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A debut novel by the 1987 winner of the Pulitzer Prize for poetry, about an artist on a journey of self-discovery—navigating a family secret, racism, and the conflict between marriage and career. “Skillfully evokes the mood of a decade when social change seemed not only possible but imminent.” —Washington Post Book World When a woman returns to her Midwestern hometown as an artist-in-residence to teach puppetry to schoolchildren, her homecoming also means grappling with artistic ambition, memories of rejected love, and shocking truths about her family.
Trinity student Charles Stanihurst, the son of a Dublin merchant and a Roscommon chambermaid, flees his native city after assaulting an English officer and heads for the West of Ireland, where he encounters a culture virtually unknown within the pale. Beyond the Shannon much of the old Gaelic way of life is still intact, though under growing threat from the political power and land greed of the 'foreigners'. Charles is forced to confront divisions between his Anglo-Irish and Gaelic loyalties, while seeking his spiritual father, Bishop William Bedell, who is translating the Old Testament into Irish. Set in post-Flight of the Earls, pre-Cromwellian Ireland of 1641, this novel tells the gripping story of a struggle between two opposing cultures that set the scene for the rebellion sealing the fate of Gaelic Ireland.
Several years ago, Christian Huxley's father, George, obsessively documented the strange phenomena emanating from Ryhope Wood at the edge of their property. He watched the ancient heroes emerge, shouting both incomprehensible warnings and unmistakable invitations. Recklessly, George followed them inot the mysterious sylvan shadows that changed him forever. Christian himself was not untouched by these living dreams. A childhood encounter with a phantom from another time draws him to the Wood as an adult. Deep in Ryhope, Christian uncovers the lie that permeates his worst nightmares. And like his father, he will be consumed with the mythagoes of Ryhope, especially a young Celtic warrior called Guiwenneth. She is the key to the mystery of the universe, an ancient heroine caught in a timeless tale of bravery and sacrifice. Now, together with a band of crusaders from a world long gone, Christian and Guiwenneth become part of the unfolding stories both remembered and forgotten. They meet sorcerers in battle and giants who can travel miles in one step. And they discover the meaning of the two gates, Ivory and Horn - one the lie, the other the truth.
Deep within the wildwood lies a place of myth and mystery, from which few return, and of those few, none remain unchanged. Ryhope Wood may look like a three-mile-square fenced-in wood in rural Herefordshire on the outside, but inside, it is a primeval, intricate labyrinth of trees, impossibly huge, unforgettable ... and stronger than time itself. Stephen Huxley has already lost his father to the mysteries of Ryhope Wood. On his return from the Second World War, he finds his brother, Christopher, is also in thrall to the mysterious wood, wherein lies a realm where mythic archetypes grow flesh and blood, where love and beauty haunt your dreams, and in promises of freedom lies the sanctuary of insanity ... Readers love Mythago Wood: '6.0 stars. This book is a MASTERPIECE and will likely be on my list of "All Time Favourite" novels before too long' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'Blimey, what a book! Genuine classic of mythological fiction.' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'An imaginative masterpiece has broken the boundaries of fantasy genre. In Mythagowood Myths manifest from characters's unfathomable desires. The mysterious forest which the protagonists are obsessed with is an original concept of legends, it rooted in subconscious mind arouses overwhelming power of human minds'. Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'To attempt to write a straightforward synopsis of Mythago Wood itself is almost to lose the very essence of the novel, to break away from the ethereal feeling which transcends the book.' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'I've seldomly read a book that is so rich and enthralling in its descriptions and really draws me into the mythical woods, where time flows differently, where your subconscious can conjure up archetypes and these can infringe upon your very real life outside of the forest.' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐
Monumental epic poem tells the heroic story of Aeneas, a Trojan who escaped the burning ruins of Troy to found Lavinium, the parent city of Rome, in the west.
In a fragile alliance, the natives are stirring uneasily under their foreign rulers. Rebellion is brewing, and at the heart of the conflict lies the bloody and powerful cult of the god Aoun, whose followers will stop at nothing to rid their land of alien domination. So civil servant Renille vo Chaumelle, scion of a proud, conquering line mingled with native blood, is conscripted as a spy and ordered to penetrate the fortress-temple known as the Fastness of the Gods. There he is to discover the secrets of the priests of Aoun and - if the chance presents itself - assassinate the lead priest, named in legend as the god's own son. But in the holiest depths of the temple, Renille finds there is more to the cult than his superiors suspect - far more than they will ever believe. What he learns leads him to the beautiful princess Jathondi, daughter of the native ruler, who is fated to be the crux of a violent confrontation between the fanatic followers of a flesh-hungry god and their arrogant overlords. Together, Jathondi and Renille must brave a whirlwind of revolution and apocalyptic magic that could shatter a nation, and open the long-sealed portal between heaven and earth.
"The author explores this tradition in depth and defines it with a breadth of vision, a dynamic vigor and freedom rarely paralleled today....His method, flexible, generous, humane in the best sense of the word, eschews pedantry, dogma, useless theorizing and scholastic argumentation."--The New York Times Book Review. "I wish to make it clear that The Gates of Horn represents an outstanding critical accomplishment."--Saturday Review. In the Odyssey, Homer describes two gates of the imagination: one of ivory through which fictitious dreams pass, and the other of horn, through which nothing but the truth may pass. Realism is the type of literature that passes through the horn, and in this significant study of the genre Levin examines a major form of Realism--the French novel--and focuses on five of its masters--Stendahl, Balzac, Flaubert, Zola, and Proust. Now available in paperback, Levin's study is a veritable reconstruction of the artistic and intellectual life of a nation.
Half of Tanzania's elephants have been killed for their ivory since 2007. A similar alarming story can be told of the herds in northern Mozambique and across swathes of central Africa, with forest elephants losing almost two-thirds of their numbers to the tusk trade. The huge rise in poaching and ivory smuggling in the new millennium has destroyed the hope that the 1989 ivory trade ban had capped poaching and would lead to a long-term fall in demand. But why the new upsurge? The answer is not simple. Since ancient times, large-scale killing of elephants for their tusks has been driven by demand outside Africa's elephant ranges - from the Egyptian pharaohs through Imperial Rome and industrialising Europe and North America to the new wealthy business class of China. And, who poaches and why do they do it? In recent years lurid press reports have blamed mass poaching on rebel movements and armed militias, especially Somalia's Al Shabaab, tying two together two evils - poaching and terrorism. But does this account stand up to scrutiny? This new and ground-breaking examination of the history and politics of ivory in Africa forensically examines why poaching happens in Africa and why it is corruption, crime and politics, rather than insurgency, that we should worry about.