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"A sweeping panorama of Berkeley by one of California's finest historians. Wollenberg knows this city like no one else, and he has the rare capacity to link a compelling local narrative to larger currents in American politics, economics and culture. This book has no rivals. Anyone who cares about Berkeley—and there are many—will devour it with pleasure."—Richard Walker, Professor of Geography, University of California, Berkeley
In colonial Egypt, the state introduced legal reforms that claimed to liberate Egyptians from the inhumanity of pre-colonial rule and elevate them to the status of human beings. These legal reforms intersected with a new historical consciousness that distinguished freedom from force and the human from the pre-human, endowing modern law with the power to accomplish but never truly secure this transition. Samera Esmeir offers a historical and theoretical account of the colonizing operations of modern law in Egypt. Investigating the law, both on the books and in practice, she underscores the centrality of the "human" to Egyptian legal and colonial history and argues that the production of "juridical humanity" was a constitutive force of colonial rule and subjugation. This original contribution queries long-held assumptions about the entanglement of law, humanity, violence, and nature, and thereby develops a new reading of the history of colonialism.
Information is provided about thirty public colleges and universities at which students can receive an Ivy League education at a fraction of the price of Harvard, Yale, and Princeton. --book cover.
Psychotherapy across distance and time, from Freud’s treatments by mail to crisis hotlines, radio call-ins, chatbots, and Zoom sessions. Therapy has long understood itself as taking place in a room, with two (or more) people engaged in person-to-person conversation. And yet, starting with Freud’s treatments by mail, psychotherapy has operated through multiple communication technologies and media. These have included advice columns, radio broadcasts, crisis hotlines, video, personal computers, and mobile phones; the therapists (broadly defined) can be professional or untrained, strangers or chatbots. In The Distance Cure, Hannah Zeavin proposes a reconfiguration of the traditional therapeutic dyad of therapist and patient as a triad: therapist, patient, and communication technology. Zeavin tracks the history of teletherapy (understood as a therapeutic interaction over distance) and its metamorphosis from a model of cure to one of contingent help. She describes its initial use in ongoing care, its role in crisis intervention and symptom management, and our pandemic-mandated reliance on regular Zoom sessions. Her account of the “distanced intimacy” of the therapeutic relationship offers a powerful rejoinder to the notion that contact across distance (or screens) is always less useful, or useless, to the person seeking therapeutic treatment or connection. At the same time, these modes of care can quickly become a backdoor for surveillance and disrupt ethical standards important to the therapeutic relationship. The history of the conventional therapeutic scenario cannot be told in isolation from its shadow form, teletherapy. Therapy, Zeavin tells us, was never just a “talking cure”; it has always been a communication cure.
Why is Berkeley famous worldwide? Because of its inventiveness, its liberal attitudes, and its artists and writers. Did you know that public radio, California cuisine, the lie detector, the atomic bomb, free speech, the hot tub, and yuppies were all invented in this all-American city? J. Stitt Wilson, Berkeley's first Socialist mayor, once said, "Any kind of a day in Berkeley seems sweeter than the best day anywhere else." In How Berkeley Became Berkeley, Dave Weinstein goes about showing us just that. He tells the story of this unique city from the beginning-the 1840s-to present day by focusing on the events and people that made Berkeley into the famous-and infamous-place that it continues to be. More than any other general book about Berkeley, How Berkeley Became Berkeley brings the history of the town and the university to life with anecdotes that are amusing, surprising, sometimes shocking, and often touching. Dave Weinstein, a native of Long Island, New York, received his undergraduate degree in art history at Columbia University in 1973, and then studied journalism at UC Berkeley. He has lived in the Bay Area for thirty years, and spent twenty years as a reporter and editor for daily newspapers. Dave has written two books, Signature Architects of the San Francisco Bay Area, and the text for a photo book Berkeley Rocks. He writes for the magazine CA Modern, and for four years has been writing a popular series of architect profiles for the San Francisco Chronicle.
This book "offers an insider's view of the first school in the University of California system. The Beaux-Arts master plan by John Galen Howard created a classic setting for early buildings by Bernard Maybeck, Julia Morgan, and Greene & Greene, and later buildings by John Carl Warnecke, Edward Larrabee Barnes, Charles Moore, Donlyn Lyndon, William Turnbull, and landscape architecture by Lawrence Halprin. The campus is unique for its breadth of architectural works by California designers. [This book], featuring over 100 buildings, is fascinating to read and an easy-to-use companion for a walking tour. With a foreword by Berkeley's Chancellor Robert M. Berdahl, and striking photographs by author Harvey Helfand, this is the definitive guide to the history and architecture of the first public institution of higher learning in California"--Inside front cover.
"Noah Keller has a pretty normal life until one wild afternoon when his parents pick him up from school and head straight for the airport, telling him on the ride that his name isn't really Noah and he didn't really just turn eleven in March ... As Noah, now 'Jonah Brown,' and his parents head behind the Iron Curtain into East Berlin, the rules and secrets begin to pile up so quickly that he can hardly keep track of the questions bubbling up inside him: who, exactly, is listening--and why?"