[PDF] Transmodern Cinema And Decolonial Film Theory eBook

Author : Robert K. Beshara
Publisher : Bloomsbury Publishing USA
Page : 141 pages
File Size : 17,79 MB
Release : 2024-04-04
Category : Performing Arts
ISBN : 1501385100

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In this book, Robert K. Beshara applies decolonial film theory to an analysis of Youssef Chahine's (1997) Al-Masir (Destiny). Transmodern Cinema and Decolonial Film Theory is the first book on decolonial film theory, which unpacks key concepts in decoloniality and decolonial aesthetics. Decolonial film theory is then applied to Youssef Chahine's (1997) historical drama al-Ma?ir in an effort to juxtapose the Egyptian filmmaker (Chahine) and his decolonial cinema to the Andalusian polymath (Ibn Rushd) and his Islamic philosophy.

Author : Robert K. Beshara
Publisher : Bloomsbury Publishing USA
Page : 187 pages
File Size : 18,94 MB
Release : 2024-04-04
Category : Performing Arts
ISBN : 1501385097

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In this book, Robert K. Beshara applies decolonial film theory to an analysis of Youssef Chahine's (1997) Al-Masir (Destiny). Transmodern Cinema and Decolonial Film Theory is the first book on decolonial film theory, which unpacks key concepts in decoloniality and decolonial aesthetics. Decolonial film theory is then applied to Youssef Chahine's (1997) historical drama al-Ma?ir in an effort to juxtapose the Egyptian filmmaker (Chahine) and his decolonial cinema to the Andalusian polymath (Ibn Rushd) and his Islamic philosophy.

Author : Federico Pagello
Publisher : Springer Nature
Page : 218 pages
File Size : 38,53 MB
Release : 2020-10-20
Category : Performing Arts
ISBN : 3030438198

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This book examines a set of theoretical perspectives that critically engage with the notion of postmodernism, investigating whether this concept is still useful to approach contemporary cinema. This question is explored through a discussion of the films written and directed by Quentin Tarantino, largely regarded as the epitome of postmodern cinema and considered here as theoretical contributions in their own right. Each chapter first presents key ideas proposed by a specific theorist and then puts them in conversation with Tarantino’s films. Jacques Rancière’s theory of art is used to reject postmodernism’s claims about the ‘death’ of the aesthetic image in contemporary cinema. Fredric Jameson’s and Slavoj Žižek’s dialectical thinking is mobilized to challenge simplistic, ideological readings of postmodern cinema in general, and Tarantino’s films in particular. Finally, the direct influence of Carol Clover’s psychoanalytical approach to the horror genre on Tarantino’s work is discussed to prove the director’s specific contribution to a theoretical understanding of contemporary film aesthetics.

Author : Jeremi Szaniawski
Publisher : Rutgers University Press
Page : 264 pages
File Size : 48,71 MB
Release : 2022-01-14
Category : Literary Criticism
ISBN : 9781978808874

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A radical new intervention into film studies and Marxist cultural studies, this book considers the contributions of Fredric Jameson to film Studies, and finds scholars applying, questioning, and developing his ideas in a wide-ranging collection of case studies from around the globe.

Author : Nadine Chan
Publisher : Indiana University Press
Page : 304 pages
File Size : 26,95 MB
Release : 2022-02
Category : History
ISBN : 0253059763

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Theorizing Colonial Cinema is a millennial retrospective on the entangled intimacy between film and colonialism from film's global inception to contemporary legacies in and of Asia. The volume engages new perspectives by asking how prior discussions on film form, theory, history, and ideology may be challenged by centering the colonial question rather than relegating it to the periphery. To that end, contributors begin by excavating little-known archives and perspectives from the colonies as a departure from a prevailing focus on Europe's imperial histories and archives about the colonies. The collection pinpoints various forms of devaluation and misrecognition both in and beyond the region that continue to relegate local voices to the margins. This pathbreaking study on global film history advances prior scholarship by bringing together an array of established and new interdisciplinary voices from film studies, Asian studies, and postcolonial studies to consider how the present is continually haunted by the colonial past.

Author : Ron Burnett
Publisher : Indiana University Press
Page : 324 pages
File Size : 10,13 MB
Release : 1991-02-22
Category : Performing Arts
ISBN : 9780253206121

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Book on philosophy and theory of the cinema.

Author : Rebecca Weaver-Hightower
Publisher : Routledge
Page : 327 pages
File Size : 42,27 MB
Release : 2014-02-24
Category : Art
ISBN : 1134747276

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Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century’s end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation’s unique postcolonial situation. This analysis of one nation’s struggle with its coloniality allows each essay to investigate just what it means to be postcolonial.

Author : Jim Collins
Publisher : Routledge
Page : 306 pages
File Size : 45,51 MB
Release : 1993
Category : Cinematography
ISBN : 0415905753

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Film Theory Goes to the Moviesfills the gap in film theory literature which has failed to analyze high-grossing blockbusters. The contributors in this volume, however, discuss such popular films as TheSilence of the Lambs, Dances With Wolves, Terminator II,Pretty Woman, Truth or Dare, Mystery Train, and JungleFever. They employ a variety of critical approaches, from industry analysis to reception study, to close readings informed by feminist, deconstructive and postmodernist theory, as well as recent developments in African American and gay and lesbian criticism. An important introduction to contemporary Hollywood, this anthology will be of interest to those involved in the fields of film theory, literary theory, popular culture, and women's studies.

Author : John Bateman
Publisher : Routledge
Page : 339 pages
File Size : 37,7 MB
Release : 2013-06-17
Category : Language Arts & Disciplines
ISBN : 1136467556

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This book presents a new basis for the empirical analysis of film. Starting from an established body of work in film theory, the authors show how a close incorporation of the current state of the art in multimodal theory—including accounts of the syntagmatic and paradigmatic axes of organisation, discourse semantics and advanced ‘layout structure’—builds a methodology by which concrete details of film sequences drive mechanisms for constructing filmic discourse structures. The book introduces the necessary background, the open questions raised, and the method by which analysis can proceed step-by-step. Extensive examples are given from a broad range of films. With this new analytic tool set, the reader will approach the study of film organisation with new levels of detail and probe more deeply into the fundamental question of the discipline: just how is it that films reliably communicate meaning?