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More than two decades after moving to Saudi Arabia and marrying powerful Abdullah Baylani, American-born Rosalie learns that her husband has taken a second wife. That discovery plunges their family into chaos as Rosalie grapples with leaving Saudi Arabia, her life, and her family behind. Meanwhile, Abdullah and Rosalie’s consuming personal entanglements blind them to the crisis approaching their sixteen-year-old son, Faisal, whose deepening resentment toward their lifestyle has led to his involvement with a controversial sheikh. When Faisal makes a choice that could destroy everything his embattled family holds dear, all must confront difficult truths as they fight to preserve what remains of their world. The Ruins of Us is a timely story about intolerance, family, and the injustices we endure for love that heralds the arrival of an extraordinary new voice in contemporary fiction.
NATIONAL BESTSELLER • Trapped in the Mexican jungle, a group of friends stumble upon a creeping horror unlike anything they could ever imagine in "the best horror novel of the new century" (Stephen King). Also a major motion picture! Two young couples are on a lazy Mexican vacation—sun-drenched days, drunken nights, making friends with fellow tourists. When the brother of one of those friends disappears, they decide to venture into the jungle to look for him. What started out as a fun day-trip slowly spirals into a nightmare when they find an ancient ruins site ... and the terrifying presence that lurks there. "The Ruins does for Mexican vacations what Jaws did for New England beaches.” —Entertainment Weekly “Smith’s nail-biting tension is a pleasure all its own.... This stuff isn’t for the faint of heart.” —New York Post “A story so scary you may never want to go on vacation, or dig around in your garden, again.” —USA Today
For the Ruin family in 1970s California, as described by the precocious young Inez, life is complex. Her father, Paul, is self-obsessed, intrusive, and brilliant. He's also twice divorced, leaving Inez to bounce between two worlds and embracing neither-that of Paul's bohemian life in San Francisco and the more sedate world of her mother Connie, a Latin bombshell who plays tennis and attends EST seminars in the suburbs. As Inez progresses through high school we are witness to a remarkable family saga that renders a strange and fascinating slice of America in transition-one like the Ruins of California themselves, at once bold and innocent, creative and chaotic, obsessed and liberating.
Set in Virginia during the Civil War and a century beyond, this novel by the award-winning author of The Yellow Birds explores the brutal legacy of violence and exploitation in American society. Spanning over one hundred years, from the antebellum era to the 1980's, A Shout in the Ruins examines the fates of the inhabitants of Beauvais Plantation outside of Richmond, Virginia. When war arrives, the master of Beauvais, Anthony Levallios, foresees that dominion in a new America will be measured not in acres of tobacco under cultivation by his slaves, but in industry and capital. A grievously wounded Confederate veteran loses his grip on a world he no longer understands, and his daughter finds herself married to Levallois, an arrangement that feels little better than imprisonment. And two people enslaved at Beauvais plantation, Nurse and Rawls, overcome impossible odds to be together, only to find that the promise of coming freedom may not be something they will live to see. Seamlessly interwoven is the story of George Seldom, a man orphaned by the storm of the Civil War, looking back from the 1950s on the void where his childhood ought to have been. Watching the government destroy his neighborhood to build a stretch of interstate highway through Richmond, he travels south in an attempt to recover his true origins. With the help of a young woman named Lottie, he goes in search of the place he once called home, all the while reckoning with the more than 90 years he lived as witness to so much that changed during the 20th century, and so much that didn't. As we then watch Lottie grapple with life's disappointments and joys in the 1980's, now in her own middle-age, the questions remain: How do we live in a world built on the suffering of others? And can love exist in a place where for 400 years violence has been the strongest form of intimacy? Written with the same emotional intensity, harrowing realism, and poetic precision that made The Yellow Birds one of the most celebrated novels of the past decade, A Shout in the Ruins cements Powers' place in the forefront of American letters and demands that we reckon with the moral weight of our troubling history.
What do you do when the one that got away comes back?CarterI thought I was doing right by those Emilia and I both love when I let her go. So why has not a single thing in my life felt right since she left? Emilia is back now, and I'm ready to fight like hell for her. But how do I convince Emilia to give me another chance when she keeps going out of her way to avoid me?EmiliaIt's been years since I've been back in Woodstock. Had it been up to me, I'd never have come back at all. I don't want to be here - I don't want to be around Carter. So why does life keep pushing me back to him?Author's Note: The Ruins Of Us is the final book in the Stolen Moments trilogy. This trilogy was previously titled Mayhem.
