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How long did the guillotine’s blade hang over the heads of French criminals? Was it abandoned in the late 1800s? Did French citizens of the early days of the twentieth century decry its brutality? No. The blade was allowed to do its work well into our own time. In 1974, Hamida Djandoubi brutally tortured 22 year-old Elisabeth Bousquet in an apartment in Marseille, putting cigarettes out on her body and lighting her on fire, finally strangling her to death in the Provencal countryside where he left her body to rot. In 1977, he became the last person executed by guillotine in France in a multifaceted case as mesmerizing for its senseless violence as it is though-provoking for its depiction of a France both in love with and afraid of The Foreigner. In a thrilling and enlightening account of a horrendous murder paired with the history of the guillotine and the history of capital punishment, Jeremy Mercer, a writer well known for his view of the underbelly of French life, considers the case of Hamida Djandoubi in the vast flow of blood that France's guillotine has produced. In his hands, France never looked so bloody...
The Man Who Thought He Was Napoleon is built around a bizarre historical event and an off-hand challenge. The event? In December 1840, nearly twenty years after his death, the remains of Napoleon were returned to Paris for burial—and the next day, the director of a Paris hospital for the insane admitted fourteen men who claimed to be Napoleon. The challenge, meanwhile, is the claim by great French psychiatrist Jean-Étienne-Dominique Esquirol (1772–1840) that he could recount the history of France through asylum registries. From those two components, Laure Murat embarks on an exploration of the surprising relationship between history and madness. She uncovers countless stories of patients whose delusions seem to be rooted in the historical or political traumas of their time, like the watchmaker who believed he lived with a new head, his original having been removed at the guillotine. In the troubled wake of the Revolution, meanwhile, French physicians diagnosed a number of mental illnesses tied to current events, from “revolutionary neuroses” and “democratic disease” to the “ambitious monomania” of the Restoration. How, Murat asks, do history and psychiatry, the nation and the individual psyche, interface? A fascinating history of psychiatry—but of a wholly new sort—The Man Who Thought He Was Napoleon offers the first sustained analysis of the intertwined discourses of madness, psychiatry, history, and political theory.
The day of 9 Thermidor (27 July 1794) is universally acknowledged as a major turning-point in the history of the French Revolution. Maximilien Robespierre, the most prominent member of the Committee of Public Safety, was planning to destroy one of the most dangerous plots that the Revolution had faced.
This book recounts the dramatic true story of the Discalced Carmelite nuns of Compiègne, martyred during the French Revolution's "Great Terror," and known to the world through their fictional representation in Gertrud von Le Fort's Song at the Scaffold and Francis Poulenc's Dialogues of the Carmelites. At the height of the French Revolution's "Great Terror," a community of sixteen Carmelite nuns from Compiègne offered their lives to restore peace to the church and to France. Ten days after their deaths by the guillotine, Robespierre fell, and with his execution on the same scaffold the Reign of Terror effectively ended. Had God thus accepted and used the Carmelites' generous self-gift? Through Gertrud von Le Fort's modern novella, Song at the Scaffold, and Francis Poulenc's famed opera, Dialogues of the Carmelites, (with its libretto by Georges Bernanos), modern audiences around the world have become captivated by the mysterious destiny of these Compiègne martyrs, Blessed Teresa of St. Augustine and her companions. Now, for the first time in English, William Bush explores at length the facts behind the fictional representations, and reflects on their spiritual significance. Based on years of research, this book recounts in lively detail virtually all that is known of the life and background of each of the martyrs, as well as the troubled times in which they lived. The Compiègne Carmelites, sustained by their remarkable prioress, emerge as distinct individuals, struggling as Christians to understand and respond to an awesome calling, relying not on their own strength but on the mercy of God and the guiding hand of Providence. The book includes an index and 15 photos.
*Includes pictures *Includes contemporary accounts describing the use of the guillotine *Includes online resources and a bibliography for further reading *Includes a table of contents "But here I should imagine the most terrible part of the whole punishment is, not the bodily pain at all-but the certain knowledge that in an hour, then in ten minutes, then in half a minute, then now-this very instant-your soul must quit your body and that you will no longer be a man-and that this is certain, certain!" - Fyodor Dostoyevsky, The Idiot The Guillotine. Its very name recalls scenes of horror during the French Revolution, as nobles lost their heads while gangs of people cheered and Madame Defarge knitted. Some of history's most famous people lost their heads at the guillotine, including Marie Antoinette, King Louis XVI of France, and Robespierre, and the apparatus is immediately recognizable across the world, not just for its appearance but for all the stories it featured prominently in. However, the truth behind this device is much more complicated than its short-lived use during France's Reign of Terror. For one thing, societies have been executing people since ancient times and have used various devices, the guillotine being just one. Even as early as the 13th century, there were moves among some to make the arduous task of state-sanctioned executions quicker and easier, and in time, the evolution of various devices helped bring about the invention of the guillotine. Though many their names have now faded into history, both the instruments of the past and the people who used them were the parents of this monstrous device. But a funny thing happened along the way as people became less and less enamored of killing each other, even for those who had themselves committed murder. As the Age of Enlightenment spread in the mid-1700s, so did a sense that government should not take lives at all, or if they did, that they should do so as quickly and painlessly as possible. Thus it was that the guillotine was created, not to hurt others so much as to dispatch those condemned as painlessly as possible. It is but a sad coincidence that its design was perfected on the eve of one of the bloodiest eras in French history; had it been developed at another point in time, it might very-well have been hailed as a merciful way to mete out justice. Like all important devices, the guillotine did not remain unchanged during its centuries of use. Its design was periodically tweaked for decades until the latter half of the 19th century, when it was completely redesigned, likely in light of a growing hostility toward capital punishment in general and beheadings in particular. By this time, such notable Frenchmen as Victor Hugo had spoken out against the right of the state to take a human life. Even the Sanson family, who had served as France's executioners for more nearly 200 years, had given up their work, and it fell to others to master the new apparatus. These men would be increasingly maligned for their work as a more civilized world insisted that it was not for the state to conduct executions. That said, it often surprises people to learn that the guillotine remained in use through the middle part of the 20th century, outliving other barbaric practices like slavery by nearly 100 years. Though the government outlawed public executions in the mid-1930s, men and women continued to be beheaded in the name of justice long after the end of World War II. But ultimately, the times were changing, and Nazi and Japanese atrocities had opened the eyes of many to man's ability to hurt fellow man. Killing was even less attractive to those who had already killed in the name of patriotism, and their voices raised, higher and higher, until ultimately the device that had dispatched royalty and paupers alike was finally used for the last time. As one author wrote, "May it never be used again."
