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The controller stood back. ‘Right,’ he said. ‘Spin ’em!’ The man flipped the piece of wood and the coins spun up into the air above his head and dropped down on to the carpet. There was silence. Wake in Fright tells the tale of John Grant’s journey into an alcoholic, sexual and spiritual nightmare. It is the original and the greatest outback horror story. Bundanyabba and its citizens will forever haunt its readers. Kenneth Cook was born in Sydney. Wake in Fright, which drew on his time as a journalist in Broken Hill, was first published in 1961 when Cook was thirty-two. It was published in England and America, translated into several languages, and a prescribed text in schools. Cook wrote twenty-one books in a variety of genres, and was well known in film circles as a scriptwriter and independent film-maker. He died in 1987 at the age of fifty-seven. ‘Wake in Fright deserves its status as a modern classic. Cook’s prose is masterful and the story is gripping from the first page to the last.’ M.J. Hyland ‘A classic novel which became a classic film. The Outback without the sentimental bulldust. Australia without the sugar coating.’ Robert Drewe ‘A true dark classic of Australian literature.’ J.M. Coetzee ‘Wake in Fright is a classic of the ugly side of Menzies’ Australia, its brutality, its drunkenness, its anxiety to crush all sensibility. All of this is harrowingly reacorded —the destruction of a young soul fresh to Australia—in Kenneth Cook’s remarkable novel.’ Thomas Keneally
Secret, strange, dark, impure and dissonant...Enter the haunted landscapes of folk horror, a world of pagan village conspiracies, witch finders, and teenagers awakening to evil; of dark fairy tales, backwoods cults and obsolete technologies. Beginning with the classics Night of the Demon, Witchfinder General, The Wicker Man and Blood on Satan's Claw, We Don't Go Back surveys the genre of screen folk horror from across the world. Travelling from Watership Down to The Texas Chain Saw Massacre, with every stop inbetween, We Don't Go Back is a thoughtful, funny and essential overview of folk horror in TV and cinema."A beautiful rumination on the dark films and television that shaped me and a generation of odd children, for good or ill, worth a year of your time, because you won't just read the book, you'll feel a burning desire to watch everything mentioned within." - Robin Ince"A comprehensive, accessible and often riotously funny tome weaving together folk horror in all its forms, from British television to the American backwoods, from Eastern European fairytales to the vengeful ghosts of East Asia. Ingham explores uncanny landscapes haunted by things buried, old cultures converging with the reluctance of contemporary reason, that very tension that gives his book its name. He attempts to both define folk horror and free it from definition, creating the ultimate guide to the genre's manifestations on film and offering a convincing argument as to why the genre resonates so compellingly with people today." - Kier-La Janisse, author of House of Psychotic Women
It was quite silent in the scrub. No breeze stirred the leaves and no bird moved, except for the kite hawks wheeling silently, eternally, high in the hot air. She smelt her attacker before she saw him. A heavy stench hit her with such force that she started with shock. It was a smell she’d never encountered before. Not man, not animal, something like carrion, but alive. It seemed to envelop and suffocate her, then became tangible as two arms wrapped around her body and began tearing at her clothing. A young man driving from Sydney to Adelaide for work decides to take a short detour into the desert. He turns his hatchback on to a notoriously dangerous track that bisects uninhabited stone-covered flats. Out there, under the baking sun, people can die within hours. He’s not far along the road when a distraught young woman stumbles from the scrub and flags him down. A journalist from Sydney, she has just escaped the clutches of an inexplicable, terrifying creature. Now this desert-dwelling creature has her jeep. Her axe. And her scent... From the author of the classic novel Wake In Fright comes a chillingly brilliant short novel that’s part Wolf Creek and part Duel. Fear Is the Rider is a nail-biting chase into the outback, towards the devil lurking at its centre. Wake In Fright was made into an internationally acclaimed film. Fear Is the Rider is a previously unpublished manuscript from the 1980s that was recently rediscovered among Kenneth Cook’s papers. Kenneth Cook was born in Sydney. Wake In Fright, which drew on his time as a journalist in Broken Hill, was first published in 1961 when Cook was 32. It was published in England and America, translated into several languages, and was a prescribed text in schools. Cook wrote twenty-two books in a variety of genres, and was well known in film circles as a scriptwriter and independent film-maker. He died in 1987. ‘Fantastic, breath-taking, edge of the seat stuff.’ Col’s Criminal Library ‘This lost Ozploitation gem is pure horror adrenaline, as characters and reader alike are hunted by a relentless golem—the nightmare outback monster we've always feared.’ Chris Flynn, author of A Tiger in Eden and The Glass Kingdom ‘The moment to moment effect of reading Fear Is the Rider is one of gasping attentiveness to the urgent needs of the present...There is special, pulpy kind of genius to the kind of book that almost swipes ahead for us, like a concert pianist’s assistant.’ Australian ‘Another great retro thriller. Treat it like going to a movie, because it will only take you a couple of hours to power through it...It’s just pure adrenaline and survival.’ Herald Sun ‘A suspense packed ride until the final page.’ QANTAS Magazine ‘Possibly the scariest, most spine-chilling and nerve-wracking book I’ve read. Ever...It’s incredibly filmic—think Wolf Creek meets Mad Max—and so visceral I could feel my heart rising up in my throat as I turned the pages.’ Reading Matters ‘A schlocky, old-school thriller in the best possible way...A kind of literary Mad Max, a master class in Ozploitation, or simply as a short, sharp burst of literary adrenaline, Fear is the Rider is a hell of a lot of fun.’ Readings ‘[A] short but powerful novel, Cook takes the reader on an action-packed, tension-filled ride...Definitely a page-turner.’ BookMooch
Meat Man is a regular at the Southern Cross pub in Sydney. With his tribe he sits and drinks and watches as life spirals around him. David Ireland’s novel tells his stories, about the pub, its patrons and their women, about the brutal, tender and unexpected places his glass canoe takes him.
