The Writers Lexicon Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of The Writers Lexicon book. This book definitely worth reading, it is an incredibly well-written.
You just read your manuscript and discovered that your characters nod like marionettes in every chapter. When they’re not nodding, they roll their eyes. Time to slash the Pinocchio strings. Transform your protagonists into believable personalities that your readers will learn to love. Or hate. Get in the driver’s seat, relax, and enjoy your journey — with Kathy Steinemann’s book as your GPS.
Why do you write? Perhaps you’re penning a memoir, fantasy, or romance. Maybe you’re writing a sci-fi series or creative nonfiction novel. At the receiving end will be readers who demand clarity. If you confuse them, you lose them. Learn how to capture their attention and keep them engaged. Discover when to bend or break the so-called “rules” and motivate everyone to finish “just one more chapter.” This book is a must-have for all writers, from amateur to professional, fiction to nonfiction. Sprinkled throughout, you’ll find exercises and examples with ideas for story prompts. Snap ‘em up at will, and ... ... write on.
Ordinary writers describe the body in order to evoke images in readers’ minds. Extraordinary writers leverage it to add elements such as tension, intrigue, and humor. The Writer’s Body Lexicon provides tools for both approaches. Kathy Steinemann provides a boggling number of word choices and phrases for body parts, organized under similar sections in most chapters: • Emotion Beats and Physical Manifestations • Adjectives • Similes and Metaphors • Colors and Variegations • Scents • Shapes • Verbs and Phrasal Verbs • Nouns • Prompts • Clichés and Idioms Sprinkled throughout, you’ll also find hundreds of story ideas. They pop up in similes, metaphors, word lists, and other nooks and crannies. Readers don’t want every character to be a cardboard cutout with a perfect physique. They prefer real bodies with imperfections that drive character actions and reactions — bodies with believable skin, scents, and colors. For instance, a well-dressed CEO whose infrequent smile exposes poorly maintained teeth might be on the verge of bankruptcy. A gorgeous cougar with decaying teeth, who tells her young admirer she’s rich, could spook her prey. Someone trying to hide a cigarette habit from a spouse might be foiled by nicotine stains. Add depth to your writing. Rather than just describe the body, exploit it. Build on it. Mold it until it becomes an integral part of your narrative. “… a timeless resource: You’ll find advice, prompts, ideas, vocabulary, humor, and everything in between. But more importantly, it will make your characters stand out from the crowd.” — Nada Sobhi
"About as close you can get to the perfect cerebral thriller: searingly smart, ridiculously funny, and fast as hell. Lexicon reads like Elmore Leonard high out of his mind on Snow Crash." —Lev Grossman, New York Times bestselling author of The Magicians and The Magician King “Best thing I've read in a long time . . . a masterpiece.” —Hugh Howey, New York Times bestselling author of Wool Stick and stones break bones. Words kill. They recruited Emily Ruff from the streets. They said it was because she's good with words. They'll live to regret it. They said Wil Parke survived something he shouldn't have. But he doesn't remember. Now they're after him and he doesn't know why. There's a word, they say. A word that kills. And they want it back . . .
They Have a Word for It takes the reader to the far corners of the globe to discover words and phrases for which there are not equivalents in English. From the North Pole to New Guinea, from Easter Island to Tibet, Howard Rheingold explores more than forty familiar and obscure languages to discover genuinely useful (rather than simply odd) words that can open up new ways of understanding and experiencing life. --Sarabande Books.
Captivate the hearts and minds of young adult readers! Writing for young adult (YA) and middle grade (MG) audiences isn't just "kid's stuff" anymore--it's kidlit! The YA and MG book markets are healthier and more robust than ever, and that means the competition is fiercer, too. In Writing Irresistible Kidlit, literary agent Mary Kole shares her expertise on writing novels for young adult and middle grade readers and teaches you how to: • Recognize the differences between middle grade and young adult audiences and how it impacts your writing. • Tailor your manuscript's tone, length, and content to your readership. • Avoid common mistakes and cliches that are prevalent in YA and MG fiction, in respect to characters, story ideas, plot structure and more. • Develop themes and ideas in your novel that will strike emotional chords. Mary Kole's candid commentary and insightful observations, as well as a collection of book excerpts and personal insights from bestselling authors and editors who specialize in the children's book market, are invaluable tools for your kidlit career. If you want the skills, techniques, and know-how you need to craft memorable stories for teens and tweens, Writing Irresistible Kidlit can give them to you.
