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Vicious Modernism

Author : James de Jongh
Publisher : Cambridge University Press
Page : 294 pages
File Size : 24,8 MB
Release : 1990-11-30
Category : Literary Criticism
ISBN : 0521326206

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This book concentrates on the aesthetic and cultural force of Harlem, which inspired writers from Sherwood Anderson to Tom Wolfe.

Crossroads Modernism

Author : Edward Michael Pavlić
Publisher : U of Minnesota Press
Page : 344 pages
File Size : 45,80 MB
Release : 2002
Category : Literary Criticism
ISBN : 9780816638925

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"Crossroads Modernism provides an in-depth look at how West African cultural legacies are brought to bear in the structure of a truly African American modernist creative process. Whereas much has been said about the (generally racist) use of blackness in constituting modernism, Crossroads Modernism is the first book to expose the key role that modernism has played in the constitution of blackness in African American aesthetics". --Publisher.

Disciplining Modernism

Author : P. Caughie
Publisher : Springer
Page : 308 pages
File Size : 18,81 MB
Release : 2016-01-26
Category : Literary Criticism
ISBN : 0230274293

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A Poiret dress, a Catholic shrine in France, Thomas Wallis's Hoover Factory building, an Edna Manley sculpture, the poetry of Bei Dao, the internal combustion engine- what makes such artifacts modernist? Disciplining Modernism explores the different ways disciplines conceive modernism and modernity, undisciplining modernist studies in the process.

Race and the Modern Artist

Author : Heather Hathaway
Publisher : Oxford University Press
Page : 281 pages
File Size : 38,41 MB
Release : 2003-01-16
Category : Literary Criticism
ISBN : 0195352629

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Definitions of modernism have been debated throughout the twentieth century. But both during the height of the modernist era and since, little to no consideration has been given to the work of minority writers as part of this movement. Considering works by writers ranging from B.A. Botkin, T.S. Eliot, Waldo Frank, and Jean Toomer to Pedro Pietri and Allen Ginsberg, these essays examine the disputed relationships between modernity, modernism, and American cultural diversity. In so doing, the collection as a whole adds an important new dimension to our understanding of twentieth-century literature.

The Cambridge Companion to Modernist Poetry

Author : Alex Davis
Publisher : Cambridge University Press
Page : 280 pages
File Size : 16,18 MB
Release : 2007-07-19
Category : Literary Criticism
ISBN : 1139827642

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This Companion offers the most comprehensive overview available of modernist poetry, its forms, its major authors and its contexts. The first part explores the historical and cultural contexts and sexual politics of literary modernism and the avant garde. The chapters in the second part concentrate on individual authors and movements, while the concluding part offers a comprehensive overview of the early reception and subsequent canonisation of modernist poetry. As well as insightful readings of canonical poets, the Companion features extended discussions of poets whose importance is now being increasingly recognised, such as Mina Loy, poets of the Harlem Renaissance, and postcolonial poets in the Caribbean, Africa and India. While modernist poets are often thought of as difficult, these essays will help students to understand and enjoy their experimental, playful and fascinating responses to contemporary social and cultural change and their dialogue with the arts and with each other.

The Cambridge Companion to American Modernism

Author : Walter Kalaidjian
Publisher : Cambridge University Press
Page : 360 pages
File Size : 17,74 MB
Release : 2005-04-28
Category : Literary Criticism
ISBN : 1139827146

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The Cambridge Companion to American Modernism provides a comprehensive and authoritative overview of American literary modernism from 1890 to 1939. These original essays by twelve distinguished scholars of international reputation offer critical overviews of the major genres, literary culture, and social contexts that define the current state of Modern American literature and cultural studies. Among the diverse topics covered are nationalism, race, gender and the impact of music and visual arts on literary modernism, as well as overviews of the achievements of American modernism in fiction, poetry and drama. The book concludes with a chapter on modern American criticism. An essential reference guide to the field, the Companion offers readers a chronology of key events and publication dates covering the first half of the twentieth century in the United States, and a bibliography of further reading organized by chapter topics.

Modernism

Author : Michael H. Whitworth
Publisher : John Wiley & Sons
Page : 320 pages
File Size : 45,40 MB
Release : 2008-04-15
Category : Literary Criticism
ISBN : 0470779896

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This guide helps readers to engage with the major critical debates surrounding literary modernism. A judicious selection of key critical works on literary modernism Presents a critical history from the earliest reviews to the most recent theoretical assessments Shows how modernist writers understood and constructed modernism. Shows how succeeding generations have developed those constructions and brought new interpretations to bear on the subject Discusses how modernism relates to modernity and odernization, and to other literary and cultural movements Texts have been selected for their relevance to the questions surrounding modernism, and for their accessibility to readers with a limited knowledge of the modernist canon Includes a glossary and an annotated bibliography.

Primitivist Modernism

Author : Sieglinde Lemke
Publisher : Oxford University Press
Page : 192 pages
File Size : 39,23 MB
Release : 1998-04-30
Category : History
ISBN : 0195344545

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This book explores a rich cultural hybridity at the heart of transatlantic modernism. Focusing on cubism, jazz, and Josephine Baker's performance in the Danse Sauvage, Sieglinde Lemke uncovers a crucial history of white and black intercultural exchange, a phenomenon until now greatly obscured by a cloak of whiteness. Considering artists and critics such as Picasso, Alain Locke, Nancy Cunard, and Paul Whiteman, in addition to Baker, Lemke documents a potent cultural dialectic in which black artistic expression fertilized white modernism, just as white art forms helped shape the black modernism of Harlem and Paris. Coining the term primitivist modernism to designate the multicultural heritage of this century's artistic production, Lemke reveals the generative and germinating black cultural Other in the arts. She examines this neglected dimension in full, fascinating detail, blending literary theory, social history, and cultural analysis to document modernism's complex absorption of African culture and art. She details numerous ways in which African and African American forms (visual styles, musical idioms, black dialects) and fantasies (Baker's costume and dance, say) permeated high and mass culture on both sides of the Atlantic. So-called primitive art and high modernism; savage rhythms and European music hall culture; European and African American expressions in jazz; European primitivism and the racial awakenings of African American culture: paired and freshly examined by Lemke, these subjects stand revealed in their true interrelatedness. Insisting on modernism's two-way cultural flow, Lemke demonstrates not only that white modernism owes much of its symbolic capital to the black Other, but that black modernism built itself in part on white Euro-American models. Through superbly nuanced readings of individual texts and images (fifteen striking examples of which are reproduced in this handsome volume), Lemke reforms our understanding of modernism. She shows us, in clear, invigorating fashion, that transatlantic modernism in both its high and popular modes was significantly more diverse than commonly supposed. Students and scholars of modernism, African American studies, and cultural studies, and those with interests in twentieth-century art, dance, music, or literature, will find this book richly rewarding.

The African American Roots of Modernism

Author : James Edward Smethurst
Publisher : Univ of North Carolina Press
Page : 266 pages
File Size : 31,30 MB
Release : 2011
Category : Social Science
ISBN : 0807834637

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The period between 1880 and 1918, at the end of which Jim Crow was firmly established and the Great Migration of African Americans was well under way, was not the nadir for black culture, James Smethurst reveals, but instead a time of profound response fr