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A teen struggling to fit in with her peers begins to feel lonely and starts to isolate herself. Yearning for attention, she finds solace in conversations with a boy named Ryan she meets online. However, she later discovers his true intensions. After being uprooted from life as she knew it, Taylor finds herself in an ongoing living nightmare. She spends night after night with a different trick against her will to please Ryan with hopes of surviving her new reality.
In January 2008, Roy went to Cambodia to spearhead Traffik, a project that would expose the grave reality of women trapped in the sex industry. Inspired by Somaly Mam, a former sex-slave who worked at reintegrating these women back into society, Roy began the emotionally taxing work of photographing the victims. With access to both the brothels and rehabilitation centres, Roy captured the powerful stories of rape, girls being sold by their mothers, bartered for, exchanged and sold across borders. These images attempt to give them a voice.
Human trafficking is the fastest growing global crime and is now the second largest after the illegal arms trade. It involves the movement of people, against their will, through violence, deception or coercion for the purpose of sex, forced labour or even body parts. Men, women and children are all victims of trafficking; although approximately 80 per cent are women and girls and up to 50 per cent are children. The book contains real-life stories, photographs, and practical action points, divided into 6 sections - Stop: The right to freedom; Look: Trafficking is on your doorstep; Think: Attitudes and awareness; Buy: The power of the consumer; Act: Join the movement; and, Start: Resources to get you started.
Offering an up-to-date and comprehensive resource for students and general readers investigating human trafficking, this book examines the phenomenon in its many forms, the factors contributing to its existence, the victims it affects, and those who perpetrate this horrific crime. The horrific reality is that millions of human beings are bought and sold every year worldwide. Human trafficking is not an obsolete practice, and these crimes are not rare in occurrence. Recent examples of human trafficking such as the abduction of hundreds of Nigerian schoolgirls by the terrorist organization Boko Haram and depictions of trafficking in films such as Taken have brought human trafficking squarely into the public eye. This book offers a comprehensive understanding of human trafficking in its many forms. It examines the traffickers who range from single operators to large, transnational organizations and investigates how they coerce, deceive, and exploit their victims in the domestic service, farming, construction, and sex industries as well as in the harvesting of organs. The coverage includes common practices of human trafficking like sexual exploitation of women in Western and Central Europe, labor exploitation in the Middle East, and the exploitation of children in Western and Central Africa. Readers are introduced to various experts who have rescued and worked with victims, prosecuted cases, and conducted research to gain more insight into this crime and serious abuse of human rights, and they will gain insight into how a number of people and organizations are working to combat human trafficking and protect victims. Primary source documents that include reports by government, international organizations, and NGOs serve to aid readers in acquiring more knowledge on the topic.
What is the moral of the human trafficking story, and how can the narrative be shaped and evolved? Stories of human trafficking are prolific in the public domain, proving immensely powerful in guiding our understandings of trafficking, and offering something tangible on which to base policy and action. Yet these stories also misrepresent the problem, establishing a dominant narrative that stifles other stories and fails to capture the complexity of human trafficking. This book deconstructs the human trafficking narrative in public discourse, examining the victims, villains, and heroes of trafficking stories. Sex slaves, exploited workers, mobsters, pimps and johns, consumers, governments, and anti-trafficking activists are all characters in the story, serving to illustrate who is to blame for the problem of trafficking, and how that problem might be solved. Erin O’Brien argues that a constrained narrative of ideal victims, foreign villains, and western heroes dominates the discourse, underpinned by cultural assumptions about gender and ethnicity, and wider narratives of border security, consumerism, and western exceptionalism. Drawing on depictions of trafficking in entertainment and news media, awareness campaigns, and government reports in Australia, the United Kingdom, and the United States of America, this book will be of interest to criminologists, political scientists, sociologists, and those engaged with human rights activism and the politics of international justice
Five teens victimized by sex trafficking try to find their way to a new life in this “sincere and moving” (Booklist) companion to the #1 New York Times bestselling Tricks from Ellen Hopkins, author of Crank. In her bestselling novel, Tricks, Ellen Hopkins introduced us to five memorable characters tackling these enormous questions: Eden, the preacher’s daughter who turns tricks in Vegas and is helped into a child prostitution rescue; Seth, the gay farm boy disowned by his father who finds himself without money or resources other than his own body; Whitney, the privileged kid coaxed into the life by a pimp and whose dreams are ruined in a heroin haze; Ginger, who runs away from home with her girlfriend and is arrested for soliciting an undercover cop; and Cody, whose gambling habit forces him into the life, but who is shot and left for dead. And now, in Traffick, these five are faced with the toughest question of all: Is there a way out? How these five teenagers face the aftermath of their decisions and experiences is the soul of this story that exposes the dark, ferocious underbelly of the child trafficking trade. Heartwrenching and hopeful, Traffick takes us on five separate but intertwined journeys through the painful challenges of recovery, rehabilitation, and renewal to forgiveness and love. All the way home.
