[PDF] Three Victorian Poets eBook

Author : Jane Ogborn
Publisher : Cambridge University Press
Page : 248 pages
File Size : 45,43 MB
Release : 1998-07-30
Category : Juvenile Nonfiction
ISBN : 9780521627108

GET BOOK

"But who hath seen her wave her hand? Or at the casement seen her stand? Or is she known in all the land, The Lady of Shalott?" Alfred, Lord Tennyson, Elizabeth Barrett and Robert Browning are the three nineteenth-century poets explored in this collection. The mixture of complete poems and extracts introduces readers to the variety of narrative and lyric work which forms an important part of the English literary heritage. This edition aims to help the exploration of the qualities which made these poets popular during the reign of Queen Victoria, transporting readers to a world of romance, myth and fantasy. . . Cambridge Literature is a series of study texts which presents writing in the English-speaking world from the 16th century up to the present day. The series includes novels, drama, short stories, poetry, essays and other types of non-fiction. Each edition has the complete text with an appropriate glossary. The student will find in each volume a helpful introduction and a full section of resource notes encouraging active and imaginative study methods.

Author : Paul Negri
Publisher : Courier Corporation
Page : 244 pages
File Size : 38,69 MB
Release : 2012-03-02
Category : Poetry
ISBN : 0486112632

GET BOOK

Over 170 beloved poems by the major poets of the 19th century, including works by Tennyson, Browning, Arnold, Rossetti, Meredith, Swinburne, Hopkins, Kipling, and others. An introduction and biographical notes on the poets are included.

Author : Angela Leighton
Publisher : Wiley-Blackwell
Page : 691 pages
File Size : 35,28 MB
Release : 1999-10-15
Category : Literary Criticism
ISBN : 9780631176091

GET BOOK

This reader contains sixteen new and recent essays addressing work by, and issues raised concerning, Victorian women poets. Among those discussed directly are: Elizabeth Barrett Browing, Emily Bronte, George Eliot, Michael Field, Felicia Hemans, Adelaide Proctor, Christina Rossetti, and Rosamund Marriott Watson. Key topics dealt with include the nature of home,the market, the fallen woman and the moral law, the mother, and the muse. Critics represented are: Isobel Armstrong, Kathleen Blake, Susan Conley, Stevie Davies, Sandra M. Gilbert, Gill Gregory, Terrence Holt, Linda K. Hughes, Angela Leighton, Tricia Lootens, Jerome J. McGann, Dorothy Mermin, Margaret Reynolds, Dolores Rosenblum, Chris White, and Joyce Zonana.

Author :
Publisher : Penguin UK
Page : 916 pages
File Size : 29,52 MB
Release : 1998-10-19
Category : Poetry
ISBN : 0141958677

GET BOOK

Daniel Karlin has selected poetry written and published during the reign of Queen Victoria, (1837-1901). Giving pride of place to Tennyson, Robert Browning, and Christina Rossetti, the volume offers generous selections from other major poets such asArnold, Emily Bronte, Hardy and Hopkins, and makes room for several poem-sequences in their entirety. It is wonderful, too, in its discovery and inclusion of eccentric, dissenting, un-Victorian voices, poets who squarely refuse to 'represent' their period. It also includes the work of Elizabeth Barrett Browning, George Meredith, James Thomson and Augusta Webster.

Author : Tess Cosslett
Publisher : Taylor & Francis
Page : 297 pages
File Size : 21,62 MB
Release : 2017-07-05
Category : History
ISBN : 1315293722

GET BOOK

One of the triumphs of feminist criticism has been to rescue major poets such as Emily Bronte, Elizabeth Barrett Browning and Christina Rossetti from neglect. While the essays chosen for this volume focus on these three major figures, work is also included on less well-known poets who have only recently been brought into critical prominence. The introduction clarifies for the reader the themes, problems and preoccupations that inform the criticism and provides a useful guide to the debates surrounding poetry and feminism. The advantages and disadvantages of applying different critical approaches, such as psychoanalytic and historicist, to the understanding of this period and genre are also fully explored. The substantial introduction, headnotes, detailed bibliography and suggestions for further reading will make this book essential reading for students of English, Victorian and Women's Literature, and Feminist Critical Theory.

Author : Kirstie Blair
Publisher : Clarendon Press
Page : 284 pages
File Size : 27,10 MB
Release : 2006-04-27
Category : Literary Criticism
ISBN : 0191534382

GET BOOK

Victorian Poetry and the Culture of the Heart is a significant and timely study of nineteenth-century poetry and poetics. It considers why and how the heart became a vital image in Victorian poetry, and argues that the intense focus on heart imagery in many major Victorian poems highlights anxieties in this period about the ability of poetry to act upon its readers. In the course of the nineteenth century, this study argues, increased doubt about the validity of feeling led to the depiction of the literary heart as alienated, distant, outside the control of mind and will. This coincided with a notable rise in medical literature specifically concerned with the pathological heart, and with the development of new techniques and instruments of investigation such as the stethoscope. As poets feared for the health of their own hearts, their poetry embodies concerns about a widespread culture of heartsickness in both form and content. In addition, concerns about the heart's status and actions reflect upon questions of religious faith and doubt, and feed into issues of gender and nationalism. This book argues that it is vital to understand how this wider culture of the heart informed poetry and was in turn influenced by poetic constructs. Individual chapters on Barrett Browning, Arnold, and Tennyson explore the vital presence of the heart in major works by these poets - including Aurora Leigh, 'Empedocles on Etna', In Memoriam, and Maud - while the wide-ranging opening chapters present an argument for the mutual influence of poetry and physiology in the period and trace the development of new theories of rhythm as organic and affective.