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Christopher Kent, worth a quarter of a million pounds yet without a penny in his pocket, stands hungrily in Piccadilly one snowy morning, looking up at the huge hotel, when a piece of card bearing a number floats down to him. He enters and is served with breakfast, giving the waiter the room number. Then an unlucky chance compels him to go up to room 707. Inside a woman lies murdered in a trunk. Kent needs to prove his innocence fast, and calls in Dr Gideon Fell to investigate - but there's been another murder, and Dr Fell must figure out what connects them in order to find the guilty party.
Waking the Dead—newly revised and updated for these trying times—reveals the secret of finding a full life, identifying the fierce battle over our hearts, and embracing all that God has in store. Jesus said, “I have come that they may have life, and have it to the full.” That’s the offer of Christianity, from God himself. Jesus touched people, and they changed: the blind had sight, the lame walked, the deaf heard, the dead were raised. To be touched by God, in other words, is to be restored, to be made into all God means us to be. That is what Christianity promises to do—make us whole, set us free, bring us fully alive.
#1 NEW YORK TIMES BESTSELLER • From the bestselling author and master of narrative nonfiction comes the enthralling story of the sinking of the Lusitania “Both terrifying and enthralling.”—Entertainment Weekly “Thrilling, dramatic and powerful.”—NPR “Thoroughly engrossing.”—George R.R. Martin On May 1, 1915, with WWI entering its tenth month, a luxury ocean liner as richly appointed as an English country house sailed out of New York, bound for Liverpool, carrying a record number of children and infants. The passengers were surprisingly at ease, even though Germany had declared the seas around Britain to be a war zone. For months, German U-boats had brought terror to the North Atlantic. But the Lusitania was one of the era’s great transatlantic “Greyhounds”—the fastest liner then in service—and her captain, William Thomas Turner, placed tremendous faith in the gentlemanly strictures of warfare that for a century had kept civilian ships safe from attack. Germany, however, was determined to change the rules of the game, and Walther Schwieger, the captain of Unterseeboot-20, was happy to oblige. Meanwhile, an ultra-secret British intelligence unit tracked Schwieger’s U-boat, but told no one. As U-20 and the Lusitania made their way toward Liverpool, an array of forces both grand and achingly small—hubris, a chance fog, a closely guarded secret, and more—all converged to produce one of the great disasters of history. It is a story that many of us think we know but don’t, and Erik Larson tells it thrillingly, switching between hunter and hunted while painting a larger portrait of America at the height of the Progressive Era. Full of glamour and suspense, Dead Wake brings to life a cast of evocative characters, from famed Boston bookseller Charles Lauriat to pioneering female architect Theodate Pope to President Woodrow Wilson, a man lost to grief, dreading the widening war but also captivated by the prospect of new love. Gripping and important, Dead Wake captures the sheer drama and emotional power of a disaster whose intimate details and true meaning have long been obscured by history. Finalist for the Washington State Book Award • One of the Best Books of the Year: The Washington Post, St. Louis Post-Dispatch, Miami Herald, Library Journal, Kirkus Reviews, LibraryReads, Indigo
Author : Bruce Jackson Publisher : University of Georgia Press Page : 388 pages File Size : 13,40 MB Release : 1999 Category : Music ISBN : 9780820321585
Making it in Hell, says Bruce Jackson, is the spirit behind the sixty-five work songs gathered in this eloquent dispatch from a brutal era of prison life in the Deep South. Through engagingly documented song arrangements and profiles of their singers, Jackson shows how such pieces as "Hammer Ring," "Ration Blues," "Yellow Gal," and "Jody's Got My Wife and Gone" are like no other folk music forms: they are distinctly African in heritage, diminished in power and meaning outside their prison context, and used exclusively by black convicts. The songs helped workers through the rigors of cane cutting, logging, and cotton picking. Perhaps most important, they helped resolve the men's hopes and longings and allowed them a subtle outlet for grievances they could never voice when face-to-face with their jailers.
