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The Wheatstone English Concertina in Victorian England

Author : Allan W. Atlas
Publisher : Oxford University Press on Demand
Page : 155 pages
File Size : 20,35 MB
Release : 1996
Category : Music
ISBN : 9780198165804

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The Wheatstone English concertina was enormously popular in Victorian England. Developed around 1830 by the physicist Sir Charles Wheatstone, the instrument quickly found a home on the leading concert stages and in upper-class salons. It attracted such composers as Macfarren, Benedict, Barnett, and Molique, who supplied its repertory with concertos, sonatas, character pieces, and chamber works. Its two great virtuosos, Giulio Regondi and Richard Blagrove, drew the plaudits of audiences and critics alike. This is the first comprehensive book about the instrument, its music, performers, audiences, and reception. It includes an appendix containing an edition of five pieces for the instrument.

Victorian Music for the English Concertina

Author : Allan W. Atlas
Publisher : A-R Editions, Inc.
Page : 208 pages
File Size : 27,74 MB
Release : 2009-01-01
Category : Music
ISBN : 089579652X

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Developed by the physicist Charles Wheatstone around 1830, the English concertina was extremely popular in art-music circles of Victorian England until late in the nineteenth century. This edition includes fifteen works that present a cross section of the instrument¿s concert and salon repertories, and includes music by the "mainstream" composers George Alexander Macfarren, Julius Benedict, and Bernhard Molique, as well as original compositions by such concertina virtuosos as Giulio Regondi and Richard Blagrove. There are also pieces by two little-known women composers/arrangers, Hannah Rampton Binfield and Rosina King (the instrument was particularly popular with women), and an arrangement by George Case of a well-known hymn tune, which shows how the baritone concertina was used in small parish churches. Finally, there are two works for concertina ensembles, a duo for treble and baritone concertina by Blagrove and a transcription by Regondi for concertina quartet of the final movement of Mozart¿s Symphony No. 38 "Prague."

Sound, Sin, and Conversion in Victorian England

Author : Julia Grella O'Connell
Publisher : Routledge
Page : 285 pages
File Size : 17,95 MB
Release : 2018-04-19
Category : Music
ISBN : 1317091531

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The plight of the fallen woman is one of the salient themes of nineteenth-century art and literature; indeed, the ubiquity of the trope galvanized the Victorian conscience and acted as a spur to social reform. In some notable examples, Julia Grella O’Connell argues, the iconography of the Victorian fallen woman was associated with music, reviving an ancient tradition conflating the practice of music with sin and the abandonment of music with holiness. The prominence of music symbolism in the socially-committed, quasi-religious paintings of the Pre-Raphaelites and their circle, and in the Catholic-Wagnerian novels of George Moore, gives evidence of the survival of a pictorial language linking music with sin and conversion, and shows, even more remarkably, that this language translated fairly easily into the cultural lexicon of Victorian Britain. Drawing upon music iconography, art history, patristic theology, and sensory theory, Grella O’Connell investigates female fallenness and its implications against the backdrop of the social and religious turbulence of the mid-nineteenth century.

The Anglo-German Concertina

Author : Dan Michael Worrall
Publisher : Dan Michael Worrall
Page : 353 pages
File Size : 10,41 MB
Release : 2009
Category : Music
ISBN : 0982599609

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Science and Sound in Nineteenth-Century Britain

Author : Edward J. Gillin
Publisher : Taylor & Francis
Page : 617 pages
File Size : 12,80 MB
Release : 2023-12-22
Category : History
ISBN : 1003805183

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Science and Sound in Nineteenth-Century Britain is a four-volume set of primary sources which seeks to define our historical understanding of the relationship between British scientific knowledge and sound between 1815 and 1900. In the context of rapid urbanization and industrialization, as well as a growing overseas empire, Britain was home to a rich scientific culture in which the ear was as valuable an organ as the eye for examining nature. Experiments on how sound behaved informed new understandings of how a diverse array of natural phenomena operated, notably those of heat, light, and electro-magnetism. In nineteenth-century Britain, sound was not just a phenomenon to be studied, but central to the practice of science itself and broader understandings over nature and the universe. This collection, accompanied by extensive editorial commentary, will be of great interest to students and scholars of the History of Science.

