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2023 Catholic Media Association First Place Award, Mysticism In A World Transfigured: The Mystical Journey, Philip Sheldrake demonstrates the importance of the mystical dimension of religious belief and practice. Using the words of the great theologian, Karl Rahner, Sheldrake makes the case that the Christian of the future will be either a mystic or nothing at all. In our contemporary world, this judgment applies equally to other religions as well. After chapters on the meaning of “mysticism” and the connection between mysticism and beliefs, Sheldrake describes important dimensions of mystical writings, illustrated by a range of examples. These are “Love and Desire,” “Knowing and Unknowing,” “Wonder and Beauty,” “Mysticism and Everyday Practice,” and “The Mystic as Radical Prophet.” Finally, the book briefly explores why mysticism fascinates so many people in our modern times.
Danto argues that recent developments in art--in particular the production of works that cannot be told from ordinary things--make urgent the need for a new theory of art. He demonstrates the relationship between philosophy and art and the connections that hold between art, social institutions, and art history.
Light and Glory offers an engaging comparison of the teachings of seven thirteenth-century theologians -- three Franciscans and four Dominicans -- on the subject of the transfiguration of Christ.
The NIV is the world's best-selling modern translation, with over 150 million copies in print since its first full publication in 1978. This highly accurate and smooth-reading version of the Bible in modern English has the largest library of printed and electronic support material of any modern translation.
Friedrich Nietzsche and the Politics of Transfiguration provides a comprehensive analysis of the politics that are implicit and explicit in Nietzsche's work. Tracy B. Strong's discussion shows that Nietzsche's writings are of a piece and have as their common goal a politics of transfiguration: a politics that seeks radical change in how human beings live and act in the modern Western world. This edition includes a new introduction that demonstrates how the styles of Nietzsche's writings expand our notions of democratic politics and democratic understanding.
When an aspiring concertmaster commits suicide after being summarily dismissed by the tyrannical conductor of a world-famous touring orchestra, blind violin teacher Daniel, who shunned the victim's earlier plea for help, investigates allegations about the conductor's harassment.
"This book taps the vein of the blending of theology and art in the Middle Ages, in particular, the evolution of the imagery and theology surrounding the Transfiguration Of Christ. In this well-researched volume, Andreas Andreopoulos discusses in detail every philosophical and ritual application of the Transfiguration icon - the mountain, the cloud, the mandorla, the positioning of the apostles, the Old Testament prophets, and the image of Christ himself - taking the reader through an illustrated historical journey. The author simplifies the complex relationship between the dogma of the church fathers and Byzantine art and makes it understandable to a non-specialist audience. Nevertheless, theologians, historians, and art historians alike will appreciate the interdisciplinary value of this clearly presented documentation. Andreopoulos's expert use of patristic texts and Jewish sources, as well as the New Testament and apocryphal writings and pagan sources, elucidates the development of art and doctrine that surround this scriptural epiphany."--BOOK JACKET.
Jesus metamorphosed. Celebrities from the past. Petrified disciples. Luminous cloud. An event as important as Christmas or Easter! Are you a preacher wondering what you can possibly say new and interesting on Transfiguration this year—to say nothing of all the Transfigurations that lie ahead of you? Are you an everyday believer curious to learn more about this holiday celebrated ievery year, yet somehow overlooked and ignored? Are you hooked on weird theological terms, intrigued by the fact that “transfiguration” is Latin for the Greek “metamorphosis” (as in butterflies and Kafka), and love to explore every wild and woolly corner of the Bible? Are you tired of Peter always getting bashed for his offer to build booths? If you answered yes to any or all of these questions, then Seven Ways of Looking at the Transfiguration needs to be at the top of your reading list! The seven ways: 1. Metamorphosis : Jesus 2. Eschaton : Elijah 3. Exodus : Moses 4. Tabernacles : Israel 5. Eyewitnesses : Peter, James, and John 6. Cloud : God the Father 7. Parousia : My Son, My Beloved Questions about the Transfiguration answered in the book: + What can it possibly mean for the eternal Lord to be transfigured, metamorphosed—changed? + Why does Luke delete the word “transfigured” from his version of the, um, well, Transfiguration? + Why does only Jesus’ clothing change in Mark’s Gospel, but his face, too, in Matthew and Luke? + Why was it Moses and Elijah, out of all possible Old Testament figures, who met with Jesus on the mountaintop? (Not because they represent “the law and the prophets”!) + Which mountain was it, anyway? + Why were Peter, James, and John the only disciples invited to see the Transfiguration? + Why was it so offensive for Peter to offer to build three booths for the three famous men? (Not because he was a babbling idiot!) + Why does God speak to Jesus at his Baptism and his Transfiguration, but not at his Resurrection? + Why doesn’t the Gospel of John have a Transfiguration story? (Or does it?) + Why doesn’t St. Paul talk about the Transfiguration? (Or does he?) + Why does Second Peter, of all oddball little epistles, talk about the Transfiguration? + Will we be transfigured someday, too? + What essential thing does the Transfiguration tell us about Jesus that his Resurrection does not?