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Walter Littlemoon's memoir, They Called Me Uncivilized, is a call to awareness from within the heart of Wounded Knee. In telling his story, Littlemoon describes the impact federal Indian policies have had on his life and on the history of his family. He gives a rare view into the cruelty inflicted on generations of Native American children through the implementation of U.S. government boarding schools, which resulted in a muted truth, called Soul Wound by some. In addition, and for the first time, his narrative provides a resident's view of the 1973 militant Occupation of Wounded Knee and the lasting impact that takeover has had on his community. His path toward a sense of peace and contentment is one he hopes others will follow. Remembering and telling the truth about traumatic events are prerequisites for healing. Many books have been written by scholars describing one aspect or another of Native American life, their history, their spirituality, the 1973 occupation, and a few have tried to describe the boarding schools. None have connected the dots. Until the language of the everyday man is used, scholarly words will shut out the people they describe and the pathology created by federal Indian policy will continue.
If you're the only person from your ethnic background in your organization or team, you probably know what it's like to be misunderstood or marginalized. Organizational consultant Adrian Pei describes key challenges ethnic minorities face in majority-culture organizations, unpacking the historical forces at play and what both minority and majority cultures need to know in order to work together fruitfully.
Author : Arnold Krupat Publisher : State University of New York Press Page : 438 pages File Size : 25,98 MB Release : 2020-09-01 Category : Biography & Autobiography ISBN : 1438480083
After a theoretical and historical introduction to American Indian boarding-school literature, Changed Forever, Volume II examines the autobiographical writings of a number of Native Americans who attended the federal Indian boarding schools. Considering a wide range of tribal writers, some of them well known—like Charles Eastman, Luther Standing Bear, and Zitkala-Sa—but most of them little known—like Walter Littlemoon, Adam Fortunate Eagle, Reuben Snake, and Edna Manitowabi, among others—the book offers the first wide-ranging assessment of their texts and their thoughts about their experiences at the schools.
These poems are about my life experience. They are a glimpse into my journey of reclaiming my life. I began writing poetry as a way of releasing stress, loneliness, and sadness. When I moved to Calgary I had no one to talked to. I felt very alone and out of place, and I had no idea what I was going to do with myself. All of my friends were in Montréal, along with everything I had ever owned. I only had five hundred dollars in my wallet, and two suitcases full of toys, clothes, and important documents....
On February 27, 1973, a group of roughly 300 armed Indigenous men, women, and children seized the tiny hamlet of Wounded Knee, South Dakota, at gunpoint, took hostages, barricaded themselves in the hilltop church, and raised an upside-down American flag. Taking place at the site of the infamous massacre in 1890, the highly symbolic confrontation spearheaded by the American Indian Movement (AIM) ultimately evolved into a prolonged, seventy-one-day armed standoff between law enforcement officers and modern-day Indigenous warriors. Among these warriors were Vietnam War veterans armed with Vietnam-era equipment and weaponry. By organizing in defense of the newly proclaimed Independent Oglala Nation, the AIM activists at Wounded Knee linked their nationalist quest for sovereignty and self-determination with a warrior masculinity they constructed from a mix of Indigenous cultures and contemporary cultural elements, including the Black civil rights movement, the counterculture of the 1960s and early 1970s, and the antiwar movement. As Matthias André Voigt shows, the takeover of Wounded Knee was only one moment among many in the complex interplay between protest activism, gender, race, and identity within AIM. While AIM is widely recognized for its militancy and nationalism, Reinventing the Warrior is the first major study to examine the gendered transformation of Indigenous men within the Red Power movement and the United States more generally. AIM activists came to regard themselves, like their ancestors before them, as warriors fighting for their people, their lands, and their rights. They sought to remasculinize their Indigenous identity in order to confront hegemonic masculinities—and, by implication, colonialism itself. By becoming “more manly,” Indigenous men challenged the disempowering nature of white supremacy. Voigt traces the story of the reinvention of Indigenous warriorhood from 1968 to the takeover of Wounded Knee in 1973 and beyond. His trailblazing work explores why and how Indigenous men refashioned themselves as modern-day warriors in their anticolonial nation-building endeavor, thereby remaking both self and society.
