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After surviving the attacks on the town, a few teenagers discover their pets acting strangely. An unexpected visitor captures them and many others for a cruel purpose. The narrator finds himself and his twin brother the main targets, yet it is mostly about him. He also falls into a compromising position that could mean life or death for himself, his friends and the other victims. Be sure to check out the first book in this series, Why Me?
This fun-filled collection includes three books in one: Garfield Survival of the Fattest, Garfield Older & Wider, and Garfield Pigs Out. Fat-cat fans, rejoice! The portly puss with a penchant for pasta is back—and better than ever. Garfield may be born to snooze (he needs his daily eighteen hours of shut-eye), but when he finally wakes up, he's ready for action . . . hacking up a monster hair ball, unleashing a killer burp, or giving Jon a tongue-lashing (with Odie's tongue). It's all in a day's play for the famous feline! The GARFIELD FAT CAT 3-PACK series collects the GARFIELD comic-strip compilation books in a new, full-color format. Garfield may have gone through a few changes, but one thing has stayed the same: his enormous appetite for food and fun. So enjoy some supersized laughs with the insatiable cat, because too much fun is never enough!
Breaking up is hard to do, especially when it's with your best friend. Can these two ex-besties survive summer camp together? Maddie and Chloe have always been best friends, until last year, when Chloe’s popularity and budding fame as an actor left Maddie in the dust one too many times. Their friendship is over, and they’re both ready to move on. But when the girls arrive at summer camp, they discover that the universe isn’t ready to let go of this friendship just yet: They’re cabinmates, and each of them has to spend the summer with her ex–best friend. Is it time to try again, or are they doomed to drift apart for good?
“The relationship between a mother and daughter is one of the most complicated and meaningful there is. Kimberly Williams-Paisley writes about her own with grace, truth, and beauty as she shares her journey back to her mother in the wake of a devastating illness.” —Brooke Shields Many know Kimberly Williams-Paisley as the bride in the popular Steve Martin remakes of the Father of the Bride movies, the calculating Peggy Kenter on Nashville, or the wife of country music artist, Brad Paisley. But behind the scenes, Kim was dealing with a tragic secret: her mother, Linda, was suffering from a rare form of dementia that slowly crippled her ability to talk, write and eventually recognize people in her own family. Where the Light Gets In tells the full story of Linda’s illness—called primary progressive aphasia—from her early-onset diagnosis at the age of 62 through the present day. Kim draws a candid picture of the ways her family reacted for better and worse, and how she, her father and two siblings educated themselves, tried to let go of shame and secrecy, made mistakes, and found unexpected humor and grace in the midst of suffering. Ultimately the bonds of family were strengthened, and Kim learned ways to love and accept the woman her mother became. With a moving foreword by actor and advocate Michael J. Fox, Where the Light Gets In is a heartwarming tribute to the often fragile yet unbreakable relationships we have with our mothers.
Every so often, our practical, science-dominated world is gifted with a mystic; a spirit-based, spirit-directed person. The world doesn't know how to deal with these people. They are disrespected at the very least, often bullied, sometimes drugged into submission and even institutionalized. Without recognition and support, the mystic believes there is something wrong with them. Unhealed, these individuals may abuse themselves. . . to the point that they might even consider killing themselves. . . and do so. This book chronicles the author's 40-year journey of healing and personal growth; learning to accept himself as a gifted, hypersensitive, gay mystic. Mismatched to the norms and demands of his family, home religion, peers, and society, the author was a depressed, immature, and fearful recluse for 26 years of his life. Contemplating suicide at age 21, he heard a Voice. Learning to listen and follow that Voice, the author employed a range of traditional—and untraditional—religious and spiritual thought systems. The span of "technologies" include western and eastern religions, Quakerism, Twelve Step programs, the Course in Miracles, Men's work, past life regression, and channeling (automatic writing). In a Vision, this nontheist, birthright Jew realized to his surprise that The Voice guiding him on his journey was Jesus. Hineni is an intensely personal and frank autobiography; an ethical will of how the author became a whole, human being, and what he learned and is still learning on his journey. This book can start a reader thinking about places s/he have been spiritually, as well as the places s/he might go. Hineni clearly shows that life is a journey; not a destination. That the tools and guides on that journey are personal integrity and inner guidance. And that any time or effort spent learning in any community or spiritual discipline is never a waste, because any and all efforts and understanding get incorporated in who that person is becoming. . . and we are all "becoming" until we leave the planet. The reader is encouraged—and challenged—to ask what s/he knows and believes on the basic questions of being human. . . being a spiritual being having a human experience.
