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Reinterpreting twelve of Renoir's best-known works, Professor Faulkner attributes their qualities not to the director's unified sensibility but to varying social and historical circumstances. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
A Companion to Jean Renoir “An extraordinary collection of essays that more than fulfills the aims of its editors, Alastair Phillips and Ginette Vincendeau. The essays offer exciting, original work from younger scholars as well as long-established authorities, all of which offer invaluable insights into the films, writings, and life of Jean Renoir. Receiving particular attention are questions about the singularity or multiplicity of what the editors call the many ‘Renoirs’ (French, American, Indian; even transnational), especially from the early 1930s through the early 1960s. Whether mining relatively unexplored archive materials, deploying newly current methodological approaches, interrogating one of a wide range of topics and issues, or engaging in close textual analysis, the contributors construct a tantalizing series of innovative ‘road maps’ for future researchers to pursue.” Richard Abel, University of Michigan “Alastair Phillips and Ginette Vincendeau have brought together essays that bring new perspectives to both the best-known and the lesser-known of Renoir’s films. Both French cinema specialists and viewers new to Renoir’s work will find much of interest in this outstanding collection.” Judith Mayne, Ohio State University Dubbed simply “the best director”’ by François Truffaut, Jean Renoir is a towering figure in world film history. This exhaustive survey of his work and life features a comprehensive analysis of his films from the multiple critical perspectives of the world’s leading Renoir scholars. Renoir’s career spanned four decades and four countries and included an extraordinary body of films, some of which – La Grande illusion (1937) and La Règle du jeu (1939) – are universally recognized masterpieces. Fathered by the celebrated painter Pierre-Auguste Renoir, the filmmaker lived through much of the twentieth century, beginning his career in the silent era and ending it in full Technicolor. His films are notable for their paradoxical combination of strong internal coherence and thematic breadth and diversity, and they provide a rich source for today’s scholars of film history and French culture. This handbook, the largest volume on Renoir ever produced in the English language, ranges in scope from extreme close-up analysis of individual films to long-shot explorations of his aesthetics and the social and cultural contexts in which he worked. The most ambitious critical study of Renoir to date, this book will appeal to film enthusiasts as much as scholars and specialists.
Accessible and original analysis of all Jean Renoir's sound films, including those he made in Hollywood - this is the first major study to appear for a number of years and brings new light on some of the director's most celebrated films.. Illuminating account of critical debates concerning Renoir, and focusing on hitherto neglected areas such as gender, nation and ethnicity the book asks us to rethink our understanding of Renoir's political commitment.. Traces his output from the silent period to the age of television, tying his work into a fast-shifting, socio-historical context.. Detailed analyses of his sound films map his evolving style while individual chapters cover Renoir's career and writings, critical debates, the silent and early sound films, the Popular Front period, Renoir amèricain and the later films.
Author : Margaret C. Flinn Publisher : Liverpool University Press Page : 255 pages File Size : 36,24 MB Release : 2014-07-22 Category : Performing Arts ISBN : 1781385971
This book provides a vital new reading of documentary and realist fiction film of the French 1930s that focuses on how these genres interlock their representations of urban spaces and places.
Reassessing the unique qualities of Renoir's influential visual style by interpreting his films through Gilles Deleuze's film philosophy, and through previously unpublished production files, Barry Nevin provides a fresh and accessible interdisciplinary perspective that illuminates both the consistency and diversity of Renoir's oeuvre.
Author : Raymond E. Durgnat Publisher : Univ of California Press Page : 450 pages File Size : 43,21 MB Release : 2023-12-22 Category : Performing Arts ISBN : 0520332660
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
In this first major study of French colonial and postcolonial cinema, Dina Sherzer compiles essays by some of the foremost scholars on the subject who interrogate and analyze the realities behind the images of the nation's past and present. Through an examination of France and its colonies, multiethnic contemporary France, and cinematic discourses which have been and are being produced about France's colonial past, these authors explore how the images relay underlying assumptions and their relation to historical and political facts. A variety of subjects and viewpoints inform these studies, which cover the entire range of films on that topic. The authors expound upon the role French and Francophone films are currently playing in reconstructing and imagining France's colonial past. Not only do the essays examine how French cinema has represented the encounter of French citizens with individuals from former colonies during the colonial era; they examine how French cinema has portrayed and has come to terms with the immigration of former colonial subjects to France. In addition, the book features another postcolonial facet by analyzing films of directors from the former colonies who give their own representation of colonialism and presentation of their culture. This study is a major contribution to postcolonial research. Race, gender, and geography are central themes throughout this book that presents innovative material that contributes to the history of French cinema and emphasizes how cinema participates in and is a part of national culture.