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Leonardo da Vinci's scientific explorations were virtually unknown during his lifetime, despite their extraordinarily wide range. He studied the flight patterns of birds to create some of the first human flying machines; designed military weapons and defenses; studied optics, hydraulics, and the workings of the human circulatory system; and created designs for rebuilding Milan, employing principles still used by city planners today. Perhaps most importantly, Leonardo pioneered an empirical, systematic approach to the observation of nature-what is known today as the scientific method.Drawing on over 6,000 pages of Leonardo's surviving notebooks, acclaimed scientist and bestselling author Fritjof Capra reveals Leonardo's artistic approach to scientific knowledge and his organic and ecological worldview. In this fascinating portrait of a thinker centuries ahead of his time, Leonardo singularly emerges as the unacknowledged “father of modern science.” From the Trade Paperback edition.
Leonardo da Vinci was a brilliant artist, scientist, engineer, mathematician, architect, inventor, and even musician—the archetypal Renaissance man. But he was also a profoundly modern man. Not only did Leonardo invent the empirical scientific method over a century before Galileo and Francis Bacon, but Capra's decade-long study of Leonardo's fabled notebooks reveals that he was a systems thinker centuries before the term was coined. At the very core of Leonardo's science, Capra argues, lies his persistent quest for understanding the nature of life. His science is a science of living forms, of qualities and patterns, radically different from the mechanistic science that emerged 200 years later. Because he saw the world as an integrated whole, Leonardo always applied concepts from one area to illuminate problems in another. His studies of the movement of water informed his ideas about how landscapes are shaped, how sap rises in plants, how air moves over a bird's wing, and how blood flows in the human body. His observations of nature enhanced his art, his drawings were integral to his scientific studies, and he brought art, science, and technology together in his beautiful and elegant mechanical and architectural designs. Capra describes seven defining characteristics of Leonardo da Vinci's genius and includes a list of over forty discoveries he made that weren't rediscovered until centuries later. Capra follows the organizational scheme Leonardo himself intended to use if he ever published his notebooks. So in a sense, this is Leonardo's science as he himself would have presented it. Obviously, we can't all be geniuses on the scale of Leonardo da Vinci. But his persistent endeavor to put life at the very center of his art, science, and design and his recognition that all natural phenomena are fundamentally interconnected and interdependent are important lessons we can learn from. By exploring the mind of the preeminent Renaissance genius, we can gain profound insights into how to address the complex challenges of the 21st century.
Leonardo Da Vinci’s Elements of the Science of Man describes how Da Vinci integrates his mechanical observations and experiments in mechanics into underlying principles. This book is composed of 17 chapters that highlight the principles underlying Da Vinci’s research in anatomical studies. Considerable chapters deal with Leonardo’s scientific methods and the mathematics of his pyramidal law, as well as his observations on the human and animal movements. Other chapters describe the artist’s anatomical approach to the mechanism of the human body, specifically the physiology of vision, voice, music, senses, soul, and the nervous system. The remaining chapters examine the mechanism of the bones, joints, respiration, heart, digestion, and urinary and reproductive systems.
Offers a portrait of the artist, covering his life, creative process, and his art, presented in more than 295 illustrations that span the length and breadth of his career.
