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In this explicit first-hand account, a biker who spent 46 years as a member of the Hells Angels and Satan's Choice invites bestselling author Peter Edwards into the story of life lived as we've only imagined it. A kid raised by his father's fists on the wrong side of a blue-collar town, Lorne Campbell grew up watching the local bikers ride past, making him wonder what that kind of freedom and power would feel like. He soon found out. At the age of 17, he became the youngest-ever member of the Satan's Choice Motorcycle Club and spent the next 5 decades living a life for which he does not ask forgiveness, only that his story finally be told, and that his family finally understand what drove him to live the way he did. With moments of terror and humour, great sadness and the simple pleasures of camaraderie and the open road, Unrepentant is a book like none other.
The sense that “something is wrong” and “things are crazy” are the spiritual and protective part of our being, warning us that climate change, weather disasters, increases in crime and violence, the fracture in relationships, the conduct and attitude of people, the instability of world security, the absence of spiritual awareness, falling away from the truth, unsolvable political and financial world problems are developing spiritually prophesied events. Understanding is needed to accept and endure, the developmental phases of the time and trials of tribulation. The tribulation, the hour of trial, is not an event that is caused by God and does not happen all at once. Tribulation in the dominion of man is caused by the decision and generational development of the intensification of unsolvable problems created by man.
The End of the Unrepentant stands as the most thorough exegetical analysis of the biblical teachings about the fate of the unrepentant ever written. Following up the author's acclaimed monograph, After the Thousand Years: Resurrection and Judgment in Revelation 20, this study makes use of the nexus of the Isaiah Apocalypse (Isa 24-27) and Revelation 20 as a paradigm or interpretive lens through which to understand the teachings of the Psalms, the Prophets, Jesus, and the NT about resurrection, judgment, and the divergent futures of the faithful and the unrepentant. The question of whether "hell" is everlasting has been a topic of interest for many decades now among evangelicals, and the controversy has only intensified in recent years. Many Christians feel uneasy about the idea of everlasting torment, but their belief in the authority of Scripture leaves them feeling that this doctrine is inescapable. The End of the Unrepentant is written for them. It mounts a unique, positive exegetical argument for annihilationism--an argument so thoroughly founded on the prophetic words of Jesus, Isaiah, and John that it shifts the exegetical burden of proof to those who would wish, for theological reasons, to affirm everlasting torment.
Since the 1990s, when Reviving Ophelia became a best seller and “Girl Power” a familiar anthem, girls have assumed new visibility in the culture. Yet in asserting their new power, young women have redefined femininity in ways that have often mystified their mothers. They have also largely disavowed feminism, even though their new influence is a likely legacy of feminism’s Second Wave. At the same time, popular culture has persisted in idealizing, demonizing, or simply erasing mothers, rarely depicting them in strong and loving relationships with their daughters. Unruly Girls, Unrepentent Mothers, a companion to Kathleen Rowe Karlyn’s groundbreaking work, The Unruly Woman, studies the ways popular culture and current debates within and about feminism inform each other. Surveying a range of films and television shows that have defined girls in the postfeminist era—from Titanic and My So-Called Life to Scream and The Devil Wears Prada, and from Love and Basketball to Ugly Betty—Karlyn explores the ways class, race, and generational conflicts have shaped both Girl Culture and feminism’s Third Wave. Tying feminism’s internal conflicts to negative attitudes toward mothers in the social world, she asks whether today’s seemingly materialistic and apolitical girls, inspired by such real and fictional figures as the Spice Girls and Buffy the Vampire Slayer, have turned their backs on the feminism of their mothers or are redefining unruliness for a new age.
