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“This is a powerful and exciting work. Mosse has produced a work of scholarship that is lively and readable without any loss of subtlety and sophistication. It is a ground-breaking study, of critical importance to the ways we understand religious nationalism and the anthropology of postcolonial experience.”—Susan Bayly, author of Asian Voices in a Postcolonial Age
The Saint in the Banyan Tree is a nuanced and historically persuasive exploration of Christianity’s remarkable trajectory as a social and cultural force in southern India. Starting in the seventeenth century, when the religion was integrated into Tamil institutions of caste and popular religiosity, this study moves into the twentieth century, when Christianity became an unexpected source of radical transformation for the country’s ‘untouchables’ (dalits). Mosse shows how caste was central to the way in which categories of ‘religion’ and ‘culture’ were formed and negotiated in missionary encounters, and how the social and semiotic possibilities of Christianity lead to a new politic of equal rights in South India. Skillfully combining archival research with anthropological fieldwork, this book examines the full cultural impact of Christianity on Indian religious, social and political life. Connecting historical ethnography to the preoccupations of priests and Jesuit social activists, Mosse throws new light on the contemporary nature of caste, conversion, religious synthesis, secularization, dalit politics, the inherent tensions of religious pluralism, and the struggle for recognition among subordinated people.
A second generation of emerging Dalit theology texts is re-shaping the way we think of Indian theology and liberation theology. This book is a vital part of that conversation. Taking post-colonial criticism to its logical end of criticism of statism, Keith Hebden looks at the way the emergence of India as a nation state shapes political and religious ideas. He takes a critical look at these Gods of the modern age and asks how Christians from marginalised communities might resist the temptation to be co-opted into the statist ideologies and competition for power. He does this by drawing on historical trends, Christian anarchist voices, and the religious experiences of indigenous Indians. Hebden's ability to bring together such different and challenging perspectives opens up radical new thinking in Dalit theology, inviting the Indian Church to resist the Hindu fundamentalists labelling of the Church as foreign by embracing and celebrating the anarchic foreignness of a Dalit Christian future.
Conversion has played a central role in the history of Christianity. In this first in-depth and wide-ranging narrative history, David Kling examines the dynamic of turning to the Christian faith by individuals, families, and people groups. Global in reach, the narrative progresses from early Christian beginnings in the Roman world to Christianity's expansion into Europe, the Americas, China, India, and Africa. Conversion is often associated with a particular strand of modern Christianity (evangelical) and a particular type of experience (sudden, overwhelming). However, when examined over two millennia, it emerges as a phenomenon far more complex than any one-dimensional profile would suggest. No single, unitary paradigm defines conversion and no easily explicable process accounts for why people convert to Christianity. Rather, a multiplicity of factors-historical, personal, social, geographical, theological, psychological, and cultural-shape the converting process. A History of Christian Conversion not only narrates the conversions of select individuals and peoples, it also engages current theories and models to explain conversion, and examines recurring themes in the conversion process: divine presence, gender and the body, agency and motivation, testimony and memory, group- and self-identity, "authentic" and "nominal" conversion, and modes of communication. Accessible to scholars, students, and those with a general interest in conversion, Kling's book is the most satisfying and comprehensive account of conversion in Christian history to date; this major work will become a standard must-read in conversion studies.
Author : Thomas Charles Nagy Publisher : Taylor & Francis Page : 257 pages File Size : 26,64 MB Release : 2016-08-12 Category : Religion ISBN : 1317169158
Though proportionally small, India's Christians are a populous and significant minority. Focussing on various Roman Catholic churches and shrines located in Chennai, a large city in South India where activities concerning saintal revival and shrinal development have taken place in the recent past, this book investigates the phenomenon of Catholic renewal in India. The author tracks the changing local significance of St. Thomas the Apostle, who according to local legend, was martyred and buried in Chennai and details the efforts of the Church hierarchy in Chennai to bring about a revival of devotion to St. Thomas. Insodoing, the book considers Indian Catholic identity, Indian Christian indigeneity and Hindu nationalism, as well as the marketing of St. Thomas and Catholicism within South India.
'Possessed By The Virgin' is an ethnographic account of three Roman Catholic women in Tamil Nadu, South India who claim to be possessed by Mary, the mother of Jesus. The author follows the lives of these women over many years, investigating questions about gender, social power, agency, and authenticity.
Tracing the rise and development of the Ghanaian video film industry between 1985 and 2010, Sensational Movies examines video movies as seismographic devices recording a culture and society in turmoil. This book captures the dynamic process of popular filmmaking in Ghana as a new medium for the imagination and tracks the interlacing of the mediumÕs technological, economic, social, cultural, and religious aspects. Stepping into the void left by the defunct state film industry, video movies negotiate the imaginaries deployed by state cinema on the one hand and Christianity on the other. Birgit Meyer analyzes Ghanaian video as a powerful, sensational form. Colliding with the state film industryÕs representations of culture, these movies are indebted to religious notions of divination and revelation. Exploring the format of Òfilm as revelation,Ó Meyer unpacks the affinity between cinematic and popular Christian modes of looking and showcases the transgressive potential haunting figurations of the occult. In this brilliant study, Meyer offers a deep, conceptually innovative analysis of the role of visual culture within the politics and aesthetics of religious world making.