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Carbon dioxide and global climate change are largely invisible, and the prevailing imagery of climate change is often remote (such as ice floes melting) or abstract and scientific (charts and global temperature maps). Using dramatic visual imagery such as 3D and 4D visualizations of future landscapes, community mapping, and iconic photographs, this book demonstrates new ways to make carbon and climate change visible where we care the most, in our own backyards and local communities. Extensive color imagery explains how climate change works where we live, and reveals how we often conceal, misinterpret, or overlook the evidence of climate change impacts and our carbon usage that causes them. This guide to using visual media in communicating climate change vividly brings to life both the science and the practical solutions for climate change, such as local renewable energy and flood protection. It introduces powerful new visual tools (from outdoor signs to video-games) for communities, action groups, planners, and other experts to use in engaging the public, building awareness and accelerating action on the world’s greatest crisis.
Scientific research on climate change has given rise to a variety of images picturing climate change. These range from colorful expert graphics, model visualizations, photographs of extreme weather events like floods, droughts or melting ice, symbols like polar bears, to animated and interactive visualizations. Climate change graphics have not only increased knowledge about the subject, they have begun to influence popular awareness of global weather events. The status of climate pictures today is particularly crucial, as global climate change as a long-term process cannot be seen. When images are widely distributed, they are able to shape how the world is thought about and seen. It is this implicit basic assumption of the power of images to influence reality that this book addresses: today's images might become the blueprint for tomorrow's realities. »Image Politics of Climate Change« combines a wide interdisciplinary range of perspectives and questions, treated here in sixteen interdisciplinary case studies. The author's specializations include both visual practice and theory: in the fields of climate sciences, computer graphics, art, curating, art history and visual studies, communication and cultural science, environmental and science & technology studies. The close interlinking of these viewpoints promotes in-depth insights into issues of production and analysis of climate visualization.
Climate change communication is a topical and relevant issue, and it is widely acknowledged that public communication about causes, impacts and action alternatives is integral to addressing the challenges of the changing climate. Climate visualization concerns the communication of climate information and data through the use of different information technologies and different modes of visual representation. In the context of climate change communication, climate visualization is highlighted as a potential way of increasing public engagement with climate change. In particular, developments within information technology have provided significant advancements that are claimed to be transformative in engaging lay audiences with issues relating to the mitigation of and adaptation to climate change. Nevertheless, there is a lack of research exploring climate visualization from an audience perspective. This thesis addresses this gap. The overarching aim is thus to explore the role of climate visualization in climate change communication from an audience perspective, focusing specifically on how lay audiences make meaning of climate change as represented in two examples of climate visualization. In addition, the thesis discusses the potential contributions and/or limitations of climate visualization from a communication perspective. Based on a social semiotic theoretical framework, this thesis employs focus group interviews to study participants’ meaning-making related to two cases of climate visualization: a dome theatre movie developed for Swedish high school students with the aim of encouraging reflection on climate change causes, impacts and mitigation alternatives, and a web-based tool for climate change adaptation developed to assist Nordic homeowners in adapting to the local impacts of climate change. The results of this thesis show that climate visualization can help audiences concretize otherwise abstract aspects of climate change, and that the localized focus can make climate change appear more personally relevant and interesting for targeted audiences. Nevertheless, despite these communicative qualities, the analyses also show that participants’ interpretations are shaped by their preconceptions of climate change as a global and distant issue to be solved by other actors, such as national governments, or through international policy negotiations. Although climate visualization can enhance a sense of proximity with climate change, the localization of climate risk can also lead to participants downplaying the significance of climate impacts. In addition, despite the intentions of inducing a sense of agency in both cases of climate visualization, participants critically negotiated messages concerning their roles as individuals in mitigating or adapting to climate change, and assigned this responsibility onto other actors. These findings show that although climate visualization presents certain communicative qualities, it is not a panacea for engaging lay audiences with climate change. This also underlines the importance of considering cultural and social aspects of the communicative event when studying and developing climate visualization tools as a means of communication. Kommunikation kring klimatförändringar är ett aktuellt och relevant ämne, och många bedömare anser att kommunikation kring orsaker, effekter och åtgärdsalternativ är en viktig del i arbetet med att möta klimatutmaningarna. Klimatvisualisering är en process för att åskådliggöra klimatinformation och klimatdata med hjälp av olika tekniker och metoder för visuell framställning. I forskningslitteraturen om klimatkommunikation lyfts visualisering fram som ett möjligt sätt att öka allmänhetens engagemang i klimatfrågan. I synnerhet har utvecklingen inom informationsteknik lett till betydande framsteg som kan ses som omvälvande när det gäller att engagera lekmän i frågor som rör utsläppsminskningar och klimatanpassning. Det råder dock brist på forskning om klimatvisualisering ur ett mottagarperspektiv. Denna avhandling adresserar denna kunskapslucka. Det