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Lyrical and radical, a debut novel that created a sensation in France Winner of the Prix Goncourt for first novel, one of the most prestigious literary awards in France A young revolutionary plants a bomb in a factory on the outskirts of Algiers during the Algerian War. The bomb is timed to explode after work hours, so no one will be hurt. But the authorities have been watching. He is caught, the bomb is defused, and he is tortured, tried in a day, condemned to death, and thrown into a cell to await the guillotine. A routine event, perhaps, in a brutal conflict that ended the lives of more than a million Muslim Algerians. But what if the militant is a “pied-noir”? What if his lover was a member of the French Resistance? What happens to a “European” who chooses the side of anti-colonialism? By turns lyrical, meditative, and heart-stoppingly suspenseful, this novel by Joseph Andras, based on a true story, was a literary and political sensation in France, winning the Prix Goncourt for First Novel and being acclaimed by Le Monde as “vibrantly lyrical and somber” and by the journal La Croix as a “masterpiece”.
"Some bookstores are filled with stories both inside and outside the bindings. These are places of sanctuary, even redemption---and Jeremy Mercer has found both amid the stacks of Shakespeare & Co." ---Paul Collins, author of Sixpence House: Lost in a Town of Books In a small square on the left bank of the Seine, the door to a green-fronted bookshop beckoned. . . . With gangsters on his tail and his meager savings in hand, crime reporter Jeremy Mercer fled Canada in 1999 and ended up in Paris. Broke and almost homeless, he found himself invited to a tea party amongst the riffraff of the timeless Left Bank fantasy known as Shakespeare & Co. In its present incarnation, Shakespeare & Co. has become a destination for writers and readers the world over, trying to reclaim the lost world of literary Paris in the 1920s. Having been inspired by Sylvia Beach's original store, the present owner, George Whitman, invites writers who are down and out in Paris to live and dream amid the bookshelves in return for work. Jeremy Mercer tumbled into this literary rabbit hole and found a life of camaraderie with the other eccentric residents, and became, for a time, George Whitman's confidante and right-hand man. Time Was Soft There is one of the great stories of bohemian Paris and recalls the work of many writers who were bewitched by the City of Light in their youth. Jeremy's comrades include Simon, the eccentric British poet who refuses to give up his bed in the antiquarian book room, beautiful blonde Pia, who contributes the elegant spirit of Parisian couture to the store, the handsome American Kurt, who flirts with beautiful women looking for copies of Tropic of Cancer, and George himself, the man who holds the key to it all. As Time Was Soft There winds in and around the streets of Paris, the staff fall in and out of love, straighten bookshelves, host tea parties, drink in the more down-at-the-heels cafés, sell a few books, and help George find a way to keep his endangered bookstore open. Spend a few days with Jeremy Mercer at 37 Rue de la Bucherie, and discover the bohemian world of Paris that still bustles in the shadow of Notre Dame. "Jeremy Mercer has captured Shakespeare & Co. and its complicated owner, George Whitman, with remarkable insight. Time Was Soft There is a charming memoir about living in Whitman's Shakespeare & Co. and the strange, broken, lost, and occasionally talented, eccentrics and residents of this Tumblewood Hotel." ---Noel Riley Fitch, author of Sylvia Beach and the Lost Generation: A History of Literary Paris in the Twenties & Thirties "There does seem to be something about the odd ducks that work at bookstores. Jeremy Mercer has captured the story of a wonderful, unique store that could only be born out of a love for books and the written word." --- Liz Schlegel, the Book Revue bookshop, Huntington, New York
Judicial hanging is regarded by many as being the quintessentially British execution. However, many other methods of capital punishment have been used in this country; ranging from burning, beheading and shooting to crushing and boiling to death. Execution: A History of Capital Punishment in Britain explores these types of execution in detail. Readers may be surprised to learn that a means of mechanical decapitation, the Halifax Gibbet, was being used in England five hundred years before the guillotine was invented. Boiling to death was a prescribed means of execution in this country during the Tudor period. From the public death by starvation of those gibbeted alive, to the burning of women for petit treason, this book examines some of the most gruesome passages of British history. This carefully researched, well-illustrated and enthralling text will appeal to those interested in the history of British executions.