Wood Sculpture Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Wood Sculpture book. This book definitely worth reading, it is an incredibly well-written.
Delve into two worlds: the appreciation of wood as medium for sculpture and the practical ins-and-outs of sculptural technique. An illustrated history of direct wood sculpture is explored, along with a vital resource for those seeking to create sculpture in wood. A complete description of the qualities and types of wood, tools (both hand and power), techniques, and finishing, complements discussions of the art form and philosophy.
The first English-language book to comprehensively discuss the history and methodology of conserving medieval polychrome wood sculpture. Medieval polychrome wood sculptures are highly complex objects, bearers of histories that begin with their original carving and adornment and continue through long centuries of repainting, deterioration, restoration, and conservation. Abundantly illustrated, this book is the first in English to offer a comprehensive overview of the conservation of medieval painted wood sculpture for conservators, curators, and others charged with their care. Beginning with an illuminating discussion of the history, techniques, and meanings of these works, it continues with their examination and documentation, including chapters on the identification of both the wooden support and the polychromy itself—the paint layers, metal leaf, and other materials used for these sculptures. The volume also covers the many aspects of treatment: the process of determining the best approach; consolidation and adhesion of paint, ground, and support; overpaint removal and surface cleaning; and compensation. Four case studies on artworks in the collection of The Cloisters in New York, a comprehensive bibliography, and a checklist to aid in documentation complement the text.
In the 1980s, enigmatic wood masks, similar to those worn by Siberian and Eskimo shamans, began to appear in Parisian galleries that specialized in exotic art. Only the customary red wax affixed to the objects indicated that their origin was in fact Nepal. Art loversfascinated by the masks expressions and the thickness of patinaenthusiastically began to collect them, though they were still shrouded in mystery. Now, in this beautifully photographed book, Bertrand Goy and Max Itzikovitz set out to uncover the history of the masks and to determine their function and place in Nepalese culture. The authors also investigate western Nepal's unsophisticated, anthropomorphic wood sculptures, which can be seen today in temples, on bridges, and on the outskirts of villages. No one knows if these are protective effigies or tribute to divinities from an antiquated religion. With an insightful text and striking imagery, this book attempts to pull back the veil on one of the worlds most cryptic art forms.
In clear, straightforward language, Sayers carefully guides the reader through the fundamentals — what tools and materials to use and how to use them. Still the finest book for the beginning student in wood sculpture.
In the decades since its initial publication in German in 1978, Polychrome Sculpture has come to be widely regarded as a watershed text on the making and meaning of European medieval and Baroque painted wood sculpture. An early proponent of interdisciplinary research, Johannes Taubert played a pioneering role in combining the rigorous scientific analysis of materials with a fuller understanding of form and function, an approach that has led to the development of technical art history as practiced today. Many of the essays in this volume apply such scientific techniques as microscopic analysis to an art-historical understanding of Romanesque and late Gothic wood sculpture, revealing that, far from serving a merely decorative function, the painted surface of these works was intricately connected to their meaning. The paint layers on the sculptures, for example, which the author spent years documenting through close examination and analysis, were intended to impart a heightened sense of reality to the life-sized sculptures, thereby enhancing the viewer’s experience of worship. Taubert believed it was crucial for conservators to understand this context before undertaking any treatments. No other book offers such a focused, subtle, and interdisciplinary examination of the subject as Polychrome Sculpture. This influential work is now available in English for the first time, in a meticulous translation enhanced and updated by new color illustrations, annotations to the original text, and a new introduction.
Down-to-earth, practical book by noted sculptor covers everything you need to know — woods, tools, equipment, carving techniques, finishing, preservation, etc. Especially valuable "dictionary of woods" covers geographical distribution, physical properties, carving characteristics, more. Over 70 photos and drawings illustrate methods and techniques, works by Brancusi, Henry Moore, Leonard Baskin, other artists.
A world champion carver of raptors (as well as a master falconer), serves as your coach for carving your own fabulous birds. Greg Woodard shows how to create models that are painted, partially-painted, or all-natural. Sequenced photos illustrate every technique of every project. Where to start? How about a Golden Eagle, Peregrine Falcon, Barn Owl, or Red-Tailed Hawk. An expert's tips take you through the delicate steps of inserting eyes and the details of lifelike feathering. A gallery of Woodward's own champion carvings lets you see prizes like "Cactus Flower," a preening American kestrel on a cactus, and "Hunting the Adobe," his natural wood sculpture of a prairie falcon chasing several swallows across a cliff colony.
This book is a comprehensive guide to creating wood sculptures. It covers the various tools, techniques and practices involved in wood carving. The author discusses the different types of wood, the ways in which to prepare them and how to properly use them to create a beautiful sculpture. This is a great resource for anyone interested in woodworking or art. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.