Transport yourself into the magical kingdom of Lentari, along with Steve and Sarah Miller (introduced in The Bakkian Chronicles), a world of kings and princes, dragons, dwarves, and all sorts of mythical creatures. Book 1 – Lost City Lukas, a young dwarf, narrowly averts tragedy while attending a class by the master craftsman Maelnar, falling into the forge’s fire. Amazingly, he comes away from the near miss with only a mark on his back. The mark is not quite a burn. But it is disfiguring and embarrassing to the family, and it’s not fading away, so his father, Venk, takes young Lukas to consult the most respected wizard in the kingdom. They learn this mysterious mark is part of a Questor’s Mark, a sort of roadmap to an adventure that had long been the dream of many—to find the Lost City of Nar. Book 2 – Something Wyverian This Way Comes Steve and Sarah Miller receive an urgent message from Lentari, the land they call their second home, the magical place of dragons and wizards, the land where they became, for a time, guardians to the crown prince. When both of them have the same unsettling dream, a vision that something bad is happening in Lentari, they go—without a second thought. They learn a terrible sickness is consuming the dragon population, affecting their powers, starving them, killing them. Steve and Sarah arrive with two goals: help the dragons find the source of the ailment, and don’t tell the king they suspect it’s a curse or spell of some kind. Book 3 – A Portal For Your Thoughts The peaceful kingdom of Lentari is rocked by the disappearances of several citizens, and when the latest—a young girl—vanishes, the king dispatches his top aides to find out what’s happening. Piecing together the clues, they ride to a lush forest near the seaside town of Capily where they come across an odd disturbance in the undergrowth. A few tests, and it’s evident the anomaly is a portal of some sort, and the consensus is that they will need the strongest teleporter known to the kingdom in order to solve the mystery of where the portal leads and how it has taken the missing villagers. The only teleporter with this much power is Lady Sarah, the human with the needed jhorun to possibly save them. Sarah and her husband Steve transport to Lentari from their home in America, and as she is studying the odd new portal the unthinkable happens. Lady Sarah is pulled into the portal and vanishes! Praise for Jeffrey Poole and his Epic Fantasy fiction: “I loved this book. It had so much imagination to it. Great for young and old.” - D. Estrada “There's adventure & a little humor and all the characters are just right. “ - Happy2Day “I especially liked that this story revolved around a husband and wife team, rather than being the typical “hero's journey” of an adolescent boy.” - M.L., 5 star review “… plenty of action, adventure, and romance, but is harmless enough for pre-teens to read; it is a well-told tale.” – 5 stars on Amazon “If you love wizards, dragons, griffins & such, you have got to read the Bakkian Chronicles!” – 5 stars online review
Poojamma starts with Nina, an American journalist receiving news of the death of Poojamma. As she travels to India, she has many dreams of her relationships with Poojamma. The story begins to unfold. Poojamma is a social reformer of sorts who lives in a village among Dalits in Karnataka, India. She brings unity among different castes. She becomes very popular among poor people. Her popularity sends jitters in the raw nerves of politicians who decide to fight Poojamma. Intermittent battle between her and political forces follow. Poojamma is assassinated in a dastardly bomb blast. Kala, the prodigy of Poojamma, narrates half the story to Nina. Nina takes it upon herself to make the government of India to order an official investigation into the murder. Finally, when courts are ready to hand out a death sentence to the culprits, Kala stands on the way against death sentence. The authors spicy writing style leaves only a thin line between fiction and true story. Indeed the novel is based on many true incidents with fictional flavor. The personality of Poojamma is a heady mix of fictional and real-life characters. A roller coaster of fictional intricacies awaits readers.
