[PDF] Visual Culture In Late Nineteenth Century French Medicine eBook

Visual Culture In Late Nineteenth Century French Medicine Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Visual Culture In Late Nineteenth Century French Medicine book. This book definitely worth reading, it is an incredibly well-written.

Visual Culture in Late Nineteenth Century French Medicine

Author : Laura Morris
Publisher :
Page : 174 pages
File Size : 28,30 MB
Release : 2009
Category :
ISBN :

GET BOOK

"Scholars from a range of disciplines have been compelled by French neurologist and clinician Jean Martin Charcot (1825-1893) and his work with hysterical patients at the Salpêtrière hospital in Paris. From 1862, when he began work at the hospital, until his death thirty-one years later, Charcot's influence in French medical circles grew exponentially, as did his notoriety in popular culture. The Salpêtrière, whose structure originally served as an arsenal during Louis XIII's early thirteenth century reign, was the largest medical establishment in the world during Charcot's tenure as Chair of Neuropathology. Although he conducted research in many areas, he is most renowned for his work on hysteria. This work involved the publication of patients' photographs to create a so-called iconography of the disease, the ordering and classification of each physical manifestation of hysteria that might occur in the successive "stages" of a hysteric attack, and staged lessons that Charcot carried out each Tuesday in the hospital's amphitheater. These lessons became spectacles, performed not only for physicians in training but also for curious members of the general public, and the were later published, in a form remarkably similar to a play script, for distribution across Europe. The abundance of visual and textual records generated by Charcot and his followers has provided scholars--with interests ranging from cultural history to art history, gender theory to performance studies--a remarkably fertile collection of sources and information to incorporate in, and appropriate for, their own studies" -- Introduction.

The Nineteenth-century Visual Culture Reader

Author : Vanessa R. Schwartz
Publisher : Psychology Press
Page : 436 pages
File Size : 44,42 MB
Release : 2004
Category : Art
ISBN : 9780415308663

GET BOOK

The nineteenth century is central to contemporary discussions of visual culture. This reader brings together key writings on the period, exploring such topics as photographs, exhibitions and advertising.

Gut, Brain, and Environment in Nineteenth-Century French Literature and Medicine

Author : Manon Mathias
Publisher : Taylor & Francis
Page : 282 pages
File Size : 20,74 MB
Release : 2024-04-30
Category : Literary Criticism
ISBN : 1040022189

GET BOOK

Gut, Brain, and Environment in Nineteenth-Century French Literature and Medicine offers a new way of conceptualizing food in literature: not as social or cultural symbol but as an agent within a network of relationships between body and mind and between humans and environment. By analysing gastrointestinal health in medical, literary, and philosophical texts, this volume rethinks the intersections between literature and health in the nineteenth century and triggers new debates about France’s relationship with food. Of relevance to scholars of literature and to historians and sociologists of science, food, and medicine, it will provide ideal reading for students of French Literature and Culture, History, Cultural Studies, and History of Science and Medicine, Literature and Science, Food Studies, and the Medical Humanities. Readers will be introduced to new ways of approaching digestion in this period and will gain appreciation of the powerful resources offered by nineteenth-century French writing in understanding the nature of connections between gut, mind, and environment and the impact of these connections on our status as human beings.

Interior decorating in nineteenth-century France

Author : Anca I. Lasc
Publisher : Manchester University Press
Page : 457 pages
File Size : 44,40 MB
Release : 2018-07-16
Category : Architecture
ISBN : 1526113406

GET BOOK

This book explores the beginnings of the interior design profession in nineteenth-century France. Drawing on a wealth of visual sources, from collecting and advice manuals to pattern books and department store catalogues, it demonstrates how new forms of print media were used to ‘sell’ the idea of the unified interior as a total work of art, enabling the profession of interior designer to take shape. In observing the dependence of the trades on the artistic and public visual appeal of their work, the book establishes crucial links between the fields of art history, material and visual culture, and design history.

Work and Leisure in Late Nineteenth-Century French Literature and Visual Culture

Author : C. White
Publisher : Springer
Page : 259 pages
File Size : 42,60 MB
Release : 2014-06-25
Category : Fiction
ISBN : 1137373075

GET BOOK

In this engaging new study, Claire White reveals how representations of work and leisure became the vehicle for anxieties and fantasies about class and alienation, affecting, in turn, the ways in which writers and artists understood their own cultural work.

The Face of Medicine

Author : Mary Hunter
Publisher : Rethinking Art's Histories
Page : 266 pages
File Size : 28,9 MB
Release : 2016
Category : Art
ISBN : 9780719097577

GET BOOK

Machine generated contents note: 1. The makings of a scientific hero: portraits of Louis Pasteur -- 2. The sleep of reason: Dr Pean's collection of bodies in paint and in wax -- 3. Hysterical realisms at the Salpetriere: images, objects, and performances chez Dr Charcot

French Medical Culture in the Nineteenth Century

Author : Ann Elizabeth Fowler La Berge
Publisher : Rodopi
Page : 414 pages
File Size : 29,13 MB
Release : 1994
Category : History of Medicine, 19th Cent. / France
ISBN : 9789051835618

GET BOOK

The eleven essays in this volume illustrate the richness, complexity, and diversity of French medical culture in the nineteenth century, a period that witnessed the medicalization of French society. Medical themes permeated contemporary culture and politics, and medical discourse infused many levels of French society from the bastions of science - the medical faculties and research institutions - to novels, the theater, and the daily lives of citizens as patients. The contributors to this volume - all established scholars in the history of medicine - present the French medical experience from the point of view of both practitioners and patients, and show how medical themes colored popular perceptions and shaped public policies. Topics addressed range from popular medicine to elite Parisian medicine, the interaction of literary and medical discourse, social theater, medical research and practice, medical specialization and education. The essays reflect current trends of medico-historical analysis which emphasize the centrality of class, race, and gender in understanding concepts of disease and the practice of medicine. They show how the medical experience of patients, practitioners, students, and researchers varied according to social class, gender, and geography and the importance of these factors for the construction of disease.

A Companion to Impressionism

Author : André Dombrowski
Publisher : John Wiley & Sons
Page : 644 pages
File Size : 13,61 MB
Release : 2024-02-27
Category : Art
ISBN : 1119373921

GET BOOK

A Companion to Impressionism Presenting an expansive view of the study of Impressionism, this pioneering volume breaks new thematic ground while also reconsidering questions concerning the defini­tion, chronology, and membership of the impressionist movement. In 34 original essays from established and emerging scholars, this collection offers a diverse range of developing topics and new critical approaches to the interpretation of impressionist art. Focusing on the 1860s to 1890s, A Companion to Impressionism explores artists who are well-represented in impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism’s global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, as well as the movement’s exhibition and reception history. This innovative volume also includes new discussions of modern identity in Impressionism in the contexts of race, nationality, gender, and sexuality and through its explorations of the international reach and influence of Impressionism. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important addition to scholarship in this field stands as the 21st century’s first major and large-scale academic reassessment of Impressionism. Featuring essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina, this is an invaluable text for students and scholars studying Impressionism and late 19th-century European art, Post-Impressionism, modern art, and modern French cultural history.

Visual Culture and Pandemic Disease Since 1750

Author : Marsha Morton
Publisher : Taylor & Francis
Page : 312 pages
File Size : 31,6 MB
Release : 2023-07-06
Category : Art
ISBN : 1000904148

GET BOOK

Through case studies, this book investigates the pictorial imaging of epidemics globally, especially from the late eighteenth century through the 1920s when, amidst expanding Western industrialism, colonialism, and scientific research, the world endured a succession of pandemics in tandem with the rise of popular visual culture and new media. Images discussed range from the depiction of people and places to the invisible realms of pathogens and emotions, while topics include the messaging of disease prevention and containment in public health initiatives, the motivations of governments to ensure control, the criticism of authority in graphic satire, and the private experience of illness in the domestic realm. Essays explore biomedical conditions as well as the recurrent constructed social narratives of bias, blame, and othering regarding race, gender, and class that are frequently highlighted in visual representations. This volume offers a pictured genealogy of pandemic experience that has continuing resonance. The book will be of interest to scholars working in art history, visual studies, history of medicine, and medical humanities.