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The Renaissance and the Postmodern

Author : Thomas L Martin
Publisher : Routledge
Page : 263 pages
File Size : 15,40 MB
Release : 2016-05-05
Category : Literary Criticism
ISBN : 1317216539

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The Renaissance and the Postmodern reconsiders postmodern readings of Renaissance texts by engaging in a dialectics the authors call comparative critical values. Rather than concede the contemporary hierarchy of theory over literature, the book takes the novel approach of consulting major Renaissance writers about the values at work in postmodern representations of early modern culture. As criticism seeks new directions and takes new forms, insufficient attention has been paid to the literary and philosophical values won and lost in the exchanges. One result is that the way we understand the logical connections, the literary textures, and the philosophical impulses that make up the literature of writers like Spenser, Shakespeare, and Milton has fundamentally changed. Examining theoretical debates now in light of polemical controversies then, the book goes beyond earlier studies in that it systematically examines the effects of these newer critical approaches across their materialist, historicist, deconstructive, and psychoanalytic manifestations. Bringing gravity and focus to this question of critical continuities and discontinuities, each chapter counterposes one major Renaissance voice with a postmodern one to probe these issues and with them the value of the cultural past. As voices on both sides of the historical divide illuminate key differences between the Renaissance and the Postmodern, a critical model emerges from the book to re-engage this period’s humane literature in a contemporary context with intellectual rigor and a renewed sense of cultural enrichment.

The Renaissance and the Postmodern

Author : Thomas L Martin
Publisher : Routledge
Page : 234 pages
File Size : 35,9 MB
Release : 2016-05-05
Category : Literary Criticism
ISBN : 1317216547

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The Renaissance and the Postmodern reconsiders postmodern readings of Renaissance texts by engaging in a dialectics the authors call comparative critical values. Rather than concede the contemporary hierarchy of theory over literature, the book takes the novel approach of consulting major Renaissance writers about the values at work in postmodern representations of early modern culture. As criticism seeks new directions and takes new forms, insufficient attention has been paid to the literary and philosophical values won and lost in the exchanges. One result is that the way we understand the logical connections, the literary textures, and the philosophical impulses that make up the literature of writers like Spenser, Shakespeare, and Milton has fundamentally changed. Examining theoretical debates now in light of polemical controversies then, the book goes beyond earlier studies in that it systematically examines the effects of these newer critical approaches across their materialist, historicist, deconstructive, and psychoanalytic manifestations. Bringing gravity and focus to this question of critical continuities and discontinuities, each chapter counterposes one major Renaissance voice with a postmodern one to probe these issues and with them the value of the cultural past. As voices on both sides of the historical divide illuminate key differences between the Renaissance and the Postmodern, a critical model emerges from the book to re-engage this period’s humane literature in a contemporary context with intellectual rigor and a renewed sense of cultural enrichment.

Uses of History

Author : Francis Barker
Publisher : Manchester University Press
Page : 208 pages
File Size : 44,62 MB
Release : 1991
Category : Historiography
ISBN : 9780719035128

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Seven essays from a symposium at the U. of Essex (no date noted) explore the viability of modern critical theories in illuminating the Renaissance, focusing especially on the plays of Shakespeare. Distributed in the US by St. Martin's Press. Annotation copyrighted by Book News, Inc., Portland, OR

Classical, Renaissance, and Postmodernist Acts of the Imagination

Author : Arthur F. Kinney
Publisher : University of Delaware Press
Page : 316 pages
File Size : 29,9 MB
Release : 1996
Category : Literary Criticism
ISBN : 9780874135831

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"This sharply focused collection of essays on poetics and poetry, with special attention to Shakespeare, includes the work of some of the nation's best-known and most respected scholars and authors. All of them are former colleagues of O. B. Hardison, Jr., and their major new essays, written especially for this collection, center on his interests: Aristotle and classical poetics, Petrarch and Italian poetics, the English Renaissance, especially Shakespeare and Milton, and postmodernist work in theory, literature, and science."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Voice Terminal Echo (Routledge Revivals)

