[PDF] Views From Asian California 1920 1965 eBook

Author : Gary Y. Okihiro
Publisher : Columbia University Press
Page : 354 pages
File Size : 38,84 MB
Release : 2001
Category : History
ISBN : 9780231115117

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Offering a rich and insightful road map of Asian American history as it has evolved over more than 200 years, this book marks the first systematic attempt to take stock of this field of study. It examines, comments, and questions the changing assumptions and contexts underlying the experiences and contributions of an incredibly diverse population of Americans. Arriving and settling in this nation as early as the 1790s, with American-born generations stretching back more than a century, Asian Americans have become an integral part of the American experience; this cleverly organized book marks the trajectory of that journey, offering researchers invaluable information and interpretation. * Part 1 offers a synoptic narrative history, a chronology, and a set of periodizations that reflect different ways of constructing the Asian American past. * Part 2 presents lucid discussions of historical debates--such as interpreting the anti-Chinese movement of the late 1800s and the underlying causes of Japanese American internment during World War II--and such emerging themes as transnationalism and women and gender issues. * Part 3 contains a historiographical essay and a wide-ranging compilation of book, film, and electronic resources for further study of core themes and groups, including Chinese, Japanese, Filipino, Hmong, Indian, Korean, Vietnamese, and others.

Author : Seiwoong Oh
Publisher : Infobase Learning
Page : 1292 pages
File Size : 50,32 MB
Release : 2015-04-22
Category : American literature
ISBN : 1438140584

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Presents a reference on Asian-American literature providing profiles of Asian-American writers and their works.

Author : William S. Rodner
Publisher : BRILL
Page : 235 pages
File Size : 22,83 MB
Release : 2011-12-19
Category : Art
ISBN : 900424946X

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Edwardian London Through Japanese Eyes considers the career of the Japanese artist Yoshio Markino (1869-1956), a prominent figure on the early twentieth-century London art scene whose popular illustrations of British life adroitly blended stylistic elements of East and West. He established his reputation with watercolors for the avant-garde Studio magazine and attained success with The Colour of London (1907), the book that offered, in word and picture, his outsider’s response to the modern Edwardian metropolis. Three years later he recounted his British experiences in an admired autobiography aptly titled A Japanese Artist in London. Here, and in later publications, Markino offered a distinctively Japanese perspective on European life that won him recognition and fame in a Britain that was actively engaging with pro-Western Meiji Japan. Based on a wide range of unpublished manuscripts and Edwardian commentary, this lavishly illustrated book provides a close examination of over 150 examples of his art as well analysis of his writings in English that covered topics as wide-ranging as the English and Japanese theater, women’s suffrage, current events in the Far East and observations on traditional Asian art as well as Western Post-Impressionism. Edwardian London Through Japanese Eyes, the first scholarly study of this neglected artist, demonstrates how Markino became an agent of cross-cultural understanding whose beautiful and accessible work provided fresh insights into the Anglo-Japanese relationship during the early years of the twentieth century.

Author : ShiPu Wang
Publisher : Univ of California Press
Page : 188 pages
File Size : 13,99 MB
Release : 2023-12-05
Category : Art
ISBN : 0520394674

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"Pictures of Belonging showcases more than one hundred objects created by Miki Hayakawa, Hisako Hibi, and Miné Okubo. These trailblazing American women of Japanese descent-part of the pre-World War II generation of artists in California-were committed to exploring art as a productive means of storytelling, but their achievements are rarely recognized in the pages of American history. The book puts the artists' works in dialogue with one another for the first time-creating new conversations on citizenship, community, and agency in the historical record during an era of exclusion for Japanese Americans in particular and Asian Americans as a whole"--

Author : Elaine H. Kim
Publisher : Univ of California Press
Page : 239 pages
File Size : 12,77 MB
Release : 2003
Category : Biography & Autobiography
ISBN : 0520235355

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Pairing work by 24 contemporary Asian-American visual artists with responses provocatively drawn from cultural critics and other artists, this book explores themes of geographical movement, Asian sexuality, miscegenation, the loss of home, war, history, and memory.

