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Author : ANDROMACHE. KARANIKA
Publisher :
Page : 0 pages
File Size : 22,79 MB
Release : 2024
Category :
ISBN : 9780198884576
Author : Andromache Karanika
Publisher : Oxford University Press
Page : 304 pages
File Size : 37,43 MB
Release : 2024-09-11
Category : Religion
ISBN : 0198884583
Wedding, Gender, and Performance in Ancient Greece traces the wedding song tradition, its imagery, and its tropes as a genre that became crystallized throughout the ages. It explores how wedding poetics permeates ancient Greek literature. It first analyzes how explicit or implicit matrimonial references shape archaic epic diction and become an integral part of epic discourse; orally circulating texts, such as wedding songs, could have a life of their own but, beyond their original context, could also become an integral part of a different genre, especially epic and drama. This author discusses the multiple platforms that enrich the wedding song tradition, including children's songs, hymns, paeans, and ululations, arguing for a combination of ritualized discourse with ludic childhood poetics. With an approach from cognitive and trauma studies, such references can be more revealing of the female experience than previously acknowledged. This book resists the idea that a wedding constitutes an initiation ritual, arguing that what on the surface may seem like a transition to a new phase reveals other underlying trends that work against the concept of a passage. It further considers how emotion is staged and revisits the poetics of return by looking at patterns such as the eloping, returning, failed, and dead bride. Finally, the theme of separation and return as an exemplification of a distinct female nostos is revisited in female-authored poetry, which helps us decode the complex interweaving of wedding performances and lamentation, among other types of performance.
Author : Eva Stehle
Publisher : Princeton University Press
Page : 384 pages
File Size : 17,4 MB
Release : 2014-07-14
Category : Performing Arts
ISBN : 1400864291
"Like love, Greek poetry was not for hereafter," writes Eva Stehle, "but shared in the present mirth and laughter of festival, ceremony, and party." Describing how men and women, young and adult, sang or recited in public settings, Stehle treats poetry as an occasion for the performer's self-presentation. She discusses a wide range of pre-Hellenistic poetry, including Sappho's, compares how men and women speak about themselves, and constructs an innovative approach to performance that illuminates gender ideology. After considering the audience and the function of different modes of performance--community, bardic, and closed groups--Stehle explores this poetry as gendered speech, which interacts with performers' bodily presence to create social identities for the speakers. Texts for female choral performers reveal how women in public spoke in order to disavow the power of their speech and their sexual power. Male performers, however, could manipulate gender as an ideological system: they sometimes claimed female identity in addition to male, associated themselves with triumph over a defeated (mythical) female figure, or asserted their disconnection from women, thereby creating idealized social identities for themselves. A final chapter concentrates on the written poetry of Sappho, which borrows the communicative strategy of writing in order to create a fictional speaker distinct from the singer, a "Sappho" whom others could re-create in imagination. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author :
Publisher : Oxford University Press
Page : 304 pages
File Size : 26,95 MB
Release :
Category :
ISBN : 0198884591
Author : Anne Lingard Klinck
Publisher : McGill-Queen's Press - MQUP
Page : 309 pages
File Size : 45,71 MB
Release : 2008
Category : Literary Criticism
ISBN : 0773534482
The author shows that understanding of femininity in ancient Greece can be expanded by going beyond poetry composed by women poets like Sappho to explore girls' and women's choral songs from the archaic period, songs for female choruses and characters in tragedy, and lyrical representations of women's rituals and cults. The book discusses poetry as performance, relevant kinds and genres of poetry, the definition and scope of "woman's song" as a mode, partheneia (maidens' songs) and the girls' chorus, lyric in the drama, echoes and imitations of archaic woman's song in Hellenistic poetry, and inferences about the differences between male and female authors. It demonstrates that woman's song is ultimately best understood as the product of a male-dominated culture but that feminine stereotypes, while refined by male poets, are interrogated and shifted by female poets. The book traces the evolution of female-voice lyric from 600 to 100 BCE and includes Alcman, Sappho, Corinna, Pindar, other lyric poets, lyric in the drama, and the Hellenistic poets Nossis, Theocritus, and Bion.
Author : Andromache Karanika
Publisher : JHU Press
Page : 317 pages
File Size : 41,11 MB
Release : 2014-04
Category : History
ISBN : 1421412551
In other words, she gives a voice to silence.
Author : Burkhard Fehr
Publisher : BRILL
Page : 512 pages
File Size : 27,89 MB
Release : 2024-08-15
Category : History
ISBN : 900467974X
The studies included in Mythogenesis, Interdiscursivity, Ritual —offered to Professor Demetrios Yatromanolakis, a pioneering scholar— shed new light on a variety of areas: the encounters of ancient Greece with other societies and cultures in antiquity; the interplay between art (vase-painting and sculpture) and broader ideological developments/mentalities in antiquity; ritual in ancient Greek contexts; political ideologies and religion; history of scholarship, textual criticism/critical editing, and hermeneutics; the reception of myth and of archaic and classical Greek culture and philosophy in diverse discursive, mediatic, and sociocultural contexts — from impressionist painting, to modernism and the avant-garde, to Foucauldian thought.
Author :
Publisher : BRILL
Page : 403 pages
File Size : 37,71 MB
Release : 2016-04-26
Category : Literary Criticism
ISBN : 9004314849
The Look of Lyric: Greek Song and the Visual addresses the various modes of interaction between ancient Greek lyric poetry and the visual arts as well as more general notions of visuality. It covers diverse poetic genres in a range of contexts radiating outwards from the original performance(s) to encompass their broader cultural settings, the later reception of the poems, and finally also their understanding in modern scholarship. By focusing on the relationship between the visual and the verbal as well as the sensory and the mental, this volume raises a wide range of questions concerning human perception and cultural practices. As this collection of essays shows, Greek lyric poetry played a decisive role in the shaping of both.
Author : Jitse Dijkstra
Publisher : BRILL
Page : 762 pages
File Size : 12,81 MB
Release : 2010-01-11
Category : Religion
ISBN : 9004193650
This volume in honour of Jan N. Bremmer consists of a variety of contributions offering a broad spectrum of original ideas and innovative approaches in the history of religions both past and present, thus reflecting the nature of the scholarship of Bremmer himself.
Author : Ian Michael Plant
Publisher : University of Oklahoma Press
Page : 286 pages
File Size : 25,45 MB
Release : 2004
Category : Literary Criticism
ISBN : 9780806136219
Despite a common perception that most writing in antiquity was produced by men, some important literature written by women during this period has survived. Edited by I. M. Plant, Women Writers of Ancient Greece and Rome is a comprehensive anthology of the surviving literary texts of women writers from the Graeco-Roman world that offers new English translations from the works of more than fifty women. From Sappho, who lived in the seventh century B.C., to Eudocia and Egeria of the fifth century A.D., the texts presented here come from a wide range of sources and span the fields of poetry and prose. Each author is introduced with a critical review of what we know about the writer, her work, and its significance, along with a discussion of the texts that follow. A general introduction looks into the problem of the authenticity of some texts attributed to women and places their literature into the wider literary and social contexts of the ancient Graeco-Roman world.