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Two thousand years ago, the lute was imported to China via overland trade routes from Central Asia and was adopted quickly in many of the regions. Ancient court documents describe how generations of talented musicians developed its music. John E. Myers translates one of these documents to introduce to readers of the English language the traditional music and artistic philosophy of the Chinese lute or pipa. He combines language and musical skills with an aesthetic sensibility in sharing what he calls this world of expressive beauty.
This is a fantasy of time that might have been long before recorded history was written of people who existed and left their signs of being here, not only on the strange standing stones we pass daily without seeing them, but also in the customs and the way they lived. As they lived, we live, trying to avoid some of the same scourges of society, such as human trafficking and the enslavement of the unfortunates in our world. It is a love story of an awkward young man and an equally awkward young woman, who, despite their lack of social skills, forged a love that was stronger than all of their inadequacies. A love that was immediate, romantic, and compelling, even overcoming the torture of her soul. It is a story of treachery overcome by the most unlikely means by the resolve, courage, and fidelity of one man and twenty young women, the team, against overwhelming odds. Indeed, it is the story of the perfidy of men and the fidelity of women. Today in our own time, we learn almost every day of young girls being kidnapped to satisfy the appetites of the human traffickers of our modern world, sold as slaves into the sex trade’s ferocious needs and appetites for younger and younger girls. Even now in our somewhat-enlightened world, organizations exist to prevent the sale of young six-year-old girls being sold to work in the sweatshops of some Eastern manufacturers so that unscrupulous merchants can enjoy greater profits. I cannot wield Rahana’s club. Is the pen mightier than the club? Perfidy or fidelity? That is the question this story is asking you.
Reading Contemporary African Literature brings together scholarship on, critical debates about, and examples of reading African literature in all genres – poetry, fiction, and drama including popular culture. The anthology offers studies of African literature from interdisciplinary perspectives that employ sociological, historical, and ethnographic besides literary analysis of the literatures. It has assembled critical and researched essays on a range of topics, theoretical and empirical, by renowned critics and theorists of African literature that evaluate and provide examples of reading African literature that should be of interest to academics, researchers, and students of African literature, culture, and history amongst other subjects. Some of the essays examine authors that have received little or no attention to date in books on recent African literature. These essays provide new insights and scholarship that should broaden and deepen our understanding and appreciation of African literature.
When a new case is allocated to case worker Maya Johansen, she perceives it to be a normal straight forward case. But this is far from the truth An old leather bound diary she receives as part of the case reveals strange confusing entries each entry stranger than the last, that takes her deeper into the world of the Jacob's Clan, a satanic cult. In unravelling the twisted stories behind the case Maya has now found herself face to face with an evil beyond evil and find as the case suddenly becomes her
Essays on the Awareness of Loss in Contemporary Albanian Literature: Voices that Come fom the Abyss is the first scholarly monograph on the concept of loss in Albanian poetry and life writing of the twentieth and twenty-first centuries. It represents the first academic contribution to an international audience dedicated to three women writers that personified loss in communist Albania and two eminent poets who wrote representative and outstanding poetry on the meaning of loss in Albanian literature. Through the work of these three politically persecuted women writers and two modern poets, this book analyzes loss in relation to pain, grief, memory, death, freedom, and love inquiring on the meeting point between life writing and poetry, and the point where they part ways. The book explores the work of: Musine Kokalari, the first Albanian woman writer and political dissident; Bedi Pipa, the first woman known to have authored a diary in Albanian literature; Drita Çomo, author of a diary and poetry written in secret in political exile under communism; Fatos Arapi the Albanian poet who has been awarded the most important international literary prize to date and who has elaborated on the ethical implications of freedom, grief and death in relation to (personal) loss; Ali Podrimja a cornerstone of contemporary Albanian poetry, author of a volume that marked a definite turn to modernity in Albanian poetry in the Republic of Kosova and to date one of the best volumes of poetry written in the history of Albanian literature Lum Lumi, where he explores the depth of grief, pain, loss and love. The works of these five authors bring forth the necessity to re-visit the history of Albanian literature and promote interdisciplinary and comparative studies beyond Albanian literature. Shatro studies the unique traits of their life writing, the specific link between different literary genres and the exceptional capacity of poetry to carry loss to the point of articulating the unsaid, thus giving a voice to silence. She argues that through diary, memoir, epistolary and poetry, all five authors provide different views of loss and its challenging ethical implications in relation to death, memory, and freedom.
The story is that of a young naval officer, who rapidly rose from being the third highest officer of a ship of the line to become the commander of a small flotilla, which sailed around the Indian Ocean from Isle de France, now known as Mauritius, to Ceylon and to Aceh in Sumatra, to search for and destroy the enemy ships of the Bombay Marine, in support of Suffren's campaign in India.
This book introduces the “Belt and Road” in its entirety, including what it is, what it aims to do, what it can do and how. This book can serve as a helpful resource for the general public, it can improve their understanding about the “Belt and Road” and its relative economics, policy, culture and so on. Also, this book is good reading for academics, as well as students of public management, politics, finance and economics. The “Belt and Road” advances a whole complementary set of new ideas on international cooperation. Conforming to the principles of peace and cooperation, openness and inclusiveness, mutual learning and mutual benefit, it stipulates policy coordination, facilitates connectivity, unimpeded trade, financial integration and people-to-people bonds as the five major contents, and promotes practical cooperation in all fields. It also works to build an open and win-win regional community featuring mutual political trust, economic integration and cultural inclusiveness.
Early Genesis is like a table of contents for the rest of the book, a seed from which the rest of Scripture and history unfolds: so many ideas, images, and events can be traced back to it. Like the seeds that are so often our staple for life, Genesis also provides food for the soul, true wisdom, and the big picture we need to live in this world. But its message can be hindered by misunderstanding its purpose. Making Sense of Genesis looks at what works and what doesn't work when interpreting Genesis. It's not a commentary, so it doesn't interact with all of Genesis or much that has been written about it. Rather, it observes how the ideas and images in early Genesis unfold and are fulfilled, and how they are just as true and fresh for us now as they were in the beginning.
The Book of Secrets is a spellbinding novel of generations and the sweep of history which begins in 1988 in Dar es Salaam when the 1913 diary of a British colonial officer is found in a shopkeeper’s back room. The diary enflames the curiosity of a retired schoolteacher, Pius Fernandes, whose obsession with the stories it contains gradually connects the past with the present. Inhabiting the story is a memorable cast of characters, part of an Asian community in East Africa, whose lives and fates we follow over the course of seven decades. Rich in detail and description, M. G. Vassanji’s award-winning novel magnificently conjures setting and the realm of eras past as it explores the state of living in exile from one’s home and from oneself.