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This book shows how prose writers in the Victorian period grappled with the sea as a setting, a shaper of plot and character, as a structuring motif, and as a source of metaphor.
To write about the sea in the nineteenth and early twentieth centuries was to do so against a vast accretion of past deeds, patterns of thought, and particularly modes of expression, many of which had begun to feel not just settled but exhausted. All at Sea takes up this circumstance, showing how prose writers in this period grappled with the super-conventionalized nature of the sea as a setting, as a shaper of plot and character, as a structuring motif, and as a source of metaphor. But while writing about the sea required careful negotiation of multiple and sometimes conflicting associations, the sea's multiplicity and freight function not just as impediments to thought or expression but as sources of intellectual and expressive possibilities. The book examines a provocatively diverse group of key authors spanning from the 1830s to the 1930s. The discussion treats both writers inextricably associated with the sea (Frederick Marryat, Joseph Conrad) and those whose works are less obviously marine, such as Charlotte Brontë, Charles Dickens, George Eliot, William Makepeace Thackeray, and Virginia Woolf. What these writers share, among other things, is that they simultaneously register and turn to account the difficulties that attend writing about, and writing with, the sea. In the process, their sea-writing sheds new light on the value of marginalized representational techniques including repetition, cliché, and imprecision.
To write about the sea in the nineteenth and early twentieth centuries was to do so against a vast accretion of past deeds, patterns of thought, and particularly patterns of expression, many of which had begun to feel not just settled but exhausted. The Victorian Novel and the Problems of Marine Language takes up this circumstance, showing how prose writers in this period grappled with the super-conventionalized nature of the sea as a setting, as a shaper of plot and character, as a structuring motif, and as a source of metaphor. But while writing about the sea required careful negotiation of multiple andsometimes conflicting associations, the sea's multiplicity and freight function not just as impediments to thought or expression but as sources of intellectual and expressive possibilities. The Victorian Novel and the Problems of Marine Language treats a provocatively diverse group of key authors spanning from the 1830s to the 1930s and including both those inextricably associated with the sea (Frederick Marryat, Joseph Conrad) and those whose writings are less obviously marine, such as Charlotte Brontë, Charles Dickens, George Eliot, William Makepeace Thackeray, and Virginia Woolf. What these writers share, among other things, is that they simultaneously register and turn to account the difficulties that attend writing about, and writing with, the sea. In the process, their sea-writing sheds new light on the value of marginalized representational techniques including repetition, cliché, and imprecision.
This book shows uniquely how the most powerful aspects of language in literary texts are those that the reader does not see. It makes these hidden features visible by a close read of six well-known Victorian novels including Bleak House and Tess of the D'Urbervilles. The readings of the novels provide tools to illustrate how texts encode assumptions and social meaning. This has until now only been done for short pieces of writing.
The Language of Gender and Class challenges widely-held assumptions about the study of the Victorian novel. Lucid, multilayered and cogently argued, this volume will provoke debate and encourage students and scholars to rethink their views on ninteenth-century literature. Examining six novels, Patricia Ingham demonstrates that none of the writers, male or female, easily accept stereotypes of gender and class. The classic figures of Angel and Whore are reassessed and modified. And the result, argues Ingham, is that the treatment of gender by the late nineteenth century is released from its task of containing neutralising class conflict. New accounts of feminity can begin to emerge. The novels which Ingham studies are: * Shirley by Charlotter Bronte * North and South by Elizabeth Gaskell * Felix Holt by George Eliot * Hard Times by Charles Dickens * The Unclassed by George Gissing * Jude the Obscure by Thomas Hardy
Essay from the year 2019 in the subject English - History of Literature, Eras, grade: 76, University of Greenwich (New York College), course: COML1061 The 19th century British Novel, language: English, abstract: This essay discusses how Capitalism, Colonialism and Gender inequality are depicted in Jane Eyre and Great Expectations. The era from the enthrownment of Queen Victoria in 1837 to her death and the end of her reign in 1901, namely the Victorian era, was a time where great changes in society, economy and politics occurred in Britain, which shaped both Britain and the world as we know it today and of course impacted the literature of the time. (Wukovits, 2013) At a large scale, the literary work developed and published in the Victorian era moved away from the romantic and chivalry genre to the realistic genre, which is a mode of writing, which appears as if it is faithfully representing reality, presenting characters who are ordinary people set in unremarkable circumstances and ordinary environments and are struggling with social complexities in their environment. The Victorian realistic novel functions as a fictional microcosm where through the social struggle of these imaginary characters, the sociopolitical changes of the real Victorian society and their adverse effects are reported, imbued with the hope of the author that eventually the social issues they brought about will be resolved if they are brought to the light. (Moran, 2006) This paper will present how the financial and industrial progress along with the political dominance of the British Empire inside of Britain and to the British colonies affected Charlotte Brontë in the writing of Jane Eyre and how the social adversities of industrialization affected Charles Dickens in the writing of Great Expectations.
This inspiring survey challenges conventional ways of viewing the Victorian novel. Provides time maps and overviews of historical and social contexts. Considers the relationship between the Victorian novel and historical, religious and bibliographic writing. Features short biographies of over forty Victorian authors, including Wilkie Collins, Charles Dickens, George Eliot, and Robert Louis Stevenson. Offers close readings of over 30 key texts, among them Charlotte Brontë’s Jane Eyre (1847) and Bram Stoker’s Dracula (1897), as well as key presences, such as John Bunyan’s Pilgrim’s Progress (Pt 1, 1676, Pt 2, 1684). Also covers topics such as colonialism, scientific speculation, the psychic and the supernatural, and working class reading.