Hailed by Agatha Christie as “the king of the art of misdirection,” John Dickson Carr presents a thrilling murder mystery that has the redoubtable Dr. Gideon Fell tracing clues from London to Sussex to South Africa Mystery novelist Christopher Kent accepts a friend’s outlandish bet and sets out to travel from Johannesburg to London with nothing but the cash in his wallet and the clothes on his back. He arrives with twenty-four hours to spare, his wallet and his stomach both empty. While cadging a breakfast at a luxurious hotel, he is implicated in the brutal murder of a hotel guest. Fleeing the scene of the crime, Kent takes refuge with Dr. Gideon Fell, the portly genius who specializes in murders too baffling for Scotland Yard. For Kent, getting to London was the easy part. The trick will be avoiding the hangman. To Wake the Dead is the 9th book in the Dr. Gideon Fell Mysteries, but you may enjoy reading the series in any order.
From Kevin Brockmeier, one of this generation's most inventive young writers, comes a striking new novel about death, life, and the mysterious place in between. The City is inhabited by those who have departed Earth but are still remembered by the living. They will reside in this afterlife until they are completely forgotten. But the City is shrinking, and the residents clearing out. Some of the holdouts, like Luka Sims, who produces the City’s only newspaper, are wondering what exactly is going on. Others, like Coleman Kinzler, believe it is the beginning of the end. Meanwhile, Laura Byrd is trapped in an Antarctic research station, her supplies are running low, her radio finds only static, and the power is failing. With little choice, Laura sets out across the ice to look for help, but time is running out. Kevin Brockmeier alternates these two storylines to create a lyrical and haunting story about love, loss and the power of memory.
“The best novel concerning the American pop music culture of the sixties I’ve ever read.”—Stephen King From #1 New York Times bestselling author George R. R. Martin comes the ultimate novel of revolution, rock ’n’ roll, and apocalyptic murder—a stunning work of fiction that portrays not just the end of an era, but the end of the world as we know it. Onetime underground journalist Sandy Blair has come a long way from his radical roots in the ’60s—until something unexpectedly draws him back: the bizarre and brutal murder of a rock promoter who made millions with a band called the Nazgûl. Now, as Sandy sets out to investigate the crime, he finds himself drawn back into his own past—a magical mystery tour of the pent-up passions of his generation. For a new messiah has resurrected the Nazgûl and the mad new rhythm may be more than anyone bargained for—a requiem of demonism, mind control, and death, whose apocalyptic tune only Sandy may be able to change in time . . . before everyone follows the beat. “The wilder aspects of the ’60s . . . roar back to life in this hallucinatory story by a master of chilling suspense.”—Publishers Weekly “What a story, full of nostalgia and endless excitement. . . . It’s taut, tense, and moves like lightning.”—Tony Hillerman “Daring . . . a knowing, wistful appraisal of . . . a crucial American generation.”—Chicago Sun-Times “Moving . . . comic . . . eerie . . . really and truly a walk down memory lane.”—The Washington Post
An intimate, lyrical look at the ancient rite of the Irish wake--and the Irish way of overcoming our fear of death Death is a whisper for most of us. Instinctively we feel we should dim the lights, pull the curtains, and speak softly. But on a remote island off the coast of Ireland's County Mayo, death has a louder voice. Each day, along with reports of incoming Atlantic storms, the local radio runs a daily roll call of the recently departed. The islanders go in great numbers, young and old alike, to be with their dead. They keep vigil with the corpse and the bereaved company through the long hours of the night. They dig the grave with their own hands and carry the coffin on their own shoulders. The islanders cherish the dead--and amid the sorrow, they celebrate life, too. In My Father's Wake, acclaimed author and award-winning filmmaker Kevin Toolis unforgettably describes his own father's wake and explores the wider history and significance of this ancient and eternal Irish ritual. Perhaps we, too, can all find a better way to deal with our mortality -- by living and loving as the Irish do.
To Wake The Dead is a new take on the raising the dead phenomenon. What happens when people rationally try to investigate the living dead, and to give meaning to their existence? Can such an otherworldly occurrence be justified with the current scientific understanding of living things? How would people, and society, react to raising the dead, especially if it were to become routine, and even done against their wishes? Who would control the use of those who had the ability to raise the dead, and what would they be used to do? If it was our government, could they trusted? Ultimately, who could you trust? To Wake The Dead examines exactly what happens when the borders separating the living from the dead are redrawn, sometimes forcefully, and sometimes violently. No matter what positions the new boundaries occupy, the world will never be the same.