Are you familiar with the term User Experience (UX) and the principles that determine a user-friendly website? If yes, then all you need to do is to learn some more useful techniques that will make your user interface designs even better! User Experience, Practical Techniques, Volume 1 features seven selected articles on usability principles which will help you design user-centered websites by showing you helpful examples of the best practices and which common mistakes to avoid in your next project. TABLE OF CONTENTS - 10 Principles Of Effective Web Design - Five More Principles Of Effective Web Design - 10 Useful Techniques To Improve Your User Interface Designs -10 Useful Web Application Interface Designs - 12 Useful Techniques For Good User Interface Design - An Extensive Guide To Web Form Usability - 10 Usability Nightmares You Should Be Aware Of
From the singularly inventive mind of Rikki Ducornet, Trafik is a buoyant voyage through outer space and inner longing, transposing human experiences of passion, loss, and identity into a post-Earth universe. Quiver, a mostly-human astronaut, takes refuge from the monotony of harvesting minerals on remote asteroids by running through a virtual reality called the Lights, chasing visions of an elusive red-haired beauty. Her high-strung robot partner, Mic, pilots their Wobble and entertains himself by surfing records of the obliterated planet Earth stored on his Swift Wheel for Al Pacino trivia, recipes for reconstituted sushi, and high fashion trends. But when an accident destroys their cargo, Quiver and Mic go rogue, setting off on a madcap journey through outer space toward an idyllic destination: the planet Trafik.
Great Britain: Parliament: House of Commons: International Development Committee
Author : Great Britain: Parliament: House of Commons: International Development Committee Publisher : The Stationery Office Page : 128 pages File Size : 33,27 MB Release : 2007-12-04 Category : Business & Economics ISBN : 9780215037619
The changes in the machinery of government, announced in June 2007, led to this assessment of the place of the Department for International Development (DFID) in trade policy structures and how this area could be best managed across government. The inquiry also followed up on the report 'Conflict and development: peacebuilding and post-conflict reconstruction' (HC 923-I 2005-06) and the responsibility of the former Department of Trade and Industry in relation to the regulation of activities of UK companies operating in developing countries. Although the reaction to the changes in the machinery of government are broadly positive, there are reservations about complexity, unclear lines of accountability and new layers of bureaucracy. The increase in the number of DFID ministers is welcomed but there are concerns that the brief of the Trade Policy Minister might be too wide.
Authoring a film adaptation of a literary source not only requires a media conversion but also a transformation as a result of the differing dramatic demands of cinema. The most critical central step in this transformation of a literary source to the screen is the writing of the screenplay. The screenplay usually serves to recruit producers, director, and actors; to attract capital investment; and to give focus to the conception and production of the film project. Often undergoing multiple revisions prior to production, the screenplay represents the crucial decisions of writer and director that will determine how and to what end the film will imitate or depart from its original source. Authorship in Film Adaptation is an accessible, provocative text that opens up new areas of discussion on the central process of adaptation surrounding the screenplay and screenwriter-director collaboration. In contrast to narrow binary comparisons of literary source text and film, the twelve essays in this collection also give attention to the underappreciated role of the screenplay and film pre-production that can signal the primary intention for a film. Divided into four parts, this collection looks first at the role of Hollywood's activist producers and major auteurs such as Hitchcock and Kubrick as they worked with screenwriters to formulate their audio-visual goals. The second part offers case studies of Devil in a Blue Dress and The Sweet Hereafter, for which the directors wrote their own adapted screenplays. Considering the variety of writer-director working relationships that are possible, Part III focuses on adaptations that alter genre, time, and place, and Part IV investigates adaptations that alter stories of romance, sexuality, and ethnicity.