A science biography that examines the life and work of Leonardo da Vinci and offers kids the opportunity to make their own designs and inventions with hands-on activities! Leonardo da Vinci is famous for the Mona Lisa and other works of art. His other claim to fame? Being an inventor! During the Renaissance, inventors and other creative thinkers designed and constructed many new things. It was a time of discovery, wonder, and exploration. And one of the people on the forefront of that awakening was Leonardo da Vinci. In The Science and Technology of Leonardo da Vinci, readers ages 9 through 12 explore the life of one of the world''s most amazing minds. They discover what it might have been like to live in the seventeenth century, when work, entertainment, medicine, travel, and food were very different. They ponder the same kinds of questions that drove Leonardo to tinker and experiment endlessly, even while creating artwork that influenced entire generations who came after him. What is the inside of the body like? How might humans fly? How can geometry be used to design strong buildings? His dedication to invention, experimentation, and art, along with his insatiable curiosity, gave the world new insight into anatomy, botany, engineering, and much more. Kids gain these same insights through hands-on STEM activities, essential questions, text-to-world connections, and links to online resources, including primary sources, that encourage readers to take a closer look at the world of the Renaissance. Projects use materials already found in most homes, reimagining and repurposing everyday items, as well as those found in the recycling bin. Make career connections in the fields of engineering, art, medicine, and more! Aligns with Common Core State Standards Projects include Designing a parachute, Making a camera obscura, Working with perspective, Designing a water clock. Addresses disciplinary core ideas (e.g., "Structure and Properties of Matter") and crosscutting concepts (e.g., "Energy and Matter;" "Influence of Engineering, Technology, and Science on Society and the Environment") for NSTA''s NGSS curriculum. Numerous, direct connections to Dimension 2 of the C3 Framework ("History" Grades 3-5), providing opportunities for young readers to explore how a historically significant person evolved in context and engendered both scientific and social change. Additional materials include a glossary, a list of media for further learning, a selected bibliography, and index. About the Build It Science Biographies set and Nomad Press The Science and Technology of Leonardo da Vinci is part of a set of three Build It Science Biographies that capture the curiosity of three science revolutionaries who were able to glimpse beyond the limits of human experience and make discoveries that continue to resonate today. Other titles in this set include The Science and Technology of Ben Franklin and The Science and Technology of Marie Curie. Nomad Press books in the Build It series integrate content with participation. Combining content with inquiry-based projects stimulates learning and makes it active and alive. Nomad''s unique approach simultaneously grounds kids in factual knowledge while allowing them the space to be curious, creative, and critical thinkers. All books are leveled for Guided Reading level and Lexile and align with Common Core State Standards and Next Generation Science Standards. All titles are available in paperback, hardcover, and ebook formats.
In recent years, Niccolò Machiavelli's works have been viewed primarily with historical interest as analysis of the tactics used by immoral political officials. Roger D. Masters, a leading expert in the relationship between modern natural sciences and politics, argues boldly in this book that Machiavelli should be reconsidered as a major philosopher whose thought makes the wisdom of antiquity accessible to the modern (and post-modern) condition, and whose understanding of human nature is superior to that of Hobbes, Locke, Rousseau, Marx, or Mill. Central to Masters's claim is his discovery, based on previously untranslated documents, that Machiavelli knew and worked with Leonardo da Vinci between 1502-1507. An interdisciplinary tour de force, Machiavelli, Leonardo, and the Science of Power will challenge, perplex, and ultimately delight readers with its evocative story of the relationship between Machiavelli and da Vinci, their crucial roles in the emergence of modernity, and the vast implications this holds for contemporary life and society.
This engaging book places Leonardo da Vinci’s scientific achievements within the wider context of the rapid development that occurred during the Renaissance. It demonstrates how his contributions were not in fact born of isolated genius, but rather part of a rich period of collective advancement in science and technology, which began at least 50 years prior to his birth. Readers will discover a very special moment in history, when creativity and imagination were changing the future—shaping our present. They will be amazed to discover how many technological inventions had already been conceived or even designed by the engineers and inventors who preceded Leonardo, such as Francesco di Giorgio and Taccola, the so-called Siena engineers. This engaging volume features a wealth of illustrations from a variety of original sources, such as manuscripts and codices, enabling the reader to see and judge for him or herself the influence that other Renaissance engineers and inventors had on Leonardo.
“This remarkable exposition of Leonardo’s work” illuminates how he was centuries ahead of his time—and the lessons we can learn from his style of thought (Edward O. Wilson, Harvard University). Leonardo da Vinci was a brilliant artist, scientist, engineer, mathematician, architect, and inventor. But he was also, Fritjof Capra argues, a profoundly modern man. Capra’s decade-long study of Leonardo’s fabled notebooks reveal him as a “systems thinker” centuries before the term was coined. Leonardo believed the key to understanding the world was in perceiving the connections between phenomena and the larger patterns formed by those relationships. Seeing the world as a dynamic, integrated whole, Leonardo often used concepts from one area to illuminate problems in another. For example, his studies of the movement of water informed his ideas about how landscapes are shaped, how sap rises in plants, how air moves over a bird’s wing, and how blood flows in the human body. His observations of nature enhanced his art, his drawings were integral to his scientific studies and architectural designs. Capra describes seven defining characteristics of Leonardo da Vinci’s genius and includes a list of over forty discoveries Leonardo made that weren’t rediscovered until centuries later. His overview of Leonardo’s thought follows the organizational scheme Leonardo himself intended to use if he ever published his notebooks. So in a sense, this is Leonardo’s science as he himself would have presented it.
