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Going beyond the technological building blocks of 3DTV, 3D Television (3DTV) Technology, Systems, and Deployment: Rolling Out the Infrastructure for Next-Generation Entertainment offers an early view of the deployment and rollout strategies of this emerging technology. It covers cutting-edge advances, theories, and techniques in end-to-end 3DTV sys
This in-depth research study discusses whether 3D TV will become a new trend in the consumers' living rooms or if it is just a hype that will fail to establish itself. The study contains both extensive market research as well as target group research among the American population. Both parts of the study deal with the market situation of 3D TVs within the United States in 2011, and an extensive analysis of both studies provides in-depth insight into a potential future of the 3D TV market in the coming years. In 2010 only 3% of US households had purchased a 3D TV. According to E. Rogers’ book ‘Diffusion of Innovation' whose theory is used as a guideline throughout the whole research paper, those 3% can be identified as belonging to the category of innovators. To incorporate other categories of the adopter categorization, the 3D TV technology has to face economic, sociological and technological challenges. Those challenges as well as the trends and developments influence the adoption of the technology. E. Rogers discusses these influencing characteristics in his work and groups them into five categories: relative advantage, compatibility, complexibility, observability and trialability. Based on Rogers’ book, this study determines in how far those characteristics favor or disfavor the adoption process of 3D TV and how current trends and developments within the 3D TV sector might improve this process. These conclusions are then used in a target group research in order to determine whether they are feasible and will lead to a higher adoption rate of the technology within the next 3 to 5 years. Consequently, this research paper can act as a guide for both TV manufacturers and TV content producers that invest or plan to invest into 3D TV. However, the main purpose of the study is to be the starting point for marketing managers of those companies that already have started investing in 3D technology. The research gives insight into how the adoption process can be improved, and it can, therefore, be used as a foundation for a successful marketing plan.
This book is the condensed result of an extensive European project developing the future of 3D-Television. The book describes the state of the art in relevant topics: Capture of 3D scene for input to 3DTV system; Abstract representation of captured 3D scene information in digital form; Specifying data exchange format; Transmission of coded data; Conversion of 3DTV data for holographic and other displays; Equipment to decode and display 3DTV signal.
The first monograph on this rapidly evolving area of research and development, this book presents both the theory and applications of new advances in 3D TV and display techniques. The theoretical concepts are illustrated by applied examples, numerical simulations and experimental results.
Riding on the success of 3D cinema blockbusters and advances in stereoscopic display technology, 3D video applications have gathered momentum in recent years. 3D-TV System with Depth-Image-Based Rendering: Architectures, Techniques and Challenges surveys depth-image-based 3D-TV systems, which are expected to be put into applications in the near future. Depth-image-based rendering (DIBR) significantly enhances the 3D visual experience compared to stereoscopic systems currently in use. DIBR techniques make it possible to generate additional viewpoints using 3D warping techniques to adjust the perceived depth of stereoscopic videos and provide for auto-stereoscopic displays that do not require glasses for viewing the 3D image. The material includes a technical review and literature survey of components and complete systems, solutions for technical issues, and implementation of prototypes. The book is organized into four sections: System Overview, Content Generation, Data Compression and Transmission, and 3D Visualization and Quality Assessment. This book will benefit researchers, developers, engineers, and innovators, as well as advanced undergraduate and graduate students working in relevant areas.