Praise for Unrepentant ... : "For open-minded religious leaders, there are nuggets of enlightenment in this ecumenical array."--Publishers Weekly "Surprisingly readable as well as informative." - San Francisco Chronicle "A significant body of knowledge." - Theology Today "Publishers' catalogues are full of books on the church's view of homosexuality; Comstock here offers gay views of the church. Given the often hostile environment, he asks why gay people stay in religious institutions. Using social scientific methods, he summarizes thirty-six surveys of gay attitudes toward religious communities, including Jewish, Buddhist, Muslim, and Native American traditions. He adds data from his survey of gay people in two mainline Protestant denominations." --Religious Studies Review "Explores how each religions accepts, half-accepts, or rejects gays and lesbians and how they themselves feel about their religion. The book is also filled with personal stories of how spiritual people who discovered they are homosexual came out within their community and their congregation, and how they feel about the central figures and tenets of their belief." --Gatherings "With its succinct, accessible language and rich collection of empirical research findings on lesbigay peoples, Unrepentant, Self-Affirming Practicing, would be an excellent addition to academic libraries and could be appropriately used as well in an undergraduate religion or sociology classroom." --Journal for Scientific Study of Religion>
Who during the Renaissance could have dissented from the values of reason and restraint, patience and humility, rejection of the worldly and the physical? These widely articulated values were part of the inherited Christian tradition and were reinforced by key elements in the Renaissance, especially the revival of Stoicism and Platonism. This book is devoted to those who did dissent from them. Richard Strier reveals that many long-recognized major texts did question the most traditional values and uncovers a Renaissance far more bumptious and affirmative than much recent scholarship has allowed.The Unrepentant Renaissance counters the prevalent view of the period as dominated by the regulation of bodies and passions, aiming to reclaim the Renaissance as an era happily churning with surprising, worldly, and self-assertive energies. Reviving the perspective of Jacob Burckhardt and Nietzsche, Strier provides fresh and uninhibited readings of texts by Petrarch, More, Shakespeare, Ignatius Loyola, Montaigne, Descartes, and Milton. Strier’s lively argument will stir debate throughout the field of Renaissance studies.
What would the war cry of a mostly introverted, mentally ill, autistic, genderqueer, physically disabled, feminist, atheist, polyamorous woman sound like? A lot like this. Using a combination of essay and free-form poetry, R.K. confronts the status quo and dissects it, inspecting its parts and discarding the bad bits. In spite of tackling some obviously serious and controversial topics, such as abortion and the anti-vaccination movement, she approaches her subjects with humour and then slaughters them with equal parts derision and kindness.
They never expected her to fight back… Eighteen-year old Charlotte Reyes ran away from an abusive home only to end up tricked, kidnapped, and taken across the country by criminals. Charlotte manages to escape with the help of a reluctant former soldier named Mace Peterson, but she can’t seem to shake the gang or the crooked cop paid to bring her back—alive or otherwise. With nowhere to run and nowhere to hide, Charlotte realizes she only has one option. She has to fight. Set in the Virginia, Maryland, D.C. triangle, The Unrepentant combines page-gripping action and black comedy, and provides a no-holds-barred, necessary examination of the dark corners of the human mind. Praise for THE UNREPENTANT: “A gut-wrenching crime thriller. Readers who appreciate depth of character alongside gritty nonstop action will be rewarded.” —Publishers Weekly “Savage, nuanced, and infused with Aymar’s signature dry wit, The Unrepentant is an enjoyable hard-boiled tale that pulls no punches.” —Jennifer Hillier, author of Creep and Wonderland “Gritty and fleet, The Unrepentant takes an unflinching look at things that aren’t to be forgiven. Aymar’s storytelling is timely, thoughtful, and well-informed and will stay with you long after The End.” —Jamie Mason, author of Three Graves Full and Monday’s Lie “Brutal, dark and disturbing, Ed Aymar’s The Unrepentant packs a punch not easy to forget.” —Zoë Sharp, author of the Charlie Fox crime thriller series “The Unrepentant is a powerful, darkly evocative story that features an unforgettable protagonist in the wily Charlotte Reyes. These elements combine to make for a thrilling revenge tale peppered with sharp humor and feeling both timely and timeless. E.A. Aymar has arrived.” —Alex Segura, author of Blackout and Dangerous Ends “Aymar tackles a horrific problem with unflinching courage and wit. The Unrepentant rewards readers with crisp prose, relentless thrills, and characters you’d want on your team in what is, at its core, a modern-day brawl between good and evil. I couldn’t put it down.” —Wendy Tyson, author of Rooted in Deceit “The Unrepentant is a gripping and unnerving tale about the sex trade, American justice, and what it means to be a hero. E.A. Aymar takes on a taboo subject with honesty and courage.” —Allison Leotta, author of The Last Good Girl “A tale of unflinching brutality, told with dark humour and bursting with empathy for both victim and hapless criminal alike, The Unrepentant is an action-packed, fast-moving thrill ride sure to leave readers breathless.” —Owen Laukkanen, bestselling author of The Professionals
England, 1802 Beatrix March chose to be a governess rather than let an overbearing husband rule her. Even though she never intends to marry, it doesn't mean she can't enjoy a man's...company —especially when presented with one as tempting as notorious rake Simon Carling! Simon doesn't usually seduce virtuous governesses, but Beatrix is unlike any woman he's ever encountered. Her luscious curves were made to grace a man's bed, and he's never denied himself such satisfaction before. Flouting society's tedious conventions, in favor of thrilling chemistry, may force Beatrix and Simon to contemplate the unthinkable—marriage!