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Proud and solitary, Eel Marsh House surveys the windswept reaches of the salt marshes beyond Nine Lives Causeway. Arthur Kipps, a junior solicitor, is summoned to attend the funeral of Mrs Alice Drablow, the house's sole inhabitant, unaware of the tragic secrets which lie hidden behind the shuttered windows. It is not until he glimpses a pale young woman, dressed all in black, at the funeral, that a creeping sense of unease begins to take hold, a feeling deepened by the reluctance of the locals to talk of the woman in black - and her terrible purpose.
“The book I most often give as a gift to cheer people up.” —Hilary Mantel “A deceptively smart comic gem.” –The New York Times Book Review “Witty and delicious.” –People The women in black, so named for the black frocks they wear while working at Goode’s department store, are busy selling ladies’ dresses during the holiday rush. But they somehow find time to pursue other goals… Patty, in her mid-thirties, has been working at Goode’s for years. Her husband, Frank, eats a steak for dinner every night, watches a few minutes of TV, and then turns in. Patty yearns for a baby, but Frank is always too tired for that kind of thing. Sweet, unlucky Fay wants to settle down with a nice man, but somehow nice men don’t see her as marriage material. Glamorous Magda runs the high-end gowns department. A Slovenian émigré, Magda is cultured and continental and hopes to open her own boutique one day. Lisa, a clever and shy teenager, takes a job at Goode’s during her school break. Lisa wants to go to university and dreams of becoming a poet, but her father objects to both notions. By the time the last marked-down dress is sold, all of their lives will be forever changed. A pitch-perfect comedy of manners set during a pivotal era, and perfect for fans of The Marvelous Mrs. Maisel, The Women in Black conjures the energy of a city on the cusp of change and is a testament to the timeless importance of female friendship.
Proud and solitary, Eel Marsh House surveys the windswept reaches of the salt marshes beyond Nine Lives Causeway. Arthur Kipps, a junior solicitor, is summoned to attend the funeral of Mrs Alice Drablow, the house's sole inhabitant, unaware of the tragic secrets which lie hidden behind the shuttered windows. It is not until he glimpses a wasted young woman, dressed all in black, at the funeral, that a creeping sense of unease begins to take hold, a feeling deepened by the reluctance of the locals to talk of the woman in black.
The author of The Woman in Black returns to the realm of supernatural hauntings in a tale that “chills the blood gently like fine wine” (The Guardian, UK). When Oliver returns to Cambridge, he makes sure to pay a visit to his former professor, now retired and living in a small college apartment. Oliver can’t help but notice a peculiar painting on the wall; a mysterious depiction of masked revelers at the Venice carnival. Yet in the foreground, there is an anachronistically modern figure. On this cold winter’s night, the old professor has decided to reveal the painting’s eerie secret. The dark art of the Venetian scene, instead of imitating life, has the power to entrap it. To stare into the painting is to play dangerously with the unseen demons it hides, and become the victim of its macabre beauty.
The fully authorised chilling sequel to Susan Hill's bestselling ghost-story, The Woman in Black, released in 2012 as a film featuring Daniel Radcliffe. This is the book the follow-up film starring Jeremy Irvine (War Horse) and Phoebe Fox is based on. Autumn 1940, World War Two. Bombs are raining down, destroying the cities of Britain. The evacuations begin, and soon children are being taken to the country for safety. Teacher Eve Parkins is in charge of one such group. The children are scared and Eve does her best to calm them, but the truth is that she too is haunted by a personal tragedy she cannot put behind her. Their destination is Eel Marsh House. Desolate and forlorn, it is situated on a causeway and is sinking into the treacherous tidal marshes that surround it. Far from home and with no alternative, Eve and the children move in. But soon it becomes apparent that there is someone else in the house with them, someone Eve can't see but who is far more deadly than any number of German bombs ... The Woman in Black.
'Last week, I was sitting in seven layers (two of them thermal) next to a fire, with a blanket wrapped around me. Now, I am sleeping in kickers and a vest under a fan. Let the mosquitos bite me. They can have me ... Can we live here? ... If I don't become roadkill in the next few days, I'll let you know my thoughts.' In 2009, Sarah and John Alderson quit their full-time jobs in London and headed off, with Alula, their three-year-old daughter, on a global adventure to find a new home. For eight months, they travelled through Australia, the US and Asia - navigating India with a toddler in a tutu, battling black magic curses in Indonesia and encountering bears in North America - asking themselves one defining question: 'Can We Live Here?' Inspirational, hilarious and fascinating - this is an unforgettable travel memoir and a unique guide to quitting your job, following your dreams and finding your home in a far-flung paradise.
ALos Angeles Times Bestseller Chance Hardwick, the fictitious star of the breakout filmPlains and Hills, is widely considered the greatest, most charismatic young movie actor of the postwar generation. However, his meteoric rise to fame and his tragic demise have remained an inexplicable puzzle to all who knew him, as well as to his millions of fans around the world. But all these years later, famed producer and film historian Gordon Frost has gathered Chance's family, friends, lovers, and colleagues--all the people who loved and loathed him--to tell his story and try to come to terms with the elusive, unknowable figure who continues to haunt their lives. The oral history he's pieced together uncovers the secret life of one of America's premier talents. From Chance's humble Midwestern beginnings, to his time in New York as an acting student, and finally his turn as a Hollywood icon, all the pieces fit together--or so it would seem. But who is Chance Hardwick really? And moreover, who is the mysterious woman watching over his grave each year on the anniversary of his death? Narratively inventive and always engaging,The Woman in Black spans America in the 1950s in its exploration of film, fame, and how well we ever really know each other.
No-one believes in ghosts, even in WWII, but strange things are going on in Hampshire Place. Sophie's in love with a writer who killed himself years before. At Halloween, as the midnight hour approaches, it's time for the boy to get the girl. Forever.