A 3D television (3D-TV) is a television set that employs techniques of 3D presentation, such as stereoscopic capture, multi-view capture, or 2D-plus-depth, and a 3D display - a special viewing device to project a television program into a realistic three-dimensional field. This book is your ultimate resource for 3D TV. Here you will find the most up-to-date information, analysis, background and everything you need to know. In easy to read chapters, with extensive references and links to get you to know all there is to know about 3D TV right away, covering: 3D television, Technology of television, 14:9, 180 lines, 1st & Ten (graphics system), 3D DLP, 405-line television system, 441-line television system, 567 Line television, 8-bit color, A-MAC, Active Format Description, Advanced Digital Broadcast, Advanced Television, Advanced Television Systems Committee, Aiken tube, Ambilight, Distribution amplifier, Analog high-definition television system, Analog passthrough, Analog television, Apple Interactive Television Box, Apple TV, Asian television frequencies, ATSC (standards), List of ATSC standards, Audio description, Audio router, Auto relay, Automatic Tuning System euro plus, AV.link, B-MAC, Back porch, Backhaul (broadcasting), John Logie Baird, Baseball telecasts technology, BBC Research, Beam-index tube, Belweder (TV set), Black level, Blanking (video), Broadcast television systems, Broadcast-safe, Walter Bruch, Burst phase, C-MAC, Cathode ray, Cathode ray tube, Centralcasting, CGMS-A, Channel 3/4 output, Channel memory, Chromatron, Color depth, Color killer, Color television, Colortrak, Colortrak 2000, Combo television unit, Comparison CRT, LCD, Plasma, Comparison of PVR software packages, Composite monitor, Composite video, Computer Originated World, Console television, Contrast ratio, Control track, Coupon-eligible converter box, CT-100, Cue card, D-MAC, D2-MAC, Data and object Carousel, DaVinci3, Descriptive Video Service, Differential gain, Differential phase, Digibox, Digital Command Center, Digital component video, Digital Interface for Video and Audio, Digital media receiver, Digital Program Insertion, Digital subchannel, Digital television adapter, Digital Video Broadcasting, Digital Visual Interface, Direct-View Bistable Storage Tubes, DiSEqC, Display contrast, Display resolution, Distributed transmission system, Doming (television), Dot crawl, Dot pitch, Dreambox, Dv sidekick, DVB 3D-TV, E-MAC, Echolab, EIAJ MTS, Eidophor, Einheitsempfanger, Electra (teletext), Electronicam, Electronovision, Elgato, Emerson VT0950, EMI 2001, Enhanced-definition television, ETSI Satellite Digital Radio, Extended Data Services, ExtraVision, F connector, Fernseh, Fibre satellite distribution, Field (video), Field-sequential color system, Filmlook, Fixed Service Satellite, Flicker (screen), Flicker-free, FoxBox (sports), Frame (video), Free viewpoint television, FreeJ, Front porch, FTA receiver, GB-PVR, Geer tube, Generic Stream Encapsulation, Ghost-canceling reference, Handheld television, Hanover bars, HD compatible, HD ready, HD-MAC, HDBaseT, HDHomeRun, HDMI, HDTV blur, High Above (book), Horizontal blanking interval, Horizontal scan rate, Hotel television systems, Iconoscope, Improved-definition television, Individual Television Experience, Inductive output tube, Integrated receiver/decoder, Integrated reception system, IntelliStar, IntelliStar 2, Intercarrier method, Intercast, Interlaced video, Intermediate film system, IRE (unit), ISMACryp, Jog dial, JP1 remote, Kell factor, Key & See, Large-screen television technology, LCD crosstalk, LCD television, LED-backlit LCD television, Lines of resolution, LinuxMCE...and much more This book explains in-depth the real drivers and workings of 3D TV. It reduces the risk of your technology, time and resources investment decisions by enabling you to compare your understanding of 3D TV with the objectivity of experienced professionals.
A 3D television (3D-TV) is a television set that employs techniques of 3D presentation, such as stereoscopic capture, multi-view capture, or 2D-plus-depth, and a 3D display - a special viewing device to project a television program into a realistic three-dimensional field. This book is your ultimate resource for 3D Television. Here you will find the most up-to-date information, analysis, background and everything you need to know. In easy to read chapters, with extensive references and links to get you to know all there is to know about 3D Television right away, covering: 3D television, 3D DLP, Stereoscopy, 3D display, 3-D film, DVB 3D-TV, Crosstalk (electronics), Digital 3D, List of 3-D films, Technology of television, 14:9, 180 lines, 1st & Ten (graphics system), 405-line television system, 441-line television system, 8-bit color, A-MAC, Active Format Description, Advanced Digital Broadcast, Advanced Television, Advanced Television Systems Committee, Aiken tube, AmberFin, Ambilight, Distribution amplifier, Analog high-definition television system, Analog passthrough, Analog television, Apple Interactive Television Box, Apple TV, Asian television frequencies, ATSC (standards), List of ATSC standards, Audio description, Audio router, Auto relay, Automatic Tuning System euro plus, AV.link, B-MAC, Back porch, Backhaul (broadcasting), John Logie Baird, Baseball telecasts technology, BBC Research, Beam-index tube, Belweder (TV set), Black level, Blanking (video), Broadcast television systems, Broadcast-safe, Walter Bruch, Burst phase, C-MAC, Cathode ray, Cathode ray tube, Centralcasting, CGMS-A, Channel 3/4 output, Channel memory, Chromatron, Color depth, Color killer, Color television, Colortrak, Colortrak 2000, Combo television unit, Comparison of PVR software packages, Composite monitor, Composite video, Computer Originated