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The European coastal areas and the lands around the rivers had great importance for the Vikings, who settled in strategic areas and defended themselves - often against other intruding Vikings. This book is a collection of articles focusing on the Vikings and their presence on the western European continent.
Every year, the Bibliography catalogues the most important new publications, historiographical monographs, and journal articles throughout the world, extending from prehistory and ancient history to the most recent contemporary historical studies. Within the systematic classification according to epoch, region, and historical discipline, works are also listed according to author’s name and characteristic keywords in their title.
This book is a study of communities that drew their identity and livelihood from their relationships with water during a pivotal time in the creation of the social, economic and political landscapes of northern Europe. It focuses on the Baltic, North and Irish Seas in the Viking Age (ad 1050–1200), with a few later examples (such as the Scottish Lordship of the Isles) included to help illuminate less well-documented earlier centuries. Individual chapters introduce maritime worlds ranging from the Isle of Man to Gotland — while also touching on the relationships between estate centres, towns, landing places and the sea in the more terrestrially oriented societies that surrounded northern Europe’s main spheres of maritime interaction. It is predominately an archaeological project, but draws no arbitrary lines between the fields of historical archaeology, history and literature. The volume explores the complex relationships between long-range interconnections and distinctive regional identities that are characteristic of maritime societies, seeking to understand communities that were brought into being by their relationships with the sea and who set waves in motion that altered distant shores.
As the politico-economic exploits of vikings in and around the Frankish realm remain, to a considerable extent, obscured by the constraints of a fragmentary and biased corpus of (near-)contemporary evidence, this volume approaches the available interdisciplinary data on a cumulative and conceptual level, allowing overall spatiotemporal patterns of viking activity to be detected and defined – and thereby challenging the notion that these movements were capricious, haphazard, and gratuitous in character. Set against a backdrop of continuous commerce and knowledge exchange, this overarching survey demonstrates the existence of a relatively uniform, sequential framework of wealth extraction, encampment, and political engagement, within which Scandinavian fleets operated as adaptable, ambulant polities – or ‘hydrarchies’. By delineating and visualising this framework, a four-phased conceptual development model of hydrarchic conduct and consequence is established, whose validity is substantiated by its application to a number of distinct regional case studies. The parameters of this abstract model affirm that Scandinavian movements across Francia were the result of prudent and expedient decision-making processes, contingent on exchanged intelligence, cumulative experience, and the ongoing individual and collective need for socioeconomic subsistence and enrichment. Monarchs and Hydrarchs will appeal to both students and specialists of the Viking Age, whilst serving as an equally valuable resource to those investigating early medieval Francia, Scandinavia, and the North Sea world as a whole.
Updated to reflect recent archaeological discoveries and overflowing with color illustrations, this book is the definitive introduction to the art of the Viking Age. The Viking Age in Europe lasted from the time of the first major Viking expeditions in 800 CE to the widespread adoption of Christianity in Scandinavia some 300 years later. During that time, Viking art and culture spread across continental Europe and into the world beyond. Written by a leading authority on the subject, this book introduces readers to the intricate objects and beautiful art styles that developed during the Viking Age. Beginning with an introduction to the geographical and historical background of Viking culture, author James Graham-Campbell chronicles the six main styles of Viking art, examining how they emerged and interacted with one another, as well as how the religious shift from paganism to Christianity impacted Viking art and its legacy. More than 200 high-quality illustrations depict everything from delicate metalwork, elaborate wood carvings, ornate weapons, and fine jewelry to grand ships, the Gotland picture stones, and archaeological traces left by the Vikings around the Western world. Now revised and updated with recent archaeological discoveries, Viking Art is a perfect guide—including a timeline and maps—for all those interested in the arts of this vibrant and fascinating culture.
Study of Viking trade, exploration, communication and settlement in western and eastern Europe from the end of the 8th to the close of the 11th century.
More than marauders and bloodthirsty conquerors, the Vikings were builders of a civilization which influence may still be seen in the modern world. The Viking Age is arguably one of the most fascinating epochs in history, and in this book, a new narrative is presented based on Viking history as it is told in the Norse Sagas. Viking Legacy represents a new generation of books exploring the Viking Age. By integrating the Saga literature with other sources, a more complete picture emerges of this increasingly popular era, and a civilization that would change the course of history. Torgrim Titlestad, professor, dr.philos. is one of Norway’s foremost experts and most prolific authors on the Viking Age and Saga history. He is the recipient of the Saga Award (2016) and was appointed Knight of the Order of the Falcon (2017) by Iceland’s President, Guðni Th. Jóhannesson, for his work with the Norse sagas, especially Tormod Torfæus’ Magnum Opus Historia Rerum Norvegicarum and the Icelandic saga treasure Flateyjarbók.
In around 911, the Viking adventurer Rollo was granted the city of Rouen and its surrounding district by the Frankish King Charles the Simple. Two further grants of territory followed in 924 and 933. But while Frankish kings might grant this land to Rollo and his son, William Longsword, these two Norman dukes and their successors had to fight and negotiate with rival lords, hostile neighbours, kings, and popes in order to establish and maintain their authority over it. This book explores the geographical and political development of what would become the duchy of Normandy, and the relations between the dukes and these rivals for their lands and their subjects' fidelity. It looks, too, at the administrative machinery the dukes built to support their regime, from their toll-collectors and vicomtes (an official similar to the English sheriff) to the political theatre of their courts and the buildings in which they were staged. At the heart of this exercise are the narratives that purport to tell us about what the dukes did, and the surviving body of the dukes' diplomas. Neither can be taken at face value, and both tell us as much about the concerns and criticisms of the dukes' subjects as they do about the strength of the dukes' authority. The diplomas, in particular, because most of them were not written by scribes attached to the dukes' households but rather by their beneficiaries, can be used to recover something of how the dukes' subjects saw their rulers, as well as something of what they wanted or needed from them. Ducal power was the result of a dialogue, and this volume enables both sides to speak. Mark Hagger is a senior lecturer in medieval history at Bangor University.