[PDF] Wordsworths Excursion eBook

Author : William Wordsworth
Publisher : Createspace Independent Publishing Platform
Page : 222 pages
File Size : 25,77 MB
Release : 2016-10-03
Category :
ISBN : 9781539321767

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William Wordsworth (7 April 1770 - 23 April 1850) was a major English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with their joint publication Lyrical Ballads (1798). The Excursion: Being a portion of The Recluse, a poem is a long poem by Romantic poet William Wordsworth and was first published in 1814[1] (see 1814 in poetry). It was intended to be the second part of The Recluse, an unfinished larger work that was also meant to include The Prelude, Wordsworth's other long poem, which was eventually published posthumously. The exact dates of its composition are unknown, but the first manuscript is generally dated as either September 1806 or December 1809

Author : Alison Hickey
Publisher : Stanford University Press
Page : 268 pages
File Size : 48,5 MB
Release : 1997
Category : Literary Criticism
ISBN : 9780804729710

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This book redefines the place of the Wordsworthian imagination in a cultural moment often classified as the transition from “Romantic” to “Victorian.” Taking The Excursion and a constellation of related texts as a framework, the book suggests that the staggering critical neglect of Wordsworth's major project is correlated with the persistent inability of literary historians to chart that transition. To understand this elusive phase of literary and cultural history, the author proposes, we need to understand Wordsworth's role in it. The book reevaluates the significance of The Excursion, both in Wordsworth's corpus and in the contexts of the French Revolution and the post-Napoleonic industrial/imperial order leading up to the Reform Bill of 1832. Through a series of theoretically informed readings of The Excursion alongside other Wordsworthian texts, the author reveals Wordsworth's ongoing vital engagement with questions of imagination and ideology, questions that persist, in ever-shifting forms, through the continuities and discontinuities of historical “context.” Foregrounding problems of rhetorical interpretation as The Excursion's central concern, this study focuses on the implications of these problems for the text's promotion of a social vision. It examines various figural systems—family narratives, property, education, and imperialism—and shows how diverse critical strategies of assimilating poetic text to doctrine meet with a resistant “blankness” at the heart of the figural production of meaning in the poem. This blankness is suggestive of the gap between Wordsworth's poetry and its simple appropriation by cultural or political analysis. Paradoxically it also suggests that an understanding of the dynamics of poetic figuration is crucially relevant to any study of Wordsworth's social and political theory.

Author : Brandon C. Yen
Publisher : Liverpool University Press
Page : 336 pages
File Size : 19,77 MB
Release : 2018-09-20
Category : Literary Criticism
ISBN : 1800857225

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This book considers William Wordsworth’s use of iconography in his long poem The Excursion. Through the iconographical approach, the author steers a middle course between The Excursion’s two very different interpretive traditions, one focusing upon the poem’s philosophical abstraction, the other upon its touristic realism. Fresh readings are also offered of Wordsworth’s other major works, including The Prelude. Yen explores Wordsworth’s iconography in The Excursion by tracing allusions and correspondences in an abundance of post-1789 and earlier verbal and pictorial sources, as well as in Wordsworth’s prose and poetry. He analyses how the iconographical images in The Excursion contribute to, and impose limitations on, the overarching preoccupations of Wordsworth’s writings, particularly the themes of paradise lost and paradise regained in the post-revolutionary context. Shedding light on a vital aspect of Wordsworth’s poetic method, this study reveals the visual etymologies – together with the nuances and rhetorical capacities – of five categories of apparently ‘collateral’ images: envisioning, rooting, dwelling, flowing, and reflecting.

Author : William Wordsworth
Publisher :
Page : 1270 pages
File Size : 50,74 MB
Release : 2007
Category : Literary Criticism
ISBN :

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"I am convinced that there are three things to rejoice at in this Age--The Excursion Your Pictures, and Hazlitt's depth of Taste."--John Keats to Benjamin Robert Haydon"I have been reading Wordsworth's Excursion with many tears and prayers too. To me he is not only poet, but preacher and prophet of God's new and divine philosophy--a man raised up as a light in a dark time."--Charles KingsleyThe Excursion by William Wordsworth is a dramatic poem that advances largely through debate among the four main speakers: the Poet, the Wanderer, the Solitary, and the Pastor; the action of the poem seems to take place over five days. It was Wordsworth's second long poem, his public attempt at a "Great Poem," and his only work of any length to be read by most of his contemporaries. While The Prelude has found more favor with today's readers, The Excursion appealed to the Victorians, who embraced it, considering this influential work a source of spiritual strength in an uncertain world. This Cornell Wordsworth volume presents the first scholarly edition of The Excursion in half a century--and the first true scholarly edition of the original 1814 text. All manuscripts produced under the author's supervision are separately and completely transcribed in this edition. An introduction, a manuscript history, lists of printed verbal and nonverbal variants, extensive editors' notes, and selected photographs also chronicle the poem's full evolution. In short, this edition makes it possible, for the first time, to follow the complete compositional history of Wordsworth's epic.

Author : Geoffrey Hartman
Publisher : Yale University Press
Page : 631 pages
File Size : 47,71 MB
Release : 2015-01-01
Category : Literary Criticism
ISBN : 0300214650

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The drama of consciousness and maturation in the growth of a poet's mind is traced from Wordsworth's earliest poems to The Excursion of 1814. Mr. Hartman follows Wordsworth's growth into self-consciousness, his realization of the autonomy of the spirit, and his turning back to nature. The apocalyptic bias is brought out, perhaps for the first time since Bradley's Oxford Lectures, and without slighting in any way his greatness as a nature poet. Rather, a dialectical relation is established between his visionary temper and the slow and vacillating growth of the humanized or sympathetic imagination. Mr. Hartman presents a phenomenology of the mind with important bearings on the Romantic movement as a whole and as confirmation of Wordsworth's crucial position in the history of English poetry. Mr. Hartman is professor of English and comparative literature at the University of Iowa. "A most distinguished book, subtle, penetrating, profound."—Rene Wellek. "If it is the purpose of criticism to illuminate, to evaluate, and to send the reader back to the text for a fresh reading, Hartman has succeeded in establishing the grounds for such a renewal of appreciation of Wordsworth."—Donald Weeks, Journal of Aesthetics and Art Criticism.