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For four reporters (Huffaker, Mercer, Phenix, and Wise) at CBS affiliate KRLD-TV in Dallas on November 22, 1963, there was not a dress rehearsal for what they had to do in the aftermath of the assassination of President John F. Kennedy. They provided the first continuous feed of an unfolding tragedy to millions of people around the world. From the initial shots to the shocking shooting of Lee Harvey Oswald by Jack Ruby, the CBS reporters were responsible for keeping the news live and informative, under the microscope of one of the harshest moments in America's history.
Broadcast journalism came of age in the Kennedy Assassination crisis and helped to hold a mourning nation together. Four reporters on the scene relate their experiences.
The minutes, hours, and days after President John F. Kennedy was shot on November 22, 1963, provided no ready answers about what was going on, what would happen next, or what any of it meant. For millions of Americans transfixed by the incomparable breaking news, television—for the first time—emerged as a way to keep informed. But the journalists who brought the story to the television airwaves could only rely on their skill, their experience, and their stamina to make sense of what was, at the time, the biggest story of their lives. President Kennedy’s assassination was the first time such big breaking news was covered spontaneously—this book tells the stories of four men who were at the epicenter of it all. Bob Huffaker, Bill Mercer, George Phenix, and Wes Wise were among those responsible for covering the assassination and its aftermath for Dallas’s KRLD. These reporters fed news and footage to Walter Cronkite and all of the other CBS affiliates around the country. From the presidential motorcade to Parkland Hospital, from Lee Harvey Oswald’s shooting to the trial and lonesome death of Jack Ruby, these men were there, on the inside. The view they were afforded of these events was unparalleled; the tales they have to tell, one-of-a-kind. This 50th anniversary edition includes new photos, insights, and reflections on the state of news (and faux news) today from the four men who were active participants in television news' pivotal moment.
Managing Television News provides a practical introduction to the television news producer, one of the most significant and influential roles in a newscast. The book provides critical skill sets to help resolve ethical dilemmas, as well
"This is micro-historical writing at its best."--Walden Bello, author of Dilemmas of Domination "Brilliant."--Ken Loach The stories in this book come to life through the voices of remarkable individuals: child laborers in Dickensian England, visionary women on Parisian barricades, gun-toting railway strikers in America's Wild West, and beer-swilling German metalworkers who tried to stop World War I. It is a story of urban slums, self-help cooperatives, choirs and brass bands, free love, and self-education by candlelight. And, as the author shows, in the developing industrial economies of the world, it is still with us. Live Working or Die Fighting celebrates a common history of defiance, idealism, and self-sacrifice, one as alive and active today as it was two hundred years ago. It is a unique and inspirational book. Paul Mason is an award-winning journalist who reports regularly on labor rights and social justice stories as economics editor for BBC World News America and BBC Newsnight. In addition to Live Working or Die Fighting, which was shortlisted as a 2007 Guardian First Book Award, Mason is the author of Meltdown: The End of the Age of Greed (Verso Books).
The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.