Author : Kurt Weill
Publisher :
Page : 57 pages
File Size : 35,79 MB
Release : 1982
Category :
ISBN :
[PDF] The Unknown Kurt Weill eBook
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The Unknown Kurt Weill
Author : Teresa Stratas
Publisher : Schott
Page : 0 pages
File Size : 43,27 MB
Release : 2005-04
Category : Music
ISBN : 9780769295138
(Schott). 14 art songs dating from 1925 to 1944 as masterly performed by Teresa Stratas on the Nonesuch record. Includes: Berlin im Licht-Song * Buddy on the Nightshift * Es regnet * Je ne t'aime pas * Klops Lied * Nanna's Lied * Youkali (Tango Habanera) * and more.
The unknown Kurt Weill
Author : Kurt Weill
Publisher :
Page : 0 pages
File Size : 13,64 MB
Release : 1981
Category :
ISBN :
Complainte de la Seine
Author : Kurt Weill
Publisher :
Page : 72 pages
File Size : 23,25 MB
Release : 1982
Category : Songs (High voice) with piano
ISBN :
The unknown Kurt Weill
Author : Kurt Weill
Publisher : [Charlotte, N.C.] : European American Music Corporation
Page : 72 pages
File Size : 35,47 MB
Release : 1982
Category : Popular music
ISBN :
The Days Grow Short
Author : Ronald Sanders
Publisher :
Page : 0 pages
File Size : 25,80 MB
Release : 1991
Category : Composers
ISBN : 9781879505063
Offers coverage of Weill's life that is informed by a knowledge of the shifting cultural and political climates in which he worked.
Kurt Weill
Author : Jürgen Schebera
Publisher : Yale University Press
Page : 402 pages
File Size : 34,83 MB
Release : 1997-09-01
Category : Music
ISBN : 9780300072846
Examining the life of Kurt Weill, this text explores the phases of the composer's life, from his childhood as the son of a cantor in the Jewish section of Dessau, Germany, to his renunciation of Germany in 1933. It also looks at his emigration to America (1935) and his premature death (1950).
Song
Author : Carol Kimball
Publisher : Hal Leonard Corporation
Page : 604 pages
File Size : 32,15 MB
Release : 2006
Category : Music
ISBN : 9781423412809
Naslagwerk van de liedkunst en de literatuur hierover.
Forbidden Music
Author : Michael Haas
Publisher : Yale University Press
Page : 505 pages
File Size : 43,52 MB
Release : 2013-04-15
Category : Music
ISBN : 0300154313
DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div
Kurt Weill: The Threepenny Opera
Author : Stephen Hinton
Publisher : CUP Archive
Page : 260 pages
File Size : 40,59 MB
Release : 1990-07-26
Category : Music
ISBN : 9780521338882
This is a book on the best known of the Weill-Brecht collaborations which explores the extent and significance of the composer's contribution. After a detailed reconstruction of the work's genesis and continued revision over three decades, Stephen Hinton examines the spin-offs on which Weill and Brecht participated: the instrumental suite, the film, the lawsuit, the novel, and the musical and textual revisions of songs. In a survey of the stage history, Hinton pays particular attention to pioneering productions in Germany and Great Britain. Kim Kowalke provides an exhaustive account of the history of The Threepenny Opera in America, Geoffrey Abbott addresses questions concerning authentic performance practice, and David Drew analyses large-scale motivic relationships in the music. Among the earliest writings on the work reprinted here, those by Theodor W. Adorno, Ernst Bloch and Walter Benjamin appear for the first time in English translation. The book contains numerous illustrations, a discography, and music examples.