Leonardo’s Science Workshop leads children on an interactive adventure through key science concepts by following the multidisciplinary approach of the Renaissance period polymath Leonardo da Vinci: experimenting, creating projects, and exploring how art intersects with science and nature. Photos of Leonardo’s own notebooks, paintings, and drawings provide visual inspiration. More than 500 years ago, Leonardo knew that the fields of science, technology, engineering, art, and mathematics (STEAM) are all connected. The insatiably curious Leonardo examined not just the outer appearance of his art subjects, but the science that explained them. He began his studies as a painter, but his curiosity, diligence, and genius made him also a master sculptor, architect, designer, scientist, engineer, and inventor. The Leonardo’s Workshop series shares this spirit of multidisciplinary inquiry with children through accessible, engaging explanations and hands-on learning. This fascinating book harnesses children’s innate curiosity to explore some of Leonardo’s favorite subjects, including flight, motion, technology design, perspective, and astronomy. After each topic is explained with concepts from physics, chemistry, math, and engineering, kids can experience the principles first-hand with step-by-step STEAM projects. They will explore: The physics of flight by observing birds and experimenting with paper airplane designs The science of motion by building a windup dragonfly Gravitational acceleration with water balloons The movement of electrons by making cereal “dance” Technology design by making paper and fabric using recycled material Scientific perspective by drawing a 3D illusion Insight from other great thinkers—such as Galileo Galilei, James Clerk Maxwell, and Sir Isaac Newton—are woven into the lessons throughout. Introduce vital STEAM skills through visually rich, hands-on learning with Leonardo’s Science Workshop.
“[The Shadow Drawing] reorients our perspective, distills a life and brings it into focus—the very work of revision and refining that its subject loved best.” —Parul Sehgal, The New York Times (Editors’ Choice) An entirely new account of Leonardo the artist and Leonardo the scientist, and why they were one and the same man. Leonardo da Vinci has long been celebrated as the epitome of genius. He was the masterful painter who gave us the Mona Lisa and the Last Supper, and the visionary inventor who anticipated airplanes, hot-air balloons, and other technological marvels. But what was the connection between Leonardo the painter and Leonardo the scientist? And what can a mysterious, long-lost book teach us about how Leonardo truly conceived his art? Shortly after Leonardo’s death, his peers and rivals created the myth of the two Leonardos: there was Leonardo the artist and then, later in life, Leonardo the scientist. In this pathbreaking biographical interpretation, the art historian Francesca Fiorani tells a very different and much more interesting story. Taking a fresh look at Leonardo’s celebrated but challenging notebooks as well as other, often obscure sources, Fiorani shows that Leonardo became fluent in science when he was still a young man. As an apprentice in a Florence studio, he was especially interested in the science of optics, which tells us how we see what we see. For the rest of his life he remained, according to a close observer, obsessed with optics, believing that his art would grow only as his knowledge of light and shadow deepened. Given Leonardo’s scientific bent, one might think this meant that he wanted to turn himself into a human camera. In fact, he aspired to use science to capture—as no artist before him had ever done—the interior lives of his subjects, to paint the human soul in its smallest, tenderest motions and vicissitudes. And then he hoped to take one further step: to gather his scientific knowledge together in a book that would be even more important than his paintings. His Treatise on Painting would be disfigured, ignored, and lost in subsequent centuries; now, Fiorani traces this singular work’s byzantine path through history and reconstructs the wisdom Leonardo hoped it would impart. Ranging from the teeming streets of Florence to the most delicate brushstrokes on the surface of the Mona Lisa, The Shadow Drawing vividly reconstructs Leonardo’s life while teaching us to look anew at his greatest paintings. The result is both a stirring biography and a bold reconsideration of how the Renaissance understood science and art—and of what was lost when the two were sundered.