World, Console television, Contrast ratio, Control track, Coupon-eligible converter box, CT-100, Cue card, D-MAC, D2-MAC, Data and object Carousel, DaVinci3, Descriptive Video Service, Differential gain, Differential phase, Digibox, Digital Command Center, Digital component video, Digital Interface for Video and Audio, Digital media receiver, Digital Program Insertion, Digital subchannel, Digital television adapter, Digital Video Broadcasting, Digital Visual Interface, Direct-View Bistable Storage Tubes, DiSEqC, Display contrast, Display resolution, Distributed transmission system, Doming (television), Dot crawl, Dot pitch, Dreambox, Dv sidekick, E-MAC, Echolab, EIAJ MTS, Eidophor, Einheitsempfänger, Electra (teletext), Electronicam, Electronovision, Elgato, Emerson VT0950, EMI 2001, Enhanced-definition television, ETSI Satellite Digital Radio, Extended Data Services, ExtraVision, F connector, Fernseh, Fibre satellite distribution, Field (video), Field-sequential color system, Filmlook, Fixed Service Satellite, Flicker (screen), Flicker-free, FoxBox (sports), Frame (video), Free viewpoint television, FreeJ, Front porch, FTA receiver, GB-PVR, Geer tube, GeeXboX, Generic Stream Encapsulation, Ghost-canceling reference, Handheld television, Hanover bars, HD compatible, HD ready, HD-MAC, HDBaseT, HDHomeRun, HDMI, HDTV blur, High Above (book), Horizontal blanking interval, Horizontal scan rate, Hotel television systems, Iconoscope, Improved-definition television, Individual Television Experience, Inductive output tube, Integrated receiver/decoder, Integrated reception system, IntelliStar, IntelliStar 2, Intercarrier method, Intercast, Interlaced video, Intermediate film system, IRE (unit), ISMACryp, Jog dial, JP1 remote, Kell factor, Key & See, Large-screen television technology, LCD crosstalk, LCD television...and much more This book explains in-depth the real drivers and workings of 3D Television. It reduces the risk of your technology, time and resources investment decisions by enabling you to compare your understanding of 3D Television with the objectivity of experienced professionals.
This book focuses on the two psychological factors of naturalness and ease of viewing of three-dimensional high-definition television (3D HDTV) images. It has been said that distortions peculiar to stereoscopic images, such as the “puppet theater” effect or the “cardboard” effect, spoil the sense of presence. Whereas many earlier studies have focused on geometrical calculations about these distortions, this book instead describes the relationship between the naturalness of reproduced 3D HDTV images and the nonlinearity of depthwise reproduction. The ease of viewing of each scene is regarded as one of the causal factors of visual fatigue. Many of the earlier studies have been concerned with the accurate extraction of local parallax; however, this book describes the typical spatiotemporal distribution of parallax in 3D images. The purpose of the book is to examine the correlations between the psychological factors and amount of characteristics of parallax distribution in order to understand the characteristics of easy- and difficult-to-view images and then to seek to create a new 3D HDTV system that minimizes visual fatigue for the viewer. The book is an important resource for researchers who wish to investigate and better understand various psychological effects caused by stereoscopic images.
A History of Three-Dimensional Cinema chronicles 3-D cinema as a single, continuous and coherent medium, proceeding from 19th-century experiments in stereoscopic photography and lantern projection (1839–1892) to stereoscopic cinema’s “long novelty period” (1893–1952). It proceeds to examine the first Hollywood boom in anaglyphic stereo (1953–1955), when the mainstream industry produced 69 features in 3-D, mostly action films that could exploit the depth illusion, but also a handful of big-budget films—for example, Kiss Me Kate (George Sidney, 1953) and Dial M for Murder (Alfred Hitchcock, 1954)—until audiences tired of the process; the anaglyphic revival of 1970–1985, when 3-D was sustained as a novelty feature in sensational genres like soft-core pornography and horror; the age of IMAX 3-D (1986–2008); the current era of digital 3-D cinema, which began in 2009 when James Cameron’s Avatar became the highest-grossing feature of all time and the studios once again stampeded into 3-D production; and finally the future promise of Virtual Reality.
A novel and timely primer to the 3DTV system chain from capture to display This book examines all aspects of the 3DTV chain, from capture to display. It helps the reader learn about the key issues for 3DTV technology. It also provides with a systems level appreciation of 3DTV systems, and an understanding of the fundamental principles behind each part of the chain. At the end of each chapter, the author provides resources where readers can learn more about the technology covered (e.g. more focused text books, key journal papers, and key standards contributions). Provides a fundamental and systematic introduction and description of 3DTV key techniques, which build up the whole 3DTV system from capture to consumer viewing at the home. Addresses the quick moving field of 3D displays which is attracting increasing interest from industry and academia. Concepts in the book will be illustrated using diagrams and example images of processed 3D content. The 3D content will be presented as 2D images in the book. Authors to host website providing pointers to more information on the web, freely available tools which would enable readers to experiment with coding video, simulate its transmission over networks, play it back in 3D, and measure the quality and links to important news and developments in the field.