Author : Jonathan Goldberg
Publisher : Routledge
Page : 207 pages
File Size : 24,47 MB
Release : 2014-10-10
Category : Literary Criticism
ISBN : 1317584740

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First published in 1986, this title examines a set of English Renaissance texts by Shakespeare, Spenser, Herbert, Marvell and Milton, within the theoretic framework of postmodern thought. Following an opening chapter that argues for the value of this conjunction as a way of understanding literary history, subsequent chapters draw upon Jacques Derrida’s deconstruction of photocentrism and Jacques Lacan’s analysis of the agency of the letter to offer fully theorized readings. Throughout, there is a sustained concern with the transformations of such Ovidian figures as Narcissus and Echo, Perseus and Medusa, Orpheus and Eurydice, and with the echo effects of Virgilian pastoral, as paradigms for the interplay of voice and writing.

Voice Terminal Echo (Routledge Revivals)

Author : Jonathan Goldberg
Publisher : Routledge
Page : 201 pages
File Size : 20,31 MB
Release : 2014-10-10
Category : Literary Criticism
ISBN : 1317584732

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First published in 1986, this title examines a set of English Renaissance texts by Shakespeare, Spenser, Herbert, Marvell and Milton, within the theoretic framework of postmodern thought. Following an opening chapter that argues for the value of this conjunction as a way of understanding literary history, subsequent chapters draw upon Jacques Derrida’s deconstruction of photocentrism and Jacques Lacan’s analysis of the agency of the letter to offer fully theorized readings. Throughout, there is a sustained concern with the transformations of such Ovidian figures as Narcissus and Echo, Perseus and Medusa, Orpheus and Eurydice, and with the echo effects of Virgilian pastoral, as paradigms for the interplay of voice and writing.

Voice Terminal Echo

Author : Jonathan Goldberg
Publisher : Routledge Kegan & Paul
Page : 194 pages
File Size : 21,54 MB
Release : 1986
Category : Engelska litteraturen 1500-1700
ISBN : 9780416422009

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Literature and Culture of the Chicago Renaissance

Author : Yoshinobu Hakutani
Publisher :
Page : 344 pages
File Size : 29,37 MB
Release : 2019
Category : African Americans
ISBN : 9780367230173

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The Chicago Renaissance has long been considered a less important literary movement for American modernism than the Harlem Renaissance. The Chicago Renaissance had its origin around the turn of the nineteenth century, from 1890 to 1910, gathered momentum in the 30s, and paved the way for the postmodern and postcolonial development in American literature even since. Yoshinobu Hakutani aims to shed light on this seldom studied, yet pivotal period, by studying some of it's most influential works and authors, from Theodore Dreiser in the late 1800's to Richard Wright through the mid 1900's.

Renaissance Hybrids

Author : Gary A. Schmidt
Publisher : Routledge
Page : 255 pages
File Size : 31,57 MB
Release : 2016-04-08
Category : Literary Criticism
ISBN : 1317066529

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In the first book-length study explicitly to connect the postcolonial trope of hybridity to Renaissance literature, Gary Schmidt examines how sixteenth- and seventeenth-century English authors, artists, explorers and statesmen exercised a concerted effort to frame questions of cultural and artistic heterogeneity. This book is unique in its exploration of how 'hybrid' literary genres emerge at particular historical moments as vehicles for negotiating other kinds of hybridity, including but not limited to cultural and political hybridity. In particular, Schmidt addresses three distinct manifestations of 'hybridity' in English literature and iconography during this period. The first category comprises literal hybrid creatures such as satyrs, centaurs, giants, and changelings; the second is cultural hybrids reflecting the mixed status of the nation; and the third is generic hybrids such as the Shakespearean 'problem play,' the volatile verse satires of Nashe, Hall and Marston, and the tragicomedies of Beaumont and Fletcher. In Renaissance Hybrids, Schmidt demonstrates 'postmodern' considerations not to be unique to our own critical milieu. Rather, they can fruitfully elucidate cultural and literary developments in the English Renaissance, forging a valuable link in the history of ideas and practices, and revealing a new dimension in the relation of early modern studies to the concerns of the present.