[PDF] Women Patrons And Collectors eBook

Author : Susan Bracken
Publisher :
Page : 0 pages
File Size : 44,15 MB
Release : 2012
Category : Antique collecting for men
ISBN : 9781443834643

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As the present volume shows, women, particularly aristocratic women, not only resisted this discrimination through the ages, but also built important collections and used them to their own advantage, in order to make statements about their lineage, power, cultural heritage or religious preferences. That is not to say that there was not an increasing number of middle-class women who became draughtswomen, painters and natural scientists and who found it equally beneficial for their chosen profession to collect. In every case, the female collector chose to collect and what to collect; she chose how and where to present the collection and she also decided when to dispose of objects, thereby occasionally taking on a curatorial role. Women have been seen as gatherers of furnishings, jewellery, dress and objects of domestic life.

Author :
Publisher : Penn State Press
Page : 284 pages
File Size : 50,42 MB
Release : 1999
Category :
ISBN : 9780271042350

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This anthology reflects a larger impulse to recover women's involvement in the creation of an aesthetic culture from the late medieval through the early modern periods. By asking how the perspectives and experiences of female patrons contributed to the invention of particular styles or iconographies, or how they shaped taste, or how they influenced demand, these twelve original essays introduce significant new information about specific women patrons while raising theoretical issues for patronage studies more generally. While most of the projects discussed are consistent with the period's male-sanctioned concept of female patronage as an expression of conjugal devotion or dynastic promotion, at the same time the women involved devised strategies that circumvented these rules, allowing them to explore the potential or art as a means of proclaiming their own identity and taste.

Author : Andrea M. Gáldy
Publisher : Cambridge Scholars Publishing
Page : 220 pages
File Size : 44,50 MB
Release : 2011-10-18
Category : Art
ISBN : 1443834769

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In looking at the history of collecting, one may be excused for regarding it as an activity in which, traditionally, women have shown little interest or in which they have not been involved. As the present volume shows, women—particularly aristocratic women—not only resisted this discrimination through the ages, but also built important collections and used them to their own advantage, in order to make statements about their lineage, power, cultural heritage or religious preferences. That is not to say that there was not an increasing number of middle-class women who became draughtswomen, painters and natural scientists and who found it equally beneficial for their chosen profession to collect. In every case, the female collector chose to collect and what to collect; she chose how and where to present the collection and she also decided when to dispose of objects, thereby occasionally taking on a curatorial role. Women have been seen as gatherers of furnishings, jewellery, dress and objects of domestic life. This third volume in the Collecting & Display series of conference proceedings challenges such perceptions through the detailed analysis of different types of collecting by women from the early modern period onwards; it thus seeks to give a voice to a group of important female collectors from the sixteenth to the early nineteenth century whose importance for the history of collecting has not yet, or not sufficiently, been acknowledged.

Author : Cynthia Miller Lawrence
Publisher : Penn State University Press
Page : 263 pages
File Size : 29,80 MB
Release : 1997-01-01
Category : Art
ISBN : 9780271015682

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This anthology reflects a larger impulse to recover women's involvement in the creation of an aesthetic culture from the late medieval through the early modern periods. By asking how the perspectives and experiences of female patrons contributed to the invention of particular styles or iconographies, or how they shaped taste, or how they influenced demand, these twelve original essays introduce significant new information about specific women patrons while raising theoretical issues for patronage studies more generally. While most of the projects discussed are consistent with the period's male-sanctioned concept of female patronage as an expression of conjugal devotion or dynastic promotion, at the same time the women involved devised strategies that circumvented these rules, allowing them to explore the potential or art as a means of proclaiming their own identity and taste.

Author : Charlotte Gere
Publisher :
Page : 216 pages
File Size : 35,87 MB
Release : 1999-11
Category : Antiques & Collectibles
ISBN :

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Catherine the Great of Russia acquired art voraciously. Cosmetics magnate Helena Rubinstein collected African and Victorian glass. Couturier Coco Chanel amassed an enormous hoard of French eighteenth-century furniture. This fascinating book offers the first-ever look at these enterprising women -- along with Madame de Pompadour, Empress Josephine, Marjorie Merriweather Post, Gertrude Stein, Mary Cassatt and Peggy Guggenheim, among others -- and tells how they assembled significant and valuable collections of art, silver, jewelry, textiles, ceramics, photography, fossils and much more.

Author : Elizabeth Sutton
Publisher : Amsterdam University Press
Page : 189 pages
File Size : 12,49 MB
Release : 2019-08-30
Category : Art
ISBN : 9048542987

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This essay collection features innovative scholarship on women artists and patrons in the Netherlands 1500-1700. Covering painting, printmaking, and patronage, authors highlight the contributions of women art makers in the Netherlands, showing that women were prominent as creators in their own time and deserve to be recognized as such today.

Author : Ralph P. Locke
Publisher : Univ of California Press
Page : 384 pages
File Size : 24,71 MB
Release : 1997-01-01
Category : Social Science
ISBN : 9780520083950

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"The Victorian cup on my shelf--a present from my mother--reads 'Love the Giver.' Is it because the very word patronage implies the authority of the father that we have treated American women patrons and activists so unlovingly in the writing of our own history? This pioneering collection of superb scholarship redresses that imbalance. At the same time it brilliantly documents the interrelationship between various aspects of gender and the creation of our own culture."--Judith Tick, author of Ruth Crawford Seeger: A Composer's Search for American Music "Together with the fine-grained and energetic research, I like the spirit of this book, which is ambitious, bold, and generous minded. Cultivating Music in America corrects long-standing prejudices, omissions, and misunderstandings about the role of women in setting up the structures of America's musical life, and, even more far-reaching, it sheds light on the character of American musical life itself. To read this book is to be brought to a fresh understanding of what is at stake when we discuss notions such as 'elitism, ' 'democratic taste, ' and the political and economic implications of art."--Richard Crawford, author of The American Musical Landscape "We all know we are indebted to royal patronage for the music of Mozart. But who launched American talent? The answer is women, this book teaches us. Music lovers will be grateful for these ten essays, sound in scholarship, that make a strong case for the women philanthropists who ought to join Carnegie and Rockefeller as household words as sponsors of music."--Karen J. Blair, author of The Torchbearers: Women and Their Amateur Arts Associations in America