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Renaissance Women Patrons

Author : Catherine King
Publisher : Manchester University Press
Page : 292 pages
File Size : 23,66 MB
Release : 1998-07-15
Category : Architecture
ISBN : 9780719052897

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This book considers how writing over the period of a century justified and was affected by the introduction and extension of British domination of India, thus demonstrating the link between writing and the ideological, economic and political climate and debates.

Beyond Isabella

Author : Sheryl E. Reiss
Publisher : Penn State Press
Page : 365 pages
File Size : 29,13 MB
Release : 2001
Category : Art patronage
ISBN : 0271097620

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Women in Italian Renaissance Art

Author : Paola Tinagli
Publisher : Manchester University Press
Page : 226 pages
File Size : 31,92 MB
Release : 1997-06-15
Category : Art
ISBN : 9780719040542

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This is the first book which gives a general overview of women as subject-matter in Italian Renaissance painting. It presents a view of the interaction between artist and patron, and also of the function of these paintings in Italian society of the fifteenth and sixteenth centuries. Using letters, poems, and treatises, it examines through the eyes of the contemporary viewer the way women were represented in paintings.

Patronage and Italian Renaissance Sculpture

Author : DavidJ. Drogin
Publisher : Routledge
Page : 286 pages
File Size : 37,56 MB
Release : 2017-07-05
Category : Art
ISBN : 1351554891

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The first book to be dedicated to the topic, Patronage and Italian Renaissance Sculpture reappraises the creative and intellectual roles of sculptor and patron. The volume surveys artistic production from the Trecento to the Cinquecento in Rome, Pisa, Florence, Bologna, and Venice. Using a broad range of approaches, the essayists question the traditional concept of authorship in Italian Renaissance sculpture, setting each work of art firmly into a complex socio-historical context. Emphasizing the role of the patron, the collection re-assesses the artistic production of such luminaries as Michelangelo, Donatello, and Giambologna, as well as lesser-known sculptors. Contributors shed new light on the collaborations that shaped Renaissance sculpture and its reception.

Women, Art and Architectural Patronage in Renaissance Mantua

Author : Sally Anne Hickson
Publisher : Routledge
Page : 230 pages
File Size : 22,48 MB
Release : 2016-02-17
Category : Art
ISBN : 1134777442

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Analyzing the artistic patronage of famous and lesser known women of Renaissance Mantua, and introducing new patronage paradigms that existed among those women, this study sheds new light the social, cultural and religious impact of the cult of female mystics of that city in the late fifteenth and early sixteenth century. Author Sally Hickson combines primary archival research, contextual analysis of the climate of female mysticism, and a re-examination of a number of visual objects (particularly altarpieces devoted to local beatae, saints and female founders of religious orders) to delineate ties between women both outside and inside the convent walls. The study contests the accepted perception of Isabella d'Este as a purely secular patron, exposing her role as a religious patron as well. Hickson introduces the figure of Margherita Cantelma and documents concerning the building and decoration of her monastery on the part of Isabella d'Este; and draws attention to the cultural and political activities of nuns of the Gonzaga family, particularly Isabella's daughter Livia Gonzaga who became a powerful agent in Mantuan civic life. Women, Art and Architectural Patronage in Renaissance Mantua provides insight into a complex and fluid world of sacred patronage, devotional practices and religious roles of secular women as well as nuns in Renaissance Mantua.

Patronage in the Renaissance

Author : Guy Fitch Lytle
Publisher : Princeton University Press
Page : 406 pages
File Size : 11,4 MB
Release : 2014-07-14
Category : Art
ISBN : 1400855918

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The fourteen essays in this collection explore the dominance of patronage in Renaissance politics, religion, theatre, and artistic life. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Renaissance Women

Author : Rona Goffen
Publisher :
Page : pages
File Size : 28,58 MB
Release : 2004-12-01
Category : History
ISBN : 9780300108798

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Women Patrons and Collectors

Author : Andrea M. Gáldy
Publisher : Cambridge Scholars Publishing
Page : 220 pages
File Size : 26,5 MB
Release : 2011-10-18
Category : Art
ISBN : 1443834769

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In looking at the history of collecting, one may be excused for regarding it as an activity in which, traditionally, women have shown little interest or in which they have not been involved. As the present volume shows, women—particularly aristocratic women—not only resisted this discrimination through the ages, but also built important collections and used them to their own advantage, in order to make statements about their lineage, power, cultural heritage or religious preferences. That is not to say that there was not an increasing number of middle-class women who became draughtswomen, painters and natural scientists and who found it equally beneficial for their chosen profession to collect. In every case, the female collector chose to collect and what to collect; she chose how and where to present the collection and she also decided when to dispose of objects, thereby occasionally taking on a curatorial role. Women have been seen as gatherers of furnishings, jewellery, dress and objects of domestic life. This third volume in the Collecting & Display series of conference proceedings challenges such perceptions through the detailed analysis of different types of collecting by women from the early modern period onwards; it thus seeks to give a voice to a group of important female collectors from the sixteenth to the early nineteenth century whose importance for the history of collecting has not yet, or not sufficiently, been acknowledged.