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We need a bigger vision for the city. Pastors Neil Powell and John James contend that to truly transform a city, the gospel compels us to create localized, collaborative church planting movements. The more willing we are to collaborate across denominations and networks, the more effectively we will reach our communities—whatever their size—for Jesus.
A little girl's belief in Santa is restored in this ode to the magic of Christmas. This is a holiday gift readers will treasure for years to come! It's two weeks before Christmas, and Deja is worried that Santa might not be able to visit her--after all, as a city kid, she doesn't have a chimney for him to come down and none of the parking spots on her block could fit a sleigh, let alone eight reindeer! But with a little help from her family, community, and Santa himself, Deja discovers that the Christmas spirit is alive and well in her city. With bold, colorful illustrations that capture the joy of the holidays, this picture book from award-winning author Tiffany D. Jackson and illustrator Reggie Brown is not to be missed.
The thrilling, cinematic story of a community shattered by disaster—and the extraordinary woman who helped pull it back together “A powerful, heart-wrenching book, as much art as it is journalism.”—The Wall Street Journal “A beautifully wrought and profoundly joyful story of compassion and perseverance.”—BuzzFeed (Best Books of the Year) In the spring of 1964, Anchorage, Alaska, was a modern-day frontier town yearning to be a metropolis—the largest, proudest city in a state that was still brand-new. But just before sundown on Good Friday, the community was jolted by the most powerful earthquake in American history, a catastrophic 9.2 on the Richter Scale. For four and a half minutes, the ground lurched and rolled. Streets cracked open and swallowed buildings whole. And once the shaking stopped, night fell and Anchorage went dark. The city was in disarray and sealed off from the outside world. Slowly, people switched on their transistor radios and heard a familiar woman’s voice explaining what had just happened and what to do next. Genie Chance was a part-time radio reporter and working mother who would play an unlikely role in the wake of the disaster, helping to put her fractured community back together. Her tireless broadcasts over the next three days would transform her into a legendary figure in Alaska and bring her fame worldwide—but only briefly. That Easter weekend in Anchorage, Genie and a cast of endearingly eccentric characters—from a mountaineering psychologist to the local community theater group staging Our Town—were thrown into a jumbled world they could not recognize. Together, they would make a home in it again. Drawing on thousands of pages of unpublished documents, interviews with survivors, and original broadcast recordings, This Is Chance! is the hopeful, gorgeously told story of a single catastrophic weekend and proof of our collective strength in a turbulent world. There are moments when reality instantly changes—when the life we assume is stable gets upended by pure chance. This Is Chance! is an electrifying and lavishly empathetic portrayal of one community rising above the randomness, a real-life fable of human connection withstanding chaos.
In 2009, theatre artist Aaron Landsman was dragged by a friend to a city council meeting in Portland, Oregon. At first he was bored, but when a citizen dumped trash in front of the council in order to show how the city needed cleaning up, he was intrigued. He began attending local government meetings across the country, interviewing council members, staffers, activists, and other citizens. Out of this investigation, Landsman and director Mallory Catlett developed a participatory theatre piece called City Council Meeting. The City We Make Together looks at how we make art with communities, how we perform power and who gets to play which roles, and how we might use creativity and rigorous inquiry to look at our structures of democracy anew.
From Los Angeles to Boston and Chicago to Miami, US cities are struggling to address the twin crises of high housing costs and household instability. Debates over the appropriate course of action have been defined by two poles: building more housing or enacting stronger tenant protections. These options are often treated as mutually exclusive, with support for one implying opposition to the other. Shane Phillips believes that effectively tackling the housing crisis requires that cities support both tenant protections and housing abundance. He offers readers more than 50 policy recommendations, beginning with a set of principles and general recommendations that should apply to all housing policy. The remaining recommendations are organized by what he calls the Three S’s of Supply, Stability, and Subsidy. Phillips makes a moral and economic case for why each is essential and recommendations for making them work together. There is no single solution to the housing crisis—it will require a comprehensive approach backed by strong, diverse coalitions. The Affordable City is an essential tool for professionals and advocates working to improve affordability and increase community resilience through local action.
Suturing the City focuses upon the 'urban now', a moment suspended between lingering precolonial references, the broken dreams of a colonial past, and the not yet realised promises of neoliberal futures.This book provides an ethnographic and photographic investigation of the complex meanings of living - and living together - in Congo's urban worlds today.The award-winning authors, anthropologist Filip De Boeck, and photographer Sammy Baloji, take the reader on a tour of specific urban sites in Kinshasa and beyond.In their detailed analysis these sites emerge as suturing points in which the possibilities of collective urban action and dreams of a shared future continue to be explored in Africa.Filip De Boeck is Professor of Anthropology, University of Leuven, Belgium, and co-author of Kinshasa: Tales of the Invisible City.Sammy Baloji is a photographer (born in DR Congo) who's work has been exhibited internationally including at: TATE Modern, London (2011); Smithsonian Museum, Washington DC (2012); and Venice Biennale (2015)