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This volume examines the various ways popular music has been deployed as anti-establishment and how such opposition both influences and responds to the music produced. The book's contemporary focus (largely post-1975) allows for comprehensive coverage of extremely diverse forms of popular music in relation to the creation of communities of protest. The Resisting Muse examines how the forms and aims of social protest music are contingent upon the audience's ability to invest the music with the 'appropriate' political meaning.
Popular music has traditionally served as a rallying point for voices of opposition, across a huge variety of genres. This volume examines the various ways popular music has been deployed as anti-establishment and how such opposition both influences and responds to the music produced. Implicit in the notion of resistance is a broad adversarial hegemony against which opposition is measured. But it would be wrong to regard the music of popular protest as a kind of dialogue in league against 'the establishment'. Convenient though they are, such 'us and them' arguments bespeak a rather shop-worn stance redolent of youthful rebellion. It is much more fruitful to perceive the relationship as a complex dialectic where musical protest is as fluid as the audiences to which it appeals and the hegemonic structures it opposes. The book's contemporary focus (largely post-1975) allows for comprehensive coverage of extremely diverse forms of popular music in relation to the creation of communities of protest. Because such communities are fragmented and diverse, the shared experience and identity popular music purports is dependent upon an audience collectivity that is now difficult to presume. In this respect, The Resisting Muse examines how the forms and aims of social protest music are contingent upon the audience's ability to invest the music with the 'appropriate' political meaning. Amongst a plethora of artists, genres, and themes, highlights include discussions of Aboriginal rights and music, Bauhaus, Black Sabbath, Billy Bragg, Bono, Cassette culture, The Capitol Steps, Class, The Cure , DJ Spooky, Drum and Bass, Eminem, Farm Aid, Foxy Brown, Folk, Goldie, Gothicism, Woody Guthrie, Heavy Metal, Hip-hop, Independent/home publishing, Iron Maiden, Joy Division, Jungle, Led Zeppelin, Lil'Kim, Live Aid, Marilyn Manson, Bob Marley, MC Eiht, Minor Threat, Motown, Queen Latifah, Race, Rap, Rastafarianism, Reggae, The Roots, Diana Ross, Rush, Salt-n-Pepa, 7 Seconds, Roxanne Shanté, Siouxsie and the Banshees, The Sisters of Mercy, Michelle Shocked, Bessie Smith, Straight edge Sunrize Band, Bunny Wailer, Wilco, Bart Willoughby, Wirrinyga Band, Zines.
The major objective of this collection of 28 essays is to analyze the trends, musical formats, and rhetorical devices used in popular music to illuminate the human condition. By comparing and contrasting musical offerings in a number of countries and in different contexts from the 19th century until today, The Routledge History of Social Protest in Popular Music aims to be a probing introduction to the history of social protest music, ideal for popular music studies and history and sociology of music courses.
Winner of the Caribbean Studies Association's 2016 Barbara T. Christian Award for Best Book in the Humanities Tourists flock to the Caribbean for its beaches and spread more than just blankets and dollars. Indeed, tourism has overly affected the culture there. Resisting Paradise explores the import of both tourism and diaspora in shaping Caribbean identity. It examines Caribbean writers and others who confront the region's overdependence on the tourist industry and the many ways that tourism continues the legacy of colonialism. Angelique V. Nixon interrogates the relationship between culture and sex within the production of “paradise” and investigates the ways in which Caribbean writers, artists, and activists respond to and powerfully resist this production. Forms of resistance include critiquing exploitation, challenging dominant historical narratives, exposing tourism's influence on cultural and sexual identity in the Caribbean and its diaspora, and offering alternative models of tourism and travel. Resisting Paradise places emphasis on the Caribbean people and its diasporic subjects as travelers and as cultural workers contributing to alternate and defiant understandings of tourism in the region. Through a unique multidisciplinary approach to comparative literary analysis, interviews, and participant observation, Nixon analyzes the ways Caribbean cultural producers are taking control of representation. While focused mainly on the Anglophone Caribbean, the study covers a range of territories including Antigua, the Bahamas, Grenada, Haiti, Jamaica, as well as Trinidad and Tobago, to deliver a potent critique.