övergripande syftet är således att utforska visualiseringens roller i klimatkommunikation ur ett mottagarperspektiv, med särskilt fokus på hur lekmän tolkar innebörden av klimatförändringar så som de representeras i två exempel på klimatvisualisering. Avhandlingen behandlar även klimatvisualiseringens möjliga bidrag och/eller begränsningar ur ett kommunikationsperspektiv. Med utgångspunkt i ett teoretiskt ramverk som inspirerats av socialsemiotiska teorier genomfördes fokusgruppsstudier för att studera deltagarnas meningsskapande i relation till två exempel på klimatvisualisering: en film som visas i en domteater, framtagen för svenska gymnasieelever med målsättningen att uppmuntra till reflektion kring klimatförändringarnas orsaker, effekter och alternativ för utsläppsminskning, samt ett webbaserat verktyg för klimatanpassning, som utvecklats för att stödja husägare i Norden att anpassa sig till klimatförändringarnas lokala effekter. Resultaten av denna avhandling visar att klimatvisualisering kan stödja mottagarna att konkretisera annars abstrakta aspekter av klimatförändringar och att ett lokalt fokus kan få klimatförändringarna att framstå som mer personligt relevanta och intressanta för målgruppen. Dock visar analyserna även, trots dessa kommunikativa kvaliteter, att deltagarnas tolkningar formas av deras förförståelse om klimatförändringar som ett globalt och avlägset problem som ska lösas av andra aktörer, såsom nationella regeringar, eller genom internationella politiska förhandlingar. Även om klimatvisualisering kan förstärka känslan av närhet till klimatförändringar, kan lokaliseringen av klimatriskerna även leda till att deltagare tonar ned de lokala klimatriskernas betydelse. Dessutom, trots att båda fallen av klimatvisualisering avsåg att skapa en känsla av att kunna påverka, blev ansvaret för klimatåtgärder föremål för kritisk förhandling från deltagarnas sida – de förlade ansvaret för att hantera klimatutmaningarna till andra aktörer. Dessa resultat visar att klimatvisualisering visserligen har vissa kommunikativa kvaliteter, men inte är någon patentlösning för klimatkommunikation. Detta understryker även vikten av att ta hänsyn till kulturella och sociala aspekter av den kommunikativa händelsen när man studerar och utvecklar verktyg för klimatvisualisering.
Carbon dioxide and global climate change are largely invisible, and the prevailing imagery of climate change is often remote (such as ice floes melting) or abstract and scientific (charts and global temperature maps). Using dramatic visual imagery such as 3D and 4D visualizations of future landscapes, community mapping, and iconic photographs, this book demonstrates new ways to make carbon and climate change visible where we care the most, in our own backyards and local communities. Extensive color imagery explains how climate change works where we live, and reveals how we often conceal, misinterpret, or overlook the evidence of climate change impacts and our carbon usage that causes them. This guide to using visual media in communicating climate change vividly brings to life both the science and the practical solutions for climate change, such as local renewable energy and flood protection. It introduces powerful new visual tools (from outdoor signs to video-games) for communities, action groups, planners, and other experts to use in engaging the public, building awareness and accelerating action on the world’s greatest crisis.
The explosion of public interest in the natural environment can, to a large extent, be attributed to greater public awareness of the impacts of global warming and climate change. This has led to increased research interest and funding directed at studies of issues affecting sensitive, natural environments. Not surprisingly, much of this work has re
The 5th Edition of Visualizing Environmental Science provides students with a valuable opportunity to identify and connect the central issues of environmental science through a visual approach. Beautifully illustrated, this fifth edition shows students what the discipline is all about—its main concepts and applications—while also instilling an appreciation and excitement about the richness of the subject. This edition is thoroughly refined and expanded; the visuals utilize insights from research on student learning and feedback from users.
Scientific research on climate change has given rise to a variety of images picturing climate change. These range from colorful expert graphics, model visualizations, photographs of extreme weather events like floods, droughts or melting ice, symbols like polar bears, to animated and interactive visualizations. Climate change graphics have not only increased knowledge about the subject, they have begun to influence popular awareness of global weather events. The status of climate pictures today is particularly crucial, as global climate change as a long-term process cannot be seen.When images are widely distributed, they are able to shape how the world is thought about and seen. It is this implicit basic assumption of the power of images to influence reality that this book addresses: today's images might become the blueprint for tomorrow's realities.»Image Politics of Climate Change« combines a wide interdisciplinary range of perspectives and questions, treated here in sixteen interdisciplinary case studies. The author's specializations include both visual practice and theory: in the fields of climate sciences, computer graphics, art, curating, art history and visual studies, communication and cultural science, environmental and science & technology studies. The close interlinking of these viewpoints promotes in-depth insights into issues of production and analysis of climate visualization.
This book provides an in-depth overview of graphic and visual communication styles for conveying climate change and climate action within the landscape architectural profession and in academia. The book features visualizations of climate adaptation and resilience, developed by award-winning landscape architects and academics from Canada, the United States, the United Kingdom, The Netherlands, Denmark, Germany, Italy, France, Finland, South Africa, Singapore, and China. Representing Landscapes: Visualizing Climate Action illustrates the imaginative ways in which climate action and climate resilient concepts are visually presented, communicated, and perceived. The book will be especially valuable for students and practitioners in landscape architecture, urban planning, and related fields to understand how to visually capture climate change issues and design solutions, and to deliver this message to the public.