Nineteenth-Century British Music Studies

Author : Bennett Zon
Publisher : Routledge
Page : 324 pages
File Size : 44,24 MB
Release : 2019-05-23
Category : Music
ISBN : 0429627203

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Originally published in 1999, this volume of essays arises from the first biennial Music in Nineteenth-Century Britain conference, held at the University of hull in July 1997. Like the conference, this book seeks to expand and reassess our current knowledge of musical life in Britain during the nineteenth century, as well as to challenge the preconceptions of earlier attitudes and scholarship. This volume covers a cohesive range of subjects and materials intended not only as a revision of past views and scholarship, but also as a tool for further research. It provides a vigorous reconsideration of the musical activity of the period.

Musical History as Seen through Contemporary Eyes

Author : Benjamin Knysak
Publisher : Hollitzer Wissenschaftsverlag
Page : 530 pages
File Size : 17,53 MB
Release : 2022-02-04
Category : Music
ISBN : 3990129740

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"Musical History as Seen through Contemporary Eyes", edited by Benjamin Knysak and Zdravko Blažeković, is a Festschrift published in honor of the musicologist H. Robert Cohen. Born in Baltimore, educated in New York, and with a career spanning France, Canada, and the United States, Cohen is the founder of the Répertoire international de la presse musicale (RIPM), the international project focused on the historic musical press. With research interests spanning print culture, music iconography, Hector Berlioz, musical France, and Giuseppe Verdi, this volume presents a collection of essays written by many friends and collaborators exploring these themes and many others. "Musical History as Seen through Contemporary Eyes" is a tribute to Cohen's contributions to musicology, librarianship, and information science spanning more than fifty years.

Music and the Making of Modern Science

Author : Peter Pesic
Publisher : MIT Press
Page : 357 pages
File Size : 50,65 MB
Release : 2022-09-13
Category : Music
ISBN : 0262543907

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A wide-ranging exploration of how music has influenced science through the ages, from fifteenth-century cosmology to twentieth-century string theory. In the natural science of ancient Greece, music formed the meeting place between numbers and perception; for the next two millennia, Pesic tells us in Music and the Making of Modern Science, “liberal education” connected music with arithmetic, geometry, and astronomy within a fourfold study, the quadrivium. Peter Pesic argues provocatively that music has had a formative effect on the development of modern science—that music has been not just a charming accompaniment to thought but a conceptual force in its own right. Pesic explores a series of episodes in which music influenced science, moments in which prior developments in music arguably affected subsequent aspects of natural science. He describes encounters between harmony and fifteenth-century cosmological controversies, between musical initiatives and irrational numbers, between vibrating bodies and the emergent electromagnetism. He offers lively accounts of how Newton applied the musical scale to define the colors in the spectrum; how Euler and others applied musical ideas to develop the wave theory of light; and how a harmonium prepared Max Planck to find a quantum theory that reengaged the mathematics of vibration. Taken together, these cases document the peculiar power of music—its autonomous force as a stream of experience, capable of stimulating insights different from those mediated by the verbal and the visual. An innovative e-book edition available for iOS devices will allow sound examples to be played by a touch and shows the score in a moving line.

Charles Ives

Author : Gayle Sherwood Magee
Publisher : Routledge
Page : 289 pages
File Size : 25,20 MB
Release : 2010-06-10
Category : Music
ISBN : 1135847169

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This research guide provides detailed information on over one thousand publications and websites concerning the American composer Charles Ives. With informative annotations and nearly two hundred new entries, this greatly expanded, updated, and revised guide offers a key survey of the field for interested readers and experienced researchers alike.

Notes

Author : Music Library Association
Publisher :
Page : 448 pages
File Size : 45,79 MB
Release : 1998
Category : Music
ISBN :

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