Author : Joy James Publisher : U of Minnesota Press Page : 284 pages File Size : 41,11 MB Release : 1996 Category : Minority women ISBN : 9781452901367
Reorienting Christian ethics from its usual anthropocentrism to an ecocentrism entails a new framework that Moe-Lobeda lays out in her first chapters, culminating in a creative rethinking of how it is that we understand morally.
Author : Joseph J. Foy Publisher : University Press of Kentucky Page : 281 pages File Size : 42,75 MB Release : 2008-08-22 Category : Political Science ISBN : 0813173116
The modern landscape of American entertainment is filled with commentary on the state of the union. Many people now get their news from The Daily Show and The Colbert Report instead of Fox or CNN, and satirical political films such as Bulworth and Wag the Dog resonate with audiences and reviewers alike. The cartoon sitcom The Simpsons has used American politics to shape its plotlines since its debut in 1989, and many Americans view the current war on terror through the eyes of Jack Bauer, the fictional hero of the controversial action show 24. Politics has always influenced entertainment, and Americans increasingly use popular culture to make sense of the U.S. political system and current debates. There is, however, another facet to the relationship between politics and popular culture: education. Exposure to political ideas through television, film, and music generates interest and increases knowledge among viewers and listeners. The presentation of political ideas in popular media often begins a dialogue through which citizens develop opinions about and interest in political ideas. The resulting discussions of politics and civic life have a significant value as a means to educate Americans about their government. In Homer Simpson Goes to Washington: American Politics through Popular Culture, Joseph J. Foy and other contributing scholars offer a variety of perspectives on politics through the framework of popular culture. From the classic film Mr. Smith Goes to Washington to the cutting-edge television program Chappelle's Show, the authors use a wide spectrum of entertainment media to explain the complexities of U.S. politics and how audiences engage them. The authors not only explain fundamental concepts such as civil rights, democracy, and ethics but also examine common assumptions about government and explore the use of controversial ideas in entertainment. Jennifer J. Hora uses The West Wing to introduce the heroic-president model of executive leadership, and Dean A. Kowalski presents V for Vendetta as a vehicle for understanding American political thought. Other essays test the impact of entertainment news on political knowledge and investigate the presentation of broadcast news in film to determine how well the media serves the people. The book also looks at folk music's ability to popularize protest and offers an insightful commentary on social movements in U.S. history. Popular culture and politics have never been so intertwined in the American consciousness as they are today, with films, television shows, and songs contributing to the debate over the promises versus the realities of democracy. As political knowledge becomes increasingly valuable, Homer Simpson Goes to Washington explains how popular culture can actually help connect people to their government.
Screening Protest brings together a range of scholarly perspectives on the study of protest mediations on television and in film. Arguing that the screen is a fruitful, if overlooked, analytical focus, the book explores how visual narratives of protest wander across borders – territorial, temporal and generic. Chapters compare coverage of major protests in recent history by global news channels like Al Jazeera English, BBC World, CNN International and RT. They consider how geopolitical agendas, newsroom culture and the ubiquity of eyewitness footage shape the narration of events such as the ‘Umbrella Revolution’ in Hong Kong, anti-austerity protests in Greece, pro-EU mobilizations in the Ukraine and clashes in Ferguson. A focus on narrative allows authors to compare such news stories with popular cultural depictions of the protester, in films and television series such as The Hunger Games, Robin Hood and Suffragette. Although focussed on the screen, the scope of the book is broad, given its exploration of images distributed worldwide. Written with both scholars and students in mind, Screening Protest will interest researchers in political science, sociology, media and film studies, as well as the general reader interested in current affairs.