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"This book offers a general introduction to the Romanesque period and discusses the primary characteristics of this style with its clearly defined forms and its overall appearance of simplicity, along with commonly used techniques and materials. Examples of Romanesque architecture can be found across Europe, some of the most recognizable being Saint Mark's Basilica in Venice, Durham Cathedral in England and Mont Saint-Michel in France." -- Book Jacket.
This volume explores the various strategies by which appropriate pasts were construed in scholarship, literature, art, and architecture in order to create “national”, regional, or local identities in late medieval and early modern Europe. Because authority was based on lineage, political and territorial claims were underpinned by historical arguments, either true or otherwise. Literature, scholarship, art, and architecture were pivotal media that were used to give evidence of the impressive old lineage of states, regions, or families. These claims were related not only to classical antiquity but also to other periods that were regarded as antiquities, such as the Middle Ages, especially the chivalric age. The authors of this volume analyse these intriguing early modern constructions of “antiquity” and investigate the ways in which they were applied in political, intellectual and artistic contexts in the period of 1400–1700. Contributors include: Barbara Arciszewska, Bianca De Divitiis, Karl Enenkel, Hubertus Günther, Thomas Haye, Harald Hendrix, Stephan Hoppe, Marc Laureys, Frédérique Lemerle, Coen Maas, Anne-Françoise Morel, Kristoffer Neville, Konrad Ottenheym, Yves Pauwels, Christian Peters, Christoph Pieper, David Rijser, Bernd Roling, Nuno Senos, Paul Smith, Pieter Vlaardingerbroek, and Matthew Walker.
Monumental wall painting once embellished countless rural churches throughout France during the 11th and 12th centuries. In this book, Marcia Kupfer focuses on the rich, stylistically diverse group of fresco cycles dispersed throughout the medieval diocese of Bourges. To interpret the social and political roles of monumental painting, Kupfer explores what she calls the politics of narrative - the complex relation between the external world and the story of redemption unfolding across church walls.
Edson Armi offers an original interpretation of Romanesque architecture by focusing on buildings in northern Italy, Switzerland, southern France, and Catalonia, the regions where Romanesque architecture first appeared around 1000 AD. He integrates the study of medieval structure with a knowledge of construction, decoration and articulation to determine the origins of medieval architecture and the High Romanesque style. Armi's in depth study reveals new knowledge about design decisions in the early Middle Ages.
This stunning volume by Corrado Ricci explores the rich heritage of Romanesque architecture in Italy. Tracing the history of this style from its roots in the Carolingian Empire to its flowering in the 11th and 12th centuries, Ricci offers a detailed and wide-ranging survey of the most important buildings, churches, and monasteries of the era. With hundreds of beautiful photographs and illustrations, this book is an indispensable reference for anyone interested in the history of architecture or the art of Italy. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Originated by art theorists in the Nineteenth Century, the term ""Romanesque"" refers to a school of religious architecture and design from the early medieval period. As with all terms that attempt to summarise an epoch, ""Romanesque"" artificially constructs the notion of one unified style, but as this book makes clear, the Romanesque tendency consisted of many different, eclectic characteristics. The investigation back through time leads us across the ancient pilgrim routes of the Pyrenees, and then into a vast range of devotional structures -churches, tombs, monuments, cathedrals and basilicas. Each one carries its own regional imprint and spiritual iconography. Containing rigorously detailed and comprehensive insights into all aspects of Romanesque symbolism and ritual, this book includes analysis of liturgical equipment, and explores the significance of many features of the buildings. A fascinating, mystical quest that forms the second volume in this acclaimed series on Medieval architecture.