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Centrist Orthodox theologians here reject the "God's judgment theory" of the Holocaust. Contributors include Rabbis J.B. Soloveitchik, Norman Lamm, Emanuel Rackman, Haskel Lookstein, Louis Bernstein, Reuven Bulka, Emanual Feldman and Eliezer Berkovits.
Jesus was a Jew. Yet nineteen centuries after his death, hatred inspired in part by the long-standing tradition of Christian anti-Judaism played a significant role in the murder of six million Jews in the Holocaust. How are Christians and Jews to deal with this jarring historical incongruity? In Jesus and the Holocaust Joel Marcus—a Jew by birth, a Christian by choice—offers stirring meditations on the relationship between the deaths of six million Jews at the hands of the Nazis and the death of one innocent Jew on the cross. Basing his work on sermons he originally preached on Good Friday 1995, a date that also corresponded with the fifty-year anniversary of the end of the Holocaust, Marcus weaves reflection on Bible passages together with poetry and narratives about the Holocaust. He shows how the hope that Christians have always found hidden in Christ's darkest hour can shed light on one of the most tragic events of our recent history—and vice versa.
Studies in Jewish Theology invites the reader into the 'laboratory' of a Jewish theologian as he confronts visceral issues that have confronted classical Jewish theology and that continue to challenge contemporary Jewish theological inquiry. After offering an exposition of the nature of Jewish theology and demonstrating why and how it is crucial and relevant for understanding the nature and meaning of Judaism as a religious faith, the author proposes a creative and compelling methodology for 'doing' Jewish theology. This methodology is then applied to various perennial issues of Jewish theological concern, including: the problem of evil, the nature of God, love and awe of God, God's love and law, theological foundations of the Jewish holydays, philosophies of Jewish law, and the application of Jewish theology to matters of social ethics and spirituality. Attention then turns to a consideration of Jewish-Christian theological dialogue, where a Jewish theology of Christianity, an explication of John Paul II's theology of Judaism, and medieval Jewish and Christian views of 'original sin' are presented. Finally, new perspectives on the work of contemporary Jewish theologians such as Solomon Schechter, Abraham J. Heschel, Louis Jacobs, and a survey of American Jewish theology, are discussed. A combination of erudite and accessible exposition of a wide variety of theological issues, this volume collects seventeen studies, written over three decades, by an eminent American Jewish theologian.
This expanded edition of the guide to major books in English on the Holocaust is organized into ten subject areas: reference materials, European antisemitism, background materials, the Holocaust years, Jewish resistance
Avi Sagi is Professor of Philosophy at Bar Ilan University in Ramat Gan, Israel, and Senior Fellow at the Shalom Hartman Institute in Jerusalem, Israel. A philosopher, literary critic, scholar of cultural studies, historian and philosopher of halakhah, public intellectual, social critic, and educator, Sagi has written most lucidly on the challenges that face humanity, Judaism, and Israeli society today. As an intertextual thinker, Sagi integrates numerous strands within contemporary philosophy, while critically engaging Jewish and non-Jewish philosophers. Offering an insightful defense of pluralism and multiculturalism, his numerous writings integrate philosophy, religion, theology, jurisprudence, psychology, art, literature, and politics, charting a new path for Jewish thought in the twenty-first century.
An honest, fair, and thorough discussion of the issues raised in Jewish Christian apologetics, covering thirty-five objections on general and historical themes.
How Jews think about and work with objects is the subject of this fascinating study of the interplay between material culture and Jewish thought. Ken Koltun-Fromm draws from philosophy, cultural studies, literature, psychology, film, and photography to portray the vibrancy and richness of Jewish practice in America. His analyses of Mordecai Kaplan's obsession with journal writing, Joseph Soloveitchik's urban religion, Abraham Joshua Heschel's fascination with objects in The Sabbath, and material identity in the works of Anzia Yezierska, Cynthia Ozick, Bernard Malamud, and Philip Roth, as well as Jewish images on the covers of Lilith magazine and in the Jazz Singer films, offer a groundbreaking approach to an understanding of modern Jewish thought and its relation to American culture.