This new reference work improves on earlier works and, in canonical order, lists all words occurring fewer than 50 times. In addition to providing the word's definition, this indispensable tool includes the number of times a word occurs in a particular author's writings alongside the number of times a word is used in a given book of the New Testament. It will:
Nick and his brother Alan are on the run with their mother, who was once the lover of a powerful magician. When she left him, she stole an important charm - and he will stop at nothing to reclaim it. Now Alan has been marked with the sign of death by the magician's demon, and only Nick can save him. But to do so he must face those he has fled from all his life - the magicians - and kill them. So the hunted becomes the hunter… but in saving his brother, Nick discovers something that will unravel his whole past… "The Demon's Lexicon is full of shimmery marvels and bountiful thunder." - Scott Westerfeld "Sarah Rees Brennan crafts a twisty tale full of surprises." - Holly Black "Witty, dark, and moving, this novel will keep your eyes glued to the pages." - Cassandra Clare Nonstop action, nail-biting supsense, clever rapartee, and a knockout secret involving the two brothers will keep readers on the edges of their seats. Fans of the paranormal and the Supernatural television series are going to enjoy the adventures of these demon-fighting brothers, but so will aficionados of sharp writing, complex characters, fast-paced plots, teen angst, and the struggle between good and evil. For fans of Supernatural comes a read-until-3am-book, the first in the series by acclaimed author Sarah Rees Brennan
Author : Priscilla Long Publisher : University of New Mexico Press Page : 368 pages File Size : 33,67 MB Release : 2018 Category : Language Arts & Disciplines ISBN : 082636005X
Designed to mentor writers at all levels, from beginning to quite advanced, The Writer's Portable Mentor offers a wealth of insight and crafting models from the author's twenty-plus years of teaching and creative thought. The book provides tools for structuring a book, story, or essay. It trains writers in observation and in developing a poet's ear for sound in prose. It scrutinizes the sentence strategies of the masters and offers advice on how to publish. This second edition is updated to account for changes in the publishing industry and provides hundreds of new craft models to inspire, guide, and develop every writer's work.
Presents thirty novel terms that do not yet exist in English to envision ways of responding to the environmental challenges of our generation As the scale and gravity of climate change becomes undeniable, a cultural revolution must ultimately match progress in the realms of policy, infrastructure, and technology. Proceeding from the notion that dominant Western cultures lack the terms and concepts to describe or respond to our environmental crisis, An Ecotopian Lexicon is a collaborative volume of short, engaging essays that offer ecologically productive terms—drawn from other languages, science fiction, and subcultures of resistance—to envision and inspire responses and alternatives to fossil-fueled neoliberal capitalism. Each of the thirty suggested “loanwords” helps us imagine how to adapt and even flourish in the face of the socioecological adversity that characterizes the present moment and the future that awaits. From “Apocalypso” to “Qi,” “ ~*~ “ to “Total Liberation,” thirty authors from a range of disciplines and backgrounds assemble a grounded yet dizzying lexicon, expanding the limited European and North American conceptual lexicon that many activists, educators, scholars, students, and citizens have inherited. Fourteen artists from eleven countries respond to these chapters with original artwork that illustrates the contours of the possible better worlds and worldviews. Contributors: Sofia Ahlberg, Uppsala U; Randall Amster, Georgetown U; Cherice Bock, Antioch U; Charis Boke, Cornell U; Natasha Bowdoin, Rice U; Kira Bre Clingen, Harvard U; Caledonia Curry (SWOON); Lori Damiano, Pacific Northwest College of Art; Nicolás De Jesús; Jonathan Dyck; John Esposito, Chukyo U; Rebecca Evans, Winston-Salem State U; Allison Ford, U of Oregon; Carolyn Fornoff, U of Illinois at Urbana-Champaign; Michelle Kuen Suet Fung; Andrew Hageman, Luther College; Michael Horka, George Washington U; Yellena James; Andrew Alan Johnson, Princeton U; Jennifer Lee Johnson, Purdue U; Melody Jue, U of California, Santa Barbara; Jenny Kendler; Daehyun Kim (Moonassi); Yifei Li, NYU Shanghai; Nikki Lindt; Anthony Lioi, Juilliard School of New York; Maryanto; Janet Tamalik McGrath; Pierre-Héli Monot, Ludwig Maximilian U of Munich; Kari Marie Norgaard, U of Oregon; Karen O’Brien, U of Oslo, Norway; Evelyn O’Malley, U of Exeter; Robert Savino Oventile, Pasadena City College; Chris Pak; David N. Pellow, U of California, Santa Barbara; Andrew Pendakis, Brock U; Kimberly Skye Richards, U of California, Berkeley; Ann Kristin Schorre, U of Oslo, Norway; Malcolm Sen, U of Massachusetts Amherst; Kate Shaw; Sam Solnick, U of Liverpool; Rirkrit Tiravanija, Columbia U; Miriam Tola, Northeastern U; Sheena Wilson, U of Alberta; Daniel Worden, Rochester Institute of Technology.