place and Displacement in the Narrative Worlds of Jorge Luis Borges and Julio Cortázar engages the notions of place and displacement as heuristic devices for literary analysis of Borges's and Cortázar's narratives. It maps out these authors' visions of place and displacement in some of their most famous texts; locates the 'place' of Borges's texts within Cortázar's fictional universe; and delineates new routes in communication between different literary traditions, and philosophical and anthropological discourses. This book also suggests that the challenge of a strict opposition between place and displacement in Borges's and Cortázar's works is both representative and emblematic of a continuum of Latin American literature.