From two-time Giller Prize winner M.G. Vassanji, one of Canada’s finest and most celebrated writers, comes a brilliant new novel that vividly examines the seemingly incongruous worlds of science, religion and desire. Nurul Islam is a world-renowned physicist, professor at Imperial College, London, and one half of the Islam-Rosenfeld theory, the first step in a grand unification of forces and a Theory of Everything. A family man profoundly influenced by his pious father, Nurul is happily married to Sakina Begum by an arranged marriage. They have three children. But when Nurul travels to Cambridge, Massachusetts, to give a public lecture at Harvard, he falls in love with a graduate student, Hilary Chase. At the same time, Nurul Islam's outspoken, philosophical views about the nature of physics and God have earned him the ire of fundamentalist preachers in Pakistan. He makes enemies of the political and military establishments when he refuses to contribute to Pakistan's nuclear weapons project. Meanwhile, a contingent of physicists begins a smear campaign, claiming that Nurul Islams's contribution to the unification theory was plagiarized. All these events converge upon Sakina Begum who, smarting from her husband's betrayal, unwittingly commits a betrayal of her own. Everything that has worked together as though preordained since his childhood to take him to the pinnacle of scientific achievement suddenly falls apart. An exceptionally wise and intimate account of love, honour, guilt and genius, Everything There Is gives us an engaging portrait of a traditional, spiritual man facing the onslaught of inescapable forces.
Sir Adam Kelno has spent his whole life covering up his past. After his political beliefs land him in Jadwiga, Poland’s worst concentration camp, Kelno earns privileges with the Nazis by performing inhumane operations on Jewish prisoners. Now, after rebuilding his name in a British colony and being knighted by the British monarchy, Kelno finally feels safe returning to London. But his past catches up with him when the novelist Abraham Cady publishes a book naming Kelno one of the most sadistic doctors at Jadwiga. Anxious to quell the rumors, Kelno charges Cady with slandering his name. As the court proceeding draws out, Cady must fight to avenge his past as Kelno fights to save his future. An instant bestseller and the basis for the first miniseries in history, winning 6 Primetime Emmys, QB VII explores human nature under the most dire of circumstances. In Queen's Bench Courtroom Number Seven, famous author Abraham Cady stands trial. In his book The Holocaust --born of the terrible revelation that the Jadwiga Concentration camp was the site of his family's extermination--Cady shook the consciousness of the human race. He also named eminent surgeon Sir Adam Kelno as one of Jadwiga's most sadistic inmate/doctors. Kelno has denied this and brought furious charges. Now unfolds Leon Uris' riveting courtroom drama--one of the great fictional trials of the century. "You open the book and start reading. Quicker than you can say Uris you are caught up at once in the unfolding conflict . . . . It's a professional job all the way . . . . Dramatic, impassioned."—The New York Times Book Review "A fine suspense story, an excellent courtroom story, written with genuine passion. You won't put it down once you've picked it up. It is the author of Exodus at his best."—Newsweek
From April to November 1935 in Belgium, fifteen Lakotas enacted their culture on a world stage. Wearing beaded moccasins and eagle-feather headdresses, they set up tepees, danced, and demonstrated marksmanship and horse taming for the twenty million visitors to the Brussels International Exposition, a grand event similar to a world’s fair. The performers then turned homeward, leaving behind 157 pieces of Lakota culture that they had used in the exposition, ranging from costumery to weaponry. In Lakota Performers in Europe, author Steve Friesen tells the story of these artifacts, forgotten until recently, and of the Lakota performers who used them. The 1935 exposition marked a culmination of more than a century of European travel by American Indian performers, and of Europeans’ fascination with Native culture, fanned in part by William F. “Buffalo Bill” Cody’s Wild West from the late 1800s through 1913. Although European newspaper reports often stereotyped Native performers as “savages,” American Indians were drawn to participate by the opportunity to practice traditional aspects of their culture, earn better wages, and see the world. When the organizers of the 1935 exposition wanted to include an American Indian village, Sam Lone Bear, Thomas and Sallie Stabber, Joe Little Moon, and other Lakotas were eager to participate. By doing this, they were able to preserve their culture and influence European attitudes toward it. Friesen narrates these Lakotas' experiences abroad. In the process, he also tells the tale of collector François Chladiuk, who acquired the Lakotas’ artifacts in 2004. More than 300 color and black-and-white photographs document the collection of items used by the performers during the exposition. Friesen portrays a time when American Indians—who would not long after return to Europe as allies and liberators in military garb—appeared on the international stage as ambassadors of the American West. Lakota Performers in Europe offers a complex view of a vibrant culture practiced and preserved against tremendous odds.