A waitress masquerading as an influencer and a wildlife photographer are on a collision course with romance—and chaos—in Hate to Fake It to You, a zany modern twist on a screwball comedy classic about figuring out what you really want—by pretending to be someone you’re not. Everyone gets a glow-up on social media, but Libby Lane's online persona is the fakest of fakes. Cooked up as a joke by Libby and her best friends, Lillibet is the affluent, healthier-than-thou opposite of her glam-free life on the side of Oahu most tourists never see. The phony fronting is all in good fun, until a real influencer stumbles onto the Love, Lillibet Instagram feed and starts making waves. When Hildy Johnson, the ambitious junior member of a media dynasty, travels to Hawaii to talk to Lillibet about parlaying her lifestyle brand into a job, Libby and her friends scramble to take the make-believe to a new level. Complicating the charade even further is Hildy’s handsome companion, a wildlife photographer named Jefferson Jones, whose keen eye sees more than he lets on. Between the pretend husband, borrowed goats, a made-up holiday, and Libby’s very real attraction to Jefferson, it’s anyone’s guess which lie will blow their cover first . . . especially since Lillibet isn’t the only one with something to hide.
We were only three angry high school girls, to begin with. Alix, the hot-tempered surfer chick; Stephanie, the tree-hugging activist; and me, Meg, the quiet foster kid, the one who never quite fit in. We hardly knew each other, but each of us nurtured a burning anger: at the jerks in our class, at our disappointing parents, at the whole flawed, unjust world. We were only three angry girls, simmering uselessly in our ocean-side California town, until one day a mysterious, beautiful classmate named Ambrosia taught us what else we could be: Powerful. Deadly. Furious. Yes, that's us. The three Greek Furies, come to life, ready to take our revenge on everyone who deserves it. And who doesn't deserve it, really? We're done with chances. We are angry. The Furies have come to town. Jill Wolfson's Furious is an enthralling retelling of Greek myth.
From the day she was born in January 1883, and every day thereafter, Reno, Nev. native Emily Ann Cox was as straight as an arrow; she was as trustworthy as the sun coming up in the east over Sparks. She, after all, graduated from the top of her class in high school and was salutatorian, with a degree in English, from the State University of Nevada in Reno. Her work and her character were impeccable; it was no wonder she left her friend and student newspaper colleague Brad Porter behind and enthusiastically went to work at Mission Dolores, the California mission in San Francisco, the summer of her graduation. So how was it a prim and proper young woman and intelligent, to boot who doesnt have a problem in the world one day and then within a few short weeks ends up being a resident a high-grade (less insane) inmate by definition of the state mental asylum in Yountville? Due to situations beyond her control namely her mother and her snoopiness and rush to judgment Emily became defenseless in the practices of the Superior Court. She believed her explanations of what really happened inside the church at Mission Dolores that fateful day, and not her mothers assumptions, would be heard and believed and then shed be acquitted in short order. After all, the truth was the truth in Emilys book. That, of course, wasnt the case. Emilys mother bought the verdict she was looking for; a buy that wasnt all that too uncommon with the judges in the San Francisco Superior Court system as it was later learned. Emily was railroaded and little did she know or suspect anything was working against her. Despite harboring resentment against her mother for the womans unbelievable act her reason for getting Emily committed was taken supposedly to prevent Emily from assuming and accepting a promiscuous life style she accepted her fate and tried to fit in among the Yountville population as best she could. She even made friends quickly with some of the residents in her residence building Stoneman Hall. Like everyone else at Yountville. Emily had to go to school an asylum requirement even though she was a college graduate. She also had to work in two of the institutions industries and chose the Sewing Room and the Farm. She especially liked the farm; not so much the chickens, but the hogs. No matter who her supervisors were Lefty on the farm, Miss Rose in the Sewing Room, or Sarah in the superintendents office she took to them quickly as they did to her. Emily was, after all, completely sane and was quite capable of relating to her supervisors just like any intelligent woman would. The shifty medical superintendent Dr. Josey Anselmo was sharp in his own way. He knew all the details that worked against Emily to make her a resident at Yountville so he took advantage of her outstanding clerical skills and made her his assistant secretary, a position seriously questioned by Anselmos wife, Mona, who was also the hospitals nursing director. Never before had an inmate been tapped for work in the Administration Building, much less the superintendents office, but Dr. Anselmo persuaded everyone, including Mona, that he had the situation, as well as Emily, under his control. In the end, nothing could have been farther from the truth. Little did the superintendent know that Emily vowed to retrieve and record as much dirt on the institution as she could find, this following the botched sterilization of her close friend, Katie Brewster, who ended up in the asylums cemetery instead of her residence hall. Emily saw the horror of the nurses dragging Katie off to the hospital one night in April 1909 and, being the curious one she was, overheard all of Katies pleadings, moaning, and cries, prior to being anesthetized and then butchered in the hospitals operating room, an experiment Superintendent Anselmo called her a guinea pig so doctors and nurses could learn how to perform and what to expect fro