What do you do when the one that got away comes back? Carter I thought I was doing right by those Emilia and I both love when I let her go. So why has not a single thing in my life felt right since she left? Emilia is back now, and I'm ready to fight like hell for her. But how do I convince Emilia to give me another chance when she keeps going out of her way to avoid me? Emilia It's been years since I've been back in Woodstock. Had it been up to me, I'd never have come back at all. I don't want to be here - I don't want to be around Carter. So why does life keep pushing me back to him? Author's Note: The Ruins Of Us is the final book in the Mayhem trilogy that followed Emilia Parker and Carter Clarke through high school, college and adulthood. Emilia and Carter will definitely have their well-deserved HEA in this book, and this will conclude their story.
DIVDIV“A great adventure . . . So outrageous and so real, one is left speechless.” —Chicago Sun Times/divDIV/divDIVIn Walker Percy’s future America, the country is on the brink of disaster. With citizens violently polarized along racial, political, and social lines, and a fifteen-year war still raging abroad, America is crumbling quickly into ruin. The country’s one remaining hope is Dr. Thomas More, whose “lapsometer” is capable of diagnosing the spiritual afflictions—anxiety, depression, alienation—driving everyone’s destructive and disastrous behavior./divDIV /divDIVBut such a potent machine has its pitfalls. As Dr. More soon learns, in the wrong hands, the powerful lapsometer could lead to open warfare, pushing America into anarchy at full-speed./div /div
In 1962, on a rocky patch of sun-drenched Italian coastline, a young innkeeper looks out over the incandescent waters of the sea and spies a woman, a vision in white, approaching him on a boat. He learns that she is an American starlet who is said to be dying. And the story begins again in the present when half a world away, an elderly Italian man shows up on a movie studio’s back lot searching for the mysterious woman he last saw at his hotel decades earlier. What unfolds is a dazzling, yet deeply human, roller coaster of a novel, spanning fifty years and nearly as many lives including the starstruck Italian innkeeper and his long-lost love; the producer who once brought them together and his idealistic young assistant; the army veteran turned fledgling novelist and the rakish Richard Burton himself, whose appetites set the whole story in motion. Gloriously inventive and constantly surprising, Beautiful Ruins is a story of flawed yet fascinating people, navigating the rocky shores of their lives while clinging to their improbable dreams.
A single kiss changes everything for two lifelong rivals in this best friend's brother romance.It was hate at first sight for Emilia and Carter. Neither remembers how their feud started - yet every day, their war intensifies.Until one night. One unexpected kiss blurs the lines between love and hate, and their lives are forever changed.The stakes have never been higher. Carter is Emilia's best friend's brother, after all.
In this examination of landscape and memory, four sites of American history are revealed as places where historical truth was written over by oppressive fiction--with profound repercussions for politics past and present. Popular narratives of American history conceal as much as they reveal. They present a national identity based on harvesting the treasures that lay in wait for European colonization. In Whose Ruins tells another story: winding through the US landscape, from Native American earthworks in West Virginia to the Manhattan Project in New Mexico, this history is a tour of sites that were mined for an empire's power. Showing the hidden costs of ruthless economic growth, particularly to Indigenous people and ways of understanding, this book illuminates the myth-making intimately tied to place. From the ground up, the project of settlement, expansion, and extraction became entwined with the spiritual values of those who hoped to gain from it. Every nation tells some stories and suppresses others, and In Whose Ruins illustrates the way American myths have been inscribed on the earth itself, overwriting Indigenous histories and binding us into an unsustainable future. In these pages, historian Alicia Puglionesiilluminates the story of the Grave Creek Stone, "discovered" in an ancient Indigenous burial mound, and used to promote the theory that a lost white race predated Native people in North America--part of a wider effort to justify European conquest with alternative histories. When oil was discovered in the corner of western Pennsylvania soon known as Petrolia, prospectors framed that treasure, too, as a birthright passed to them, through Native guides, from a lost race. Puglionesi traces the fate of ancient petroglyphs that once adorned rock faces on the Susquehanna River, dynamited into pieces to make way for a hydroelectric dam. This act foreshadowed the flooding of Native lands around the country; over the course of the 20th century, almost every major river was dammed for economic purposes. And she explores the effects of the US nuclear program in the Southwest, which contaminated vast regions in the name of eternal wealth and security through atomic power. This promise rang hollow for the surrounding Native, Hispanic, and white communities that were harmed, and even for some scientists. It also inspired nationwide resistance, uniting diverse groups behind a different vision of the future--one not driven by greed and haunted by ruin. This deeply researched work of narrative history traces the roots of American fantasies and fears in a national tradition of selective forgetting. Connecting the power of myths with the extraction of power from the land itself reveals the truths that have been left out and is an invaluable torch in the search for a way forward.