With six decades in show business, legendary director Ted Kotcheff looks back on his life Born to immigrant parents and raised in the slums of Toronto during the Depression, Ted Kotcheff learned storytelling on the streets before taking a stagehand job at CBC Television. Discovering his skills with actors and production, Kotcheff went on to direct some of the greatest films of the freewheeling 1970s, including The Apprenticeship of Duddy Kravitz, Wake in Fright, and North Dallas Forty. After directing the 1980s blockbusters First Blood and Weekend at Bernie’s, Kotcheff helped produce the groundbreaking TV show Law & Order: Special Victims Unit. During his career, he was declared a Communist by the U.S. government, banned from the Royal Albert Hall in London, and coped with assassination threats on one of his lead actors. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 16.0px Times; -webkit-text-stroke: #000000} span.s1 {font-kerning: none} With his seminal films enjoying a critical renaissance, including praise from Martin Scorsese and Nick Cave, Kotcheff now turns the lens on himself. Witty and fearless, Director’s Cut is not just a memoir, but also a close-up on life and craft, with stories of his long friendship with Mordecai Richler and working with stars like Sylvester Stallone, James Mason, Gregory Peck, Ingmar Bergman, Gene Hackman, Jane Fonda, and Richard Dreyfuss, as well as advice on how to survive the slings and arrows of Hollywood.
Spending the night in the woods with your friends is not a good idea in this scary thriller by the author of ESCAPE ROOM--a Halloween must-read. Sofia isn't so sure about Fright Night. When she suggested it to her friends, she was only thinking of it as an excuse to get closer to Dylan. Now that it's happening, she's worried that spending the night in a deserted forest is a bad idea. But it's totally safe--there's even a safe word if things get too intense. And they do. Sofia and her friends are forced to face their greatest fears, and suddenly? It's too late to turn back. Underlined is a line of totally addictive romance, thriller, and horror titles coming to you fast and furious each month. Enjoy everything you want to read the way you want to read it.
"Darkly hilarious...an unexpected bundle of joy." -O, The Oprah Magazine Alice Cohen was happy for the first time in years. After a difficult divorce, she had a new love in her life, she was raising a beloved adopted daughter, and her career was blossoming. Then she started experiencing mysterious symptoms. After months of tests, x-rays, and inconclusive diagnoses, Alice underwent a CAT scan that revealed the truth: she was six months pregnant. At age forty-four, with no prenatal care and no insurance coverage for a high-risk pregnancy, Alice was besieged by opinions from doctors and friends about what was ethical, what was loving, what was right. With the intimacy of a diary and the suspense of a thriller, What I Thought I Knew is a ruefully funny, wickedly candid tale; a story of hope and renewal that turns all of the "knowns" upside down.
When the Goosebumps gang arrives at a summer camp run by the famous horror movie director, R.B. Farraday, they discover it is filled with scary rides and thrills not for the weak of heart--or of stomach.
In 1985 Jacqueline Kent was content with her life. She had a satisfying career as a freelance book editor, and was emerging as a writer. Living and working alone, she relished her independence. But then she met Kenneth Cook, author of the Australian classic Wake in Fright, and they fell in love. With bewildering speed Jacqueline found herself in alien territory: with a man almost twenty years older, whose life experience could not have been more different from her own. She had to come to terms with complicated finances and expectations, and to negotiate relationships with Ken’s children, four people almost her own age. But with this man of contradictions – funny and sad, headstrong and tender – she found real and sustaining companionship. Their life together was often joyful, sometimes enraging, always exciting – until one devastating evening. But, as Jacqueline discovered, even when a story is over that doesn’t mean it has come to an end.
Frank Tashlin (1913–1972) was a supremely gifted satirist and visual stylist who made an indelible mark on 1950s Hollywood and American popular culture—first as a talented animator working on Looney Tunes cartoons, then as muse to film stars Jerry Lewis, Bob Hope, and Jayne Mansfield. Yet his name is not especially well known today. Long regarded as an anomaly or curiosity, Tashlin is finally given his due in this career-spanning survey. Tashlinesque considers the director’s films in the contexts of Hollywood censorship, animation history, and the development of the genre of comedy in American film, with particular emphasis on the sex, satire, and visual flair that comprised Tashlin’s distinctive artistic and comedic style. Through close readings and pointed analyses of Tashlin’s large and fascinating body of work, Ethan de Seife offers fresh insights into such classic films as Will Success Spoil Rock Hunter?, The Girl Can’t Help It, Artists and Models, The Disorderly Orderly, and Son of Paleface, as well as numerous Warner Bros. cartoons starring Porky Pig, among others. This is an important rediscovery of a highly unusual and truly hilarious American artist. Includes a complete filmography.