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Two babies are born five minutes apart in a UK hospital.Immersed in her rich Nigerian heritage, Yewande grows up able to hear her ancestors' voices - a double edged sword that heightens her spiritual awareness, but alienates her sister and brings horrifying revelations about her family's past. Mary is rejected at birth by her mother who has abandoned her African roots as she tries to blend into a small town in suburban Britain.How will each girl survive these legacies on her journey to adulthood?A big, important novel leavened with fun and studded with episodes of astonishing beauty.
Contessa Rose and her siblings are forced to move to a small town in northern Oregon with their grandparents after the premature death of their parents. There they hope to lead normal lives. Instead, they come face to face with the supernatural. Contessa picks up her role as a social outcast, where she meets the secretive Thorne family, and the elusive Elliot. Contessa is sure that the family is hiding a secret as dark as her own, and she is determined to figure it out. In a strange twist of fate, Contessa is forced to participate in a school fundraiser by her twin sister. During her forced participation, she discovers a strange truth about Elliot, and his family, a truth that could possibly mean the end of Contessa if she reveals it. Never one to run from a challenge, she exposes herself to the dark family. Now that she is exposed, Contessa is in more danger than ever before. However, Contessa and the pixie-like Angelique Thorne become friends fast. Angelique and the other Thorne siblings force Elliot and Contessa together, believing that there is something deeper between them. Their interference forces Contessa into a world of magic and secrets that she believed only existed in fairytales. As Contessa heads deeper into a strange and dark relationship, the world around her begins to unfold. As her relationship with the Thornes grows stronger, her relationships with her family and friends become more strained. Her sister and best friend cast her out, and her brother begins to pull further away from both sisters. With no one else to turn to, Contessa engulfs herself completely into understanding the supernatural that surrounds her. Unable to step aside, Contessa continues to use her own gift to save everyone around her. She is soon to find that her luck is running out. It becomes apparent to Contessa that she needs a little protection of her own when a dark figure from her past comes back to haunt her. When the monster that killed her parents comes looking for revenge, Contessa is forced to return to her childhood home to save her brother. In a life or death battle, Contessa is forced to put aside her pride, and let someone else take care of her for once.
Among the stark contrasts that separate the rich few from the plentiful poor, Under the Emerald Sky is a tale of love and betrayal in a land teetering on the brink of disaster - the Great Famine that would forever change the course of Ireland's history.It's 1843 and the English nobleman Quinton Williams has come to Ireland to oversee the running of his father's ailing estate and escape his painful past. Here he meets the alluring Alannah O'Neill, whose Irish family is one of few to have retained ownership of their land, the rest having been supplanted by the English over the course of the country's bloody history. Finding herself drawn to the handsome Englishman, Alannah offers to help Quin communicate with the estate's Gaelic-speaking tenants, as much to assist him as to counter her own ennui. Aware of her controlling brother's hostility towards the English, she keeps her growing relationship with Quin a secret - a secret that cannot, however, be kept for long from those who dream of ridding Ireland of her English oppressors.
This book takes a post-racial approach to the representation of race in contemporary British fiction, re-imagining studies of race and British literature away from concerns with specific racial groups towards a more sophisticated analysis of the contribution of a broad, post-racial British writing. Examining the work of writers from a wide range of diverse racial backgrounds, the book illustrates how contemporary British fiction, rather than merely reflecting social norms, is making a radical contribution towards the possible future of a positively multi-ethnic and post-racial Britain. This is developed by a strategic use of the realist form, which becomes a utopian device as it provides readers with a reality beyond current circumstances, yet one which is rooted within an identifiable world. Speaking to the specific contexts of British cultural politics, and directly connecting with contemporary debates surrounding race and identity in Britain, the author engages with a wide range of both mainstream and neglected authors, including Ian McEwan, Zadie Smith, Julian Barnes, John Lanchester, Alan Hollinghurst, Martin Amis, Jon McGregor, Andrea Levy, Bernardine Evaristo, Hanif Kureishi, Kazuo Ishiguro, Hari Kunzru, Nadeem Aslam, Meera Syal, Jackie Kay, Maggie Gee, and Neil Gaiman. This cutting-edge volume explores how contemporary fiction is at the centre of re-thinking how we engage with the question of race in twenty-first-century Britain.
In this engaging and accessible guide, Eugen Bacon explores writing speculative fiction as a creative practice, drawing from her own work, and the work of other writers and theorists, to interrogate its various subgenres. Through analysis of writers such as Stephen King, J.R.R. Tolkien and J. K. Rowling, this book scrutinises the characteristics of speculative fiction, considers the potential of writing cross genre and covers the challenges of targeting young adults. It connects critical and cultural theories to the practice of creative writing, examining how they might apply to the process of writing speculative fiction. Both practical and critical in its evaluative gaze, it also looks at e-publishing as a promising publishing medium for speculative fiction. This is essential reading for undergraduate and postgraduate students of creative writing, looking to develop a critical awareness of, and practical skills for, the writing of speculative fiction. It is also a valuable resource for creators, commentators and consumers of contemporary speculative fiction. Chapter 8, 'Horror and the Paranormal' was shortlisted for the Australasian Horror Writers Association (AHWA)'s 2019 Australian Shadows Awards.
Profoundly original yet insistent on the derivative quality of his work, transgressive yet affirmative of tradition, Robert Duncan (1919-1988) was a generative force among American poets, and his poetry and poetics establish him as a major figure in mid- and late- 20th-century American letters. This second volume of Robert Duncan’s collected poetry and plays presents authoritative annotated texts of both collected and uncollected work from his middle and late writing years (1958-1988), with commentaries on each of the five books from this period: The Opening of the Field, Roots and Branches, Bending the Bow, and the two volumes of Ground Work. The biographical and critical introduction discusses Duncan as a late Romantic and postmodern American writer; his formulation of a homosexual poetics; his development of the serial poem; the notation and centrality of sound as organizing principle; his relations with such fellow poets as Robin Blaser, Charles Olson, and Jack Spicer; his indebtedness to Alfred North Whitehead; and his collaborations with the painter Jess Collins, his lifelong partner. Texts include his anti-war poems of the 1960s and 70s, his homages to Dante and other canonical poets, and his translations from the French of Gérard de Nerval, as well as the complete Structure of Rime and Passages series.
In this remarkable novel, Bryher takes the reader into sixth century Britain—Cornwall, the Scillys, Ireland and Wales. Arthur is dead and the uneasy peace which he established is drawing to its close. Young Ruan, nephew of a high priest, is destined for the priesthood. Turbulent and restless for adventure, he feels caged and longs for the high seas. At last he breaks free and sets out on the quest for those islands which are to him both an image and reality. The sights, sounds, passions and ordeals of Celtic Britain filter through Bryher’s haunting prose. With Ruan’s eyes we see the throngs at the Cornish fair, the religious ritual, the burial of the king on the mysterious Scilly Isles. With him we experience the mariners’ winter camp in Ireland and with him we flee for life through an Irish bog.