Author : Guiyou Huang
Publisher : Bloomsbury Publishing USA
Page : 385 pages
File Size : 12,18 MB
Release : 2002-05-30
Category : Literary Criticism
ISBN : 0313011311

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Even though Asian American literature is enjoying an impressive critical popularity, attention has focused primarily on longer narrative forms such as the novel. And despite the proliferation of a large number of poets of Asian descent in the 20th century, Asian American poetry remains a neglected area of study. Poetry as an elite genre has not reached the level of popularity of the novel or short story, partly due to the difficulties of reading and interpreting poetic texts. The lack of criticism on Asian American poetry speaks to the urgent need for scholarship in this area, since perhaps more than any other genre, poetry most forcefully captures the intense feelings and emotions that Asian Americans have experienced about themselves and their world. This reference book overviews the tremendous cultural contributions of Asian American poets. Included are alphabetically arranged entries on 48 American poets of Asian descent, most of whom have been active during the latter half of the 20th century. Each entry begins with a short biography, which sometimes includes information drawn from personal interviews. The entries then discuss the poet's major works and themes, including such concerns as family, racism, sexism, identity, language, and politics. A survey of the poet's critical reception follows. In many cases the existing criticism is scant, and the entries offer new readings of neglected works. The entries conclude with bibliographies of primary and secondary texts, and the volume closes with a selected, general bibliography.

Author : Timothy Anglin Burgard
Publisher : University of California Press
Page : 332 pages
File Size : 27,35 MB
Release : 2020-07-14
Category : Art
ISBN : 0520304845

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An expanded edition of the definitive book on Ruth Asawa’s fascinating life and her lasting contributions to American art. The work of American artist Ruth Asawa (1926–2013) is brought into brilliant focus in this definitive book, originally published to accompany the first complete retrospective of Asawa’s career, organized by the Fine Arts Museums of San Francisco in 2006. This new edition features an expanded collection of essays and a detailed illustrated chronology that explore Asawa's fascinating life and her lasting contributions to American art. Beginning with her earliest works—drawings and paintings created in the 1940s while she was studying at Black Mountain College—this beautiful volume traces Asawa’s flourishing career in San Francisco and her trajectory as a pioneering modernist sculptor who is recognized internationally for her innovative wire sculptures, public commissions, and activism on behalf of public arts education. Through her lifelong experimentations with wire, especially its capacity to balance open and closed forms, Asawa invented a powerful vocabulary that contributed a unique perspective to the field of twentieth-century abstract sculpture. Working in a variety of nontraditional media, Asawa performed a series of remarkable metamorphoses, leading viewers into a deeper awareness of natural forms by revealing their structural properties. Through her art, Asawa transfigured the commonplace into metaphors for life processes themselves. The Sculpture of Ruth Asawa establishes the importance of Asawa’s work within a larger cultural context of artists who redefined art as a way of thinking and acting in the world, rather than as merely a stylistic practice. This updated edition includes a new introduction and more than fifty new images, as well as original essays that reflect on the impact of American political history on Asawa's artistic vision, her experience with printmaking, and her friendship with photographer Imogen Cunningham. Contributors include Susan Ehrens, Mary Emma Harris, Karin Higa, Jacqueline Hoefer, Emily K. Doman Jennings, Paul J. Karlstrom, John Kreidler, Susan Stauter, Colleen Terry, and Sally B. Woodbridge. Published in association with the Fine Arts Museums of San Francisco (FAMSF).

Author : Peter Selz
Publisher : Univ of California Press
Page : 312 pages
File Size : 12,53 MB
Release : 2006-01-09
Category : Architecture
ISBN : 0520240529

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'Art of Engagement' focuses on the key role of California's art and artists in politics and culture since 1945. The book showcases many types of media, including photographs, found objects, drawings and prints, murals, painting, sculpture, ceramics, installations, performance art, and collage.

Author : ShiPu Wang
Publisher : Penn State Press
Page : 422 pages
File Size : 31,39 MB
Release : 2017-07-14
Category : Art
ISBN : 0271080701

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In The Other American Moderns, ShiPu Wang analyzes the works of four early twentieth-century American artists who engaged with the concept of “Americanness”: Frank Matsura, Eitarō Ishigaki, Hideo Noda, and Miki Hayakawa. In so doing, he recasts notions of minority artists’ contributions to modernism and American culture. Wang presents comparative studies of these four artists’ figurative works that feature Native Americans, African Americans, and other racial and ethnic minorities, including Matsura and Susan Timento Pose at Studio (ca. 1912), The Bonus March (1932), Scottsboro Boys (1933), and Portrait of a Negro (ca. 1926). Rather than creating art that reflected “Asian aesthetics,” Matsura, Ishigaki, Noda, and Hayakawa deployed “imagery of the Other by the Other” as their means of exploring, understanding, and contesting conditions of diaspora and notions of what it meant to be American in an age of anti-immigrant sentiment and legislation. Based on a decade-long excavation of previously unexamined collections in the United States and Japan, The Other American Moderns is more than a rediscovery of “forgotten” minority artists: it reconceives American modernism by illuminating these artists’ active role in the shaping of a multicultural and cosmopolitan culture. This nuanced analysis of their deliberate engagement with the ideological complexities of American identity contributes a new vision to our understanding of non-European identity in modernism and American art.