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* Nearly 450 annotations, over 300 of which are new and original with this edition. Complete and unabridged. Written to entertain his twelve year old step-son, Treasure Island has entertained millions for over a century. The story and illustrations for it have heavily shaped the pirate adventure genre and the popular image of pirates. Great care has been taken to refurbish the over 140 illustrations and decorations used in this edition.
Treasure Island (Annotated With Over 140 Illustrations) 2nd Edition by Robert Louis Stevenson Complete and unabridged. Written to entertain his twelve year old step-son, Treasure Island has entertained millions for over a century. The story and illustrations for it have heavily shaped the pirate adventure genre and the popular image of pirates. Great care has been taken to refurbish the over 140 illustrations and decorations used in this edition. Please note, this book is ONLY in paperback. The people at Amazon insist on merging this book with dozens of others that are NOT the same. For the large print edition of this book, please search the ISBN number 4909069038. If you would like to purchase in bulk, perhaps for a class, you can contact us at our HartWarmingClassics(dot)com homepage and we'll get you a lower price. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
First published as a serialized children's story in 1881-1882, Robert Louis Stevenson's Treasure Island has become an enduring classic. It has all the elements of a great adventure story: a plot full of twists and turns, an escalating sense of treachery and impending disaster, and a quintessential villain. Teenager Jim Hawkins finds a map titled "Treasure Island" in the belongings of a stricken lodger at the Admiral Benbow Inn in 1750s England. He soon finds himself aboard the schooner Hispaniola with a crew of disguised pirates headed to the Caribbean on a quest to find buried treasure. Long John Silver, the peg-legged cook, is the leader of this wretched crew. He is both engaging and ruthless, feared by even his barbarous accomplices, and a shape-shifter, pretending to be Jim's good friend and enemy, secretly plotting a mutiny. When mutiny begins, Jim must save the day. This beloved adventure story is pure fiction--but fiction well grounded in historical and geographical reality. In The Annotated Treasure Island, editor and researcher Simon Barker-Benfield meticulously and lovingly annotates this voyage, offering crucial factual information, a sociopolitical context, and clear technical explanations that bring you closer to the action. Lavishly illustrated with pictures of nautical equipment, parts of ships, and period maps, The Annotated Treasure Island brings the seafaring vernacular to life. You'll learn about "blocks," "backstays," and "shrouds." And you'll see Jim and the crew handle the Hispaniola, whether it's the "simple" chore of raising the anchor--which in a similar, real vessel could require three hours'-worth of hauling in a very slimy cable six inches at a time--or the difficulty and meaning of "warping" and "putting a man in the chains" in order to take depth soundings. The story illustrations by Louis Rhead (1857-1926) deftly draw out the escalating dramatic tension. Would all the risk and hardship have been worth it? Just how much treasure was the crew after? What could one have bought with 700,000 pounds sterling in the 1700s? Even that question is answered in this newly annotated edition: it would have been enough to buy and outfit a fleet of eleven 104-gun battleships of the period. Seven hundred thousand pounds sterling was serious money, enough money that some men would do almost anything to get it.
Complete and unabridged. Written to entertain his twelve year old step-son, Treasure Island has entertained millions for over a century. The story and illustrations for it have heavily shaped the pirate adventure genre and the popular image of pirates. Great care has been taken to refurbish the over 140 illustrations and decorations used in this edition.Please note, this book is ONLY in paperback. The people at Amazon insist on merging this book with dozens of others that are NOT the same. For the large print edition of this book, please search the ISBN number 4909069038.If you would like to purchase in bulk, perhaps for a class, you can contact us at our HartWarmingClassics(dot)com homepage and we'll get you a lower price.
The bold and boundlessly original debut novel from the Oscar®-winning screenwriter of Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind, and Synecdoche, New York. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • “A dyspeptic satire that owes much to Kurt Vonnegut and Thomas Pynchon . . . propelled by Kaufman’s deep imagination, considerable writing ability and bull’s-eye wit."—The Washington Post “An astonishing creation . . . riotously funny . . . an exceptionally good [book].”—The New York Times Book Review • “Kaufman is a master of language . . . a sight to behold.”—NPR NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND MEN’S HEALTH B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius. All that’s left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of “likes” and arbitrary denunciations that are simultaneously his bête noire and his raison d’être. A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.
Stevenson conceived of the idea of Treasure Island (originally titled, "The Sea Cook: A Story for Boys") from a map of an imaginary, romantic island idly drawn by Stevenson and his stepson on a rainy day in Breamar, Scotland. Stevenson had just returned from his first stay in America, with memories of poverty, illness and adventure (including his recent marriage), and a warm reconciliation between his parents had been established. Stevenson himself said in designing the idea of the story that, "It was to be a story for boys; no need of psychology or fine writing; and I had a boy at hand to be a touchstone. Women were excluded... and then I had an idea for Long John Silver from which I promised myself funds of entertainment; to take an admired friend of mine... to deprive him of all his finer qualities and higher graces of temperament, and to leave him with nothing but his strength, his courage, his quickness, and his magnificent geniality, and to try to express these in terms of the culture of a raw tarpaulin."
This is an abridged and annotated version of Treasure Island by Robert Louis Stevenson published in 1883; it is part of a series called 'Assisted Reading of Classics' designed for beginner-level ESL students. In this series, the student is assisted in reading with footnotes where the difficult words or phrases are defined in English and translated into French.
Treasure Island (originally The Sea Cook: A Story for Boys) is an adventure novel by Scottish author Robert Louis Stevenson, narrating a tale of "buccaneers and buried gold." Its influence is enormous on popular perceptions of pirates, including such elements as treasure maps marked with an "X", schooners, the Black Spot, tropical islands, and one-legged seamen bearing parrots on their shoulders.As one of the most frequently dramatised of all novels, Treasure Island was originally considered a coming-of-age story and is noted for its atmosphere, characters, and action. It was originally serialised in the children's magazine Young Folks from 1881 through 1882 under the title Treasure Island or the mutiny of the Hispaniola, credited to the pseudonym "Captain George North". It was first published as a book on 14 November 1883, by Cassell & Co.
The book which made Stevenson famous, and has since become a classic among tales of adventure, to be ranked with "Robinson Crusoe". Its appearance did much more than establish him as a writer for boy readers. In fact, the book was not instantaneously a success among readers of that day, pledged to Captain Marry at and his imitators. But it brought Stevenson prominently to the notice of an elder public, able to perceive the uncommon power of romantic description which marked Treasure Island from previous tales of adventure. A couple of years passed before this yarn of buccaneers and mutiny on the high seas became one of the most popular of boys' books. Meanwhile its author, who had never been a campaigner like Mayne Reid in Mexico, or Ballantyne with the Hudson Bay Company, but had lived in a bedroom world of romance of his own making, first found himself recognized as a writer of note outside the small literary circle in which his work was esteemed.