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This book looks at Virginia Woolf's various homes in Kensington, Richmond, and Bloomsbury, and her Sussex country retreats. It explains how the buildings and streets were far more to her than a home--London was a symbol of the vitality she attempted to put into her novels. This guidebook brings to life Woolf's city by tracing the footsteps of some of her characters, while giving a flesh and blood picture of her, impossible to find elsewhere. The book is illustrated with drawings of all Woolf's homes, and walking route maps.
To Virginia Woolf, London was a source of creative inspiration, a setting for many of her works, and a symbol of the culture in which she lived and wrote. In a 1928 diary entry, she observed, "London itself perpetually attracts, stimulates, gives me a play & a story & a poem, without any trouble, save that of moving my legs through the streets." The city fascinated Woolf, yet her relationship with it was problematic. In her attempts to resolve her developmental struggles as a woman write in a patriarchal society, Woolf shaped and reshaped the image and meaning of London. Using psychoanalytic, feminist, and social theories, Susan Squier explores the transformed meaning of the city in Woolf's essays, memoirs, and novels as it functions in the creation of a mature feminist vision. Squier shows that Woolf's earlier works depict London as a competitive patriarchal environment that excluded her, but her mature works portray the city as beginning to accept the force of female energy. Squier argues that this transformation was made possible by Woolf's creative ability to appropriate and revise the masculine literary and cultural forms of her society. The act of writing, or "scene making," allowed Woolf to break from her familial and cultural heritage and recreate London in her own literary voice and vision. Virginia Woolf and London is based on analyses of Woolf's memoirs, her little-known early and mature London essays, Night and Day, Mrs. Dalloway, Flush, and The Years. By focusing on Woolf's changing attitudes about the city, Squier is able to define Woolf's evolving belief that women could "reframe" the city-scape and use it to imagine and create a more egalitarian world. Squier's study offers significant new insights into the interplay between self and society as it shapes the work of a woman writer. Originally published in 1985. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
This innovative volume employs theoretical tools from the field of literary geography to explore Virginia Woolf’s writing and the ways in which she constructs her human subjects. It follows the routes of characters from The Voyage, Jacob’s Room, Mrs. Dalloway, To the Lighthouse and more as they walk around London, demonstrating how Woolf constructs the characters in her stories in a very politically conscious way. As Larsson argues, none of Woolf’s characters are able to walk just anywhere, at any time in history, or at any time of the day. Time, place, gender, and class form the conditions of life that the characters must accept or challenge. Featuring an array of detailed maps, Walking Virginia Woolf’s London: An Investigation in Literary Geography brings a fascinating new perspective to Virginia Woolf’s work. It is essential reading for scholars of modernist literature or geocriticism.
First published in 1959, Virginia Woolf's London takes the reader on a tour of London with Mrs. Woolf. However, this book is much more than a literary sightseeing tour, enjoyable though that is. As scholar and critic, Dr. Brewster shows how Mrs. Woolf has used London as atmosphere, theme, and even motivating force throughout her writing. In some ways, the late novel The Years was a climax in a long succession of 'experiments in using London impressions in interrogating the inner and outer aspects of experience.' This book begins and ends an era in the history of the great city which many will appreciate, from the beginning of the 20th century, when a 23-year-old Virginia published an article on 'London Street Music,' to the blitz of 1940 and 1941, when, as some poignant passages in her Diary reveal, the mature novelist saw her city being battered and burned. A book for all those who love both London and literature.
Mrs Dalloway, Virginia Woolf's fourth novel, offers the reader an impression of a single June day in London in 1923. Clarissa Dalloway, the wife of a Conservative member of parliament, is preparing to give an evening party, while the shell-shocked Septimus Warren Smith hears the birds in Regent's Park chattering in Greek. There seems to be nothing, except perhaps London, to link Clarissa and Septimus. She is middle-aged and prosperous, with a sheltered happy life behind her; Smith is young, poor, and driven to hatred of himself and the whole human race. Yet both share a terror of existence, and sense the pull of death. The world of Mrs Dalloway is evoked in Woolf's famous stream of consciousness style, in a lyrical and haunting language which has made this, from its publication in 1925, one of her most popular novels.
Virginia Woolf began writing reviews for the Guardian 'to make a few pence' from her father's death in 1904, and continued until the last decade of her life. The result is a phenomenal collection of articles, of which this selection offers a fascinating glimpse, which display the gifts of a dazzling social and literary critic as well as the development of a brilliant and influential novelist. From reflections on class and education, to slyly ironic reviews, musings on the lives of great men and 'Street Haunting', a superlative tour of her London neighbourhood, this is Woolf at her most thoughtful and entertaining.
Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.
"I ought to be grateful to Richmond & Hogarth, and indeed, whether it's my invincible optimism or not, I am grateful." - Virginia Woolf Although more commonly associated with Bloomsbury, Virginia and her husband Leonard Woolf lived in Richmond-upon-Thames for ten years from the time of the First World War (1914-1924). Refuting the common misconception that she disliked the town, this book explores her daily habits as well as her intimate thoughts while living at the pretty house she came to love - Hogarth House. Drawing on information from her many letters and diaries, the author reveals how Richmond's relaxed way of life came to influence the writer, from her experimentation as a novelist to her work with her husband and the Hogarth Press, from her relationships with her servants to her many famous visitors. Reviews “Lively, diverse and readable, this book captures beautifully Virginia Woolf’s time in leafy Richmond, her mixed emotions over this exile from central London, and its influence on her life and work. This illuminating book is a valuable addition to literary history, and a must-read for every Virginia Woolf enthusiast...” - Emma Woolf, writer, journalist, presenter and Virginia Woolf’s great niece About the Author Peter Fullagar is a former English Language teacher, having lived and worked in diverse locations such as Tokyo and Moscow. He became fascinated by the works of Virginia Woolf while writing his dissertation for his Masters in English Literature and Language. During his teaching career he was head of department at a private college in West London. He has written articles and book reviews for the magazine English Teaching Professional and The Huffington Post. His first short story will be published in an anthology entitled Tempest in March 2019. Peter was recently interviewed for the forthcoming film about the project to fund, create and install a new full-sized bronze statue of Virginia Woolf in Richmond-upon-Thames.
In a picturesque English village, residents prepare for an amateur production in the grounds of their manor house. Against the backdrop of World War II looming in the background, the play becomes a microcosm reflecting the anxieties, hopes, and societal changes of the time. Through Virginia Woolf's distinctive narrative style, each character's inner world is intricately woven into the fabric of the performance, blurring the lines between reality and theatricality. Between the Acts stands as Virginia Woolf's final novel, completing her exploration of experimental narrative techniques and modernist themes. Published posthumously in 1941, the novel continues Woolf's profound literary legacy of challenging conventional storytelling and delving into the complexities of human consciousness. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.