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Ugly Prey tells the riveting story of poor Italian immigrant Sabella Nitti, the first woman ever sentenced to hang in Chicago, in 1923, for the alleged murder of her husband. Journalist Emilie Le Beau Lucchesi leads readers through the case, showing how, with no evidence and no witnesses, Nitti was the target of an obsessed deputy sheriff and the victim of a faulty legal system. She was also—to the men who convicted her and reporters fixated on her—ugly. For that unforgiveable crime, the media painted her as a hideous, dirty, and unpredictable immigrant, almost an animal. Featuring two other fascinating women—the ambitious and ruthless journalist who helped demonize Sabella through her reports and the brilliant, beautiful, 23-year-old lawyer who helped humanize her with a jailhouse makeover—Ugly Prey is not just a page-turning courtroom drama but also a thought-provoking look at the intersection of gender, ethnicity, and class within the American justice system.
THE NEW YORK TIMES BESTSELLER Lucas Davenport’s first case as a U.S. Marshal sends him into uncharted territory in the thrilling new novel in the #1 New York Times-bestselling series. The man was smart and he didn’t mind killing people. Welcome to the big leagues, Davenport. Thanks to some very influential people whose lives he saved, Lucas is no longer working for the Minnesota Bureau of Criminal Apprehension, but for the U.S. Marshals Service, and with unusual scope. He gets to pick his own cases, whatever they are, wherever they lead him. And where they’ve led him this time is into real trouble. A Biloxi, Mississippi, drug-cartel counting house gets robbed, and suitcases full of cash disappear, leaving behind five bodies, including that of a six-year-old girl. Davenport takes the case, which quickly spirals out of control, as cartel assassins, including a torturer known as the “Queen of home-improvement tools” compete with Davenport to find the Dixie Hicks shooters who knocked over the counting house. Things get ugly real fast, and neither the cartel killers nor the holdup men give a damn about whose lives Davenport might have saved; to them, he’s just another large target. Filled with his trademark razor-sharp plotting and some of the best characters in suspense fiction, Golden Prey is further reason why “Sandford has always been at the top of any list of great mystery writers” (The Huffington Post).
They were average kids looking for something to do. Today they started killing people. A modern-day Bonnie and Clyde are on the run through rural Minnesota—victim by victim they’re having the time of their lives. But when Bureau of Criminal Apprehension investigator Virgil Flowers joins the hunt for the thrill-hungry kids, things take a shocking detour.
One man in the future is a killer. An assassin raised from birth. But he no longer wants to take orders from any organization. He is on his own mission now. To kill his friends, his family, his old life entirely, his past. His is on a mission to kill the top twenty government assassins who have more power than anybody else. Untouchable, all powerful killers who are protected by the government to ensure peace, power, and fear. The book follows this man near the end of his journey where he has to face his past along with a regretful doctor and a vengeful revolutionary girl. These three take part in this futuristic adventure and try to change the world and themselves in the process. They are all affected by this one mans mission, one mans struggle. One mans fight. One killer named Main. Twenty-one killers in total. Only one will live. Will you find out who?
The red-haired emerald-green eyed Irish American is waiting to die on a mountain-top… under a starlit sky in front of a blazing fire, surrounded by his three imaginary friends: the moth, the chameleon, and the eagle. As he phlegmatically looks back at the adventurous, globe-trotting life he has led, his diary entries, which he had penned during the course of his journey, take us through the important milestones in his life. What could have possibly led him to where he is now? Why is he contemplating suicide? Will he take the final plunge? Predator & Prey looks at life as Yin & Yang. It artistically and philosophically explores psychology, humanity, God, and ultimately, space, time, and the universe, with the aim of making sense of what we call life.
Ugly as sin, the ugly duckling—or maybe you fell out of the ugly tree? Let’s face it, we’ve all used the word “ugly” to describe someone we’ve seen—hopefully just in our private thoughts—but have we ever considered how slippery the term can be, indicating anything from the slightly unsightly to the downright revolting? What really lurks behind this most favored insult? In this actually beautiful book, Gretchen E. Henderson casts an unfazed gaze at ugliness, tracing its long-standing grasp on our cultural imagination and highlighting all the peculiar ways it has attracted us to its repulsion. Henderson explores the ways we have perceived ugliness throughout history, from ancient Roman feasts to medieval grotesque gargoyles, from Mary Shelley’s Frankenstein to the Nazi Exhibition of Degenerate Art. Covering literature, art, music, and even the cutest possible incarnation of the term—Uglydolls—she reveals how ugliness has long posed a challenge to aesthetics and taste. She moves beyond the traditional philosophic argument that simply places ugliness in opposition to beauty in order to dismantle just what we mean when we say “ugly.” Following ugly things wherever they have trod, she traverses continents and centuries to delineate the changing map of ugliness and the profound effects it has had on the public imagination, littering her path with one fascinating tidbit after another. Lovingly illustrated with the foulest images from art, history, and culture, Ugliness offers an oddly refreshing perspective, going past the surface to ask what “ugly” truly is, even as its meaning continues to shift.
Set in the moors of Devon, England in the mid 1800's... "Here is a tale for the telling. As near to the telling of it as I can remember. A dark story of a black Mastiff and a Raven; in whose spirit or likeness did they roam the haunted moors? Bleak and very little populated, a small community of farming people managed to scratch a living from its barren face. Upon such a scene, the only thing anyone should have to deal with is the elements...but there were other events...strange events. Four brothers, Stickles by name, ravaged the countryside. Attempts to arrest them by human means failed. A supernatural force takes form in the shape of a black Mastiff, known as The Hound, and its companion, The Raven. Each had its own reason for being rid of the Stickles..."
In a galaxy gone insane only mad person would fight for freedom. That person is Eris, a charismatic spy with a violent borderline personality and emotional amnesia—she doesn’t remember her loyalties. This allows her to pass from world to world without mental scanners detecting her long-term intentions, making her a “border crosser.” The Asylum cabal has artificially amplified Eris’s condition so that she’ll cause interstellar chaos for the limited time she survives. When Eris discovers the Asylum’s manipulation of her, she sets out to find its hidden leaders and destroy them. From decadent old Earth to the frontier estates of Mars, Eris hunts her first quarry, the Asylum’s architect of genocides. Her chase then leads her out to the stars, where she discovers still deadlier dangers from humanity’s past and her own. As she fights galaxy-spanning nightmares, Eris knows that her dream of revenge will fail unless she can somehow recover her own mind. “An electric shock to the senses from page one, Doyle's twisty story caroms from sex and psyche to AI and the destruction of worlds. Our conductor on this non-stop ride, Eris—a worthy heir to Buffy and Xena—is the unique and ferocious hero we didn't know we needed.” —Ashley Gable, writer for Buffy the Vampire Slayer, Xena: Warrior Princess, and Person of Interest. “Darkly comic and slyly allusive, Border Crosser is a ripping good tale shot through with mordant social commentary. A fresh and intelligent take on forbidden AI, religious zealotry, borderline personality, sex, art, and genocide—not necessarily in that order—that stuck in my head and left me hankering for a sequel.” —Jo Miller, winner of four Emmy Awards, writer for The Daily Show (2009-2015), and late-night comedy showrunner. “This is not your parents' space opera! A cross between the Stainless Steel Rat, Jerry Cornelius, and Tank Girl, the titular agent is the antihero for our times. Doyle impresses with a strong voice, a unique narrator, and a challenging far-future setting that dangerously mirrors our present world.” —Alex Shvartsman, author of The Middling Affliction. "Here is a novel that starts at a gallop and then accelerates. Tom Doyle’s invention is sly and continuous, his command of the ins and outs of science fiction adventure is exhilarating. And in the redoubtable Eris, he has created a character who is smart and sexy and more than a little twisted. Border Crosser is a book you won’t soon forget." —James Patrick Kelly, Nebula Award winning author of Burn. "Tom Doyle’s Border Crosser is a hyperkinetic tour of a sprawling solar system and galaxy in a dark and delirious future. Doyle explores the deep, painful and unpleasant aspects of the psyche, showcasing some of the more repellent examples of human behavior, yet manages to bring a surprising amount of decency and affection to his story. The book speeds along at a breakneck pace, and will astonish you, wrench your heart, snatch your breath away, make you laugh, and move you." —Richard Paul Russo, author of Ship of Fools. "The bastard love-child of Philip K. Dick and the Marquis De Sade, BORDER CROSSER will sink into your mind like one of Frank Herbert's stone burners. This is revolutionary science fiction." —David J. Williams, author of The Mirrored Heavens.