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"In March of 1909, Mark Twain cheerfully blessed the wedding of his private secretary, Isabel V. Lyon, and his business manager, Ralph Ashcroft. One month later, he fired both, wrote a ferocious 429-page rant about the pair, and then --with his daughter, Clara Clemens--slandered Isabel in the newspapers, erasing her nearly seven years of devoted service to their family."--Page 4 of cover
The last phase of Mark Twain's life is sadly familiar: Crippled by losses and tragedies, America's greatest humorist sank into a deep and bitter depression. It is also wrong. This book recovers Twain's final years as they really were—lived in the shadow of deception and prejudice, but also in the light of the author's unflagging energy and enthusiasm. Dangerous Intimacy relates the story of how, shortly after his wife's death in 1904, Twain basked in the attentions of Isabel Lyon, his flirtatious—and calculating—secretary. Lyon desperately wanted to marry her boss, who was almost thirty years her senior. She managed to exile Twain's youngest daughter, Jean, who had epilepsy. With the help of Twain's assistant, Ralph Ashcroft, who fraudulently acquired power of attorney over the author's finances, Lyon nearly succeeded in assuming complete control over Twain's life and estate. Fortunately, Twain recognized the plot being woven around him just in time. So rife with twists and turns as to defy belief, the story nonetheless comes to undeniable, vibrant life in the letters and diaries of those who witnessed it firsthand: Katy the housekeeper, Jean, Lyon, and others whose own distinctive, perceptive, often amusing voices take us straight into the heart of the Clemens household. Just as Twain extricated himself from the lies, prejudice, and self-delusion that almost turned him into an American Lear, so Karen Lystra liberates the author's last decade from a century of popular misunderstanding. In this gripping book we at last see how, late in life, this American icon discovered a deep kinship with his youngest child and continued to explore the precarious balance of love and pain that is one of the trademarks of his work.
Laura Skandera Trombley, the preeminent Twain scholar at work today, reveals the never-before-read letters and daily journals of Isabel Lyon, Mark Twain’s last personal secretary. For six years, Isabel Lyon was responsible for running the aging Man in White’s chaotic household, nursing him through several illnesses and serving as his adoring audience. But after a dramatic breakup of their relationship, Twain ranted in personal letters that she was “a liar, a forger, a thief, a hypocrite, a drunkard, a sneak, a humbug, a traitor, a conspirator, a filthy-minded and salacious slut pining for seduction.” For decades, biographers omitted Isabel from the official Twain history at his decree. But now, the truth of the split is exposed at last in a story that sheds light on a lionized author’s final decade.
This is the first-ever compilation of Twain's wise and witty essays, sketches, and stories on the joys and rewards of misbehavior. With themes including "honesty is not always the best policy, ""the wicked are not always punished," and "virtue is often its only reward," this is a charming treasury that will warm the hearts of bad boys and girls (of any age)everywhere
The South was many things to Mark Twain: boyhood home, testing ground for manhood, and the principal source of creative inspiration. Although he left the South while a young man, seldom to return, it remained for him always a haunting presence, alternately loved and loathed. Mark Twain and the South was the first book on this major yet largely ignored aspect of the private life of Samuel Clemens and one of the major themes in his writing from 1863 until his death. Arthur G. Pettit clearly demonstrates that Mark Twain's feelings on race and region moved in an intelligible direction from the white Southern point of view he was exposed to in his youth to self-censorship, disillusionment, and, ultimately, a deeply pessimistic and sardonic outlook in which the dream of racial brotherhood was forever dead. Approaching his subject as a historian with a deep appreciation for literature, he bases his study on a wide variety of Mark Twain's published and unpublished works, including his notebooks, scrapbooks, and letters. An interesting feature of this illuminating work is an examination of Clemens's relations with the only two black men he knew well in his adult years.
Struggling to support her family in mid-19th-century New York, writer Frances Osgood makes an unexpected connection with literary master Edgar Allan Poe and finds her survival complicated by her intense attraction to the writer and the scheming manipulations of his wife.
The surprising final chapter of a great American life. When the first volume of Mark Twain’s uncensored Autobiography was published in 2010, it was hailed as an essential addition to the shelf of his works and a crucial document for our understanding of the great humorist’s life and times. This third and final volume crowns and completes his life’s work. Like its companion volumes, it chronicles Twain's inner and outer life through a series of daily dictations that go wherever his fancy leads. Created from March 1907 to December 1909, these dictations present Mark Twain at the end of his life: receiving an honorary degree from Oxford University; railing against Theodore Roosevelt; founding numerous clubs; incredulous at an exhibition of the Holy Grail; credulous about the authorship of Shakespeare’s plays; relaxing in Bermuda; observing (and investing in) new technologies. The Autobiography’s "Closing Words" movingly commemorate his daughter Jean, who died on Christmas Eve 1909. Also included in this volume is the previously unpublished "Ashcroft-Lyon Manuscript," Mark Twain’s caustic indictment of his "putrescent pair" of secretaries and the havoc that erupted in his house during their residency. Fitfully published in fragments at intervals throughout the twentieth century, Autobiography of Mark Twain has now been critically reconstructed and made available as it was intended to be read. Fully annotated by the editors of the Mark Twain Project, the complete Autobiography emerges as a landmark publication in American literature. Editors: Benjamin Griffin and Harriet Elinor Smith Associate Editors: Victor Fischer, Michael B. Frank, Amanda Gagel, Sharon K. Goetz, Leslie Diane Myrick, Christopher M. Ohge
"For those unaware—as I was until I read this book—that Mark Twain was one of America's early animal advocates, Shelley Fisher Fishkin's collection of his writings on animals will come as a revelation. Many of these pieces are as fresh and lively as when they were first written, and it's wonderful to have them gathered in one place." —Peter Singer, author of Animal Liberation and The Life You Can Save “A truly exhilarating work. Mark Twain's animal-friendly views would not be out of place today, and indeed, in certain respects, Twain is still ahead of us: claiming, correctly, that there are certain degraded practices that only humans inflict on one another and upon other animals. Fishkin has done a splendid job: I cannot remember reading something so consistently excellent."—Jeffrey Moussaieff Masson, author of When Elephants Weep and The Face on Your Plate "Shelley Fisher Fishkin has given us the lifelong arc of the great man's antic, hilarious, and subtly profound explorations of the animal world, and she's guided us through it with her own trademark wit and acumen. Dogged if she hasn't." —Ron Powers, author of Dangerous Water: A Biography of the Boy Who Became